The Speechwriter
Ratings2
Average rating2.5
This book is an intimate and hilarious look inside the spin room of the modern politician: a place where ideals are crushed, English is mangled, people are humiliated, and the opportunity for humor is everywhere.Everyone knows this kind of politician: a charismatic maverick who goes up against the system and its ways, but thinks he doesn't have to live by the rules. Through his own experience as the speechwriter for a controversial governor, Barton Swaim tells the story of a band of believers who attach themselves to this sort of ambitious narcissist -- and what happens when it all comes crashing down. The Speechwriter is a funny and candid introduction to the world of politics, where press statements are purposefully nonsensical, grammatical errors are intentional, and better copy means more words. Swaim paints a portrait of a man so principled he'd rather sweat than use state money to pay for air conditioning, so oblivious he'd wear the same stained shirt for two weeks, so egotistical he'd belittle his staffers to make himself feel better, and so self-absorbed he never once apologized to his staff for making his administration the laughing stock of the country. On the surface, this is the story of one politician's rise and fall. But in the end, it's a story about us -- the very real people who want to believe in our leaders and must learn to survive with broken hearts. - Publisher.
Reviews
Popular Reviews
Reviews with the most likes.
Barton Swaim's The Speechwriter reads like a novel, a piece of fiction spun from the brain of a gifted storyteller with an astute sense of the American political system. That Mr. Swaim's book is not a novel but instead a memoir is its greatest strength, and is the greatest indictment of political communications that has been published in years.
The current state of politics in America is troubling—heck, politics all over the world, including in our own country, is a mess—and much of that handwringing about the political system is focused on how leaders, and aspiring leaders, speak of their policies and tell narratives to guide that work. Most of us know that the words we hear and read from a politician are meticulously-considered and expertly-written by a team of professionals, but we don't always remind ourselves of that when we engage in the political sphere.
The 2016 American election is particularly interesting because of the conflict between carefully-crafted messages and the raw, often ridiculous statements that can be published and circulated, unfiltered, in digital spaces. (Donald Trump's twitter account is a poignant example of how giving a voice to the candidate, rather than the candidate's staff, can be both entertaining and horrifying.) If President Obama's rise to presidency was built on the convening power of digital tools, whoever wins the upcoming election will be dependent on those tools less to convene, but instead to convince.
Mr. Swaim, who spent four years working in the communications staff of Governor Mark Sanford (yes, that South Carolina governor, who enjoyed “hiking the Appalachian trail”), provides an incisive look at how political messages are considered, crafted, and delivered in an era where what you say is often more important than what you do. His memoir is engaging, entertaining; it lulls you into thinking that the story is fiction because it is so wrought with conflict and beautifully told. The narrative is engrossing and sometimes salacious, but not without its insights on the nature of political communication: “Using vague, slippery or just meaningless language is not the same as lying: it's not intended to deceive so much as to preserve options, buy time, distance oneself from others, or just to sound like you're saying something instead of nothing.”
In an election season when we are quick to make fun of a candidate for sounding too rehearsed while also gasping in disbelief at the gruff, off-the-cuff remarks of someone from whom we expect more polish, The Speechwriter is an illumination on how those decisions—what to say, when to say it, and how to be heard—are made, and how those same decisions can become much more important that the act of governing itself.
(originally published on inthemargins.ca)
