Ratings6
Average rating3.5
1931, New Galveston , Mars: Fourteen-year-old Anabelle Crisp sets off through the wastelands of the Strange to find Silas Mundt’s gang who have stolen her mother’s voice, destroyed her father, and left her solely with a need for vengeance.
Since Anabelle’s mother left for Earth to care for her own ailing mother, her days in New Galveston have been spent at school and her nights at her laconic father’s diner with Watson, the family Kitchen Engine and dishwasher as her only companion. When the Silence came, and communication and shipments from Earth to its colonies on Mars stopped, life seemed stuck in foreboding stasis until the night Silas Mundt and his gang attacked.
At once evoking the dreams of an America explored in Ray Bradbury’s The Martian Chronicles and the harder realities of frontier life in Charles Portis True Grit , Ballingrud’s novel is haunting in its evocation of Anabelle’s quest for revenge amidst a spent and angry world accompanied by a domestic Engine, a drunken space pilot, and the toughest woman on Mars.
Nathan Ballingrud’s stories have been adapted into the film Wounds and the Hulu series Monsterland , The Strange is his first novel.
Reviews with the most likes.
Randomly picked up after seeing glowing reviews on Twitter. Can't say I really understand why. The main character is annoying, and there are a lot of inconsistencies in the narrative. I also don't really understand how a spaceship that's been shot through with multiple bullet holes can be ‘patched up' in a day or two enough to survive 6 months of space travel from Mars to Earth. I'm assuming that this is what ‘steampunk' means: science fiction with rivets. Regardless, it rattles along at a fairly brisk pace to its less than satisfactory conclusion.
The thing that saves this from 2* review is that the ‘strange' of the title is an incredible conceit, a really fascinating idea. Mars is alive, and it's suffusing the humans and their technology with its own consciousness. This idea appears about two-thirds of the way through, at which point it's a bit too late to do anything interesting with the idea. Shame this wasn't made more of.
Oh Annabelle, no one really know what they're doing. We make it up as we go along, spice or no spice.
This was better than it had any business being.