Ratings31
Average rating3.9
In the second novel of Kay’s critically acclaimed trilogy, Fionavar is locked in an unnaturally prolonged winter while an ancient evil, freed from captivity, threatens the destiny of the first world and all others, including our own.
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3 primary booksThe Fionavar Tapestry is a 3-book series with 3 primary works first released in 1984 with contributions by Guy Gavriel Kay.
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Guy Gavriel Kay s fantasy trilogy about a land called Fionavar is a little over 20 years old. I ve never heard of this Canadian author before, but an online friend was so adamant that I should read it that he ordered the books from Amazon and had them delivered to me as a gift.[return][return]The trilogy is made up of Book One: The Summer Tree, Book Two: The Wandering Fire and Book Three: The Darkest Road. Since it s essentially one huge story, I ll be talking about all three books in one review.[return][return]In The Summer Tree, five Canadian university students Kevin Laine, Kimberly Ford, Jennifer Lowell, Dave Martyniuk and Paul Schafer - were spirited to Fionavar by a mage named Loren Silvercloak of Brennin. They were invited at attend the anniversary of the king s ascension to the throne, but not long after their arrival, it became clear that there was more to it than what they were originally told.[return][return]We learn that Fionavar is the first of all worlds. All that happen there will reflect in other worlds, including our own. [return][return]A thousand years ago, Fionavar survived a war against the evil god Rakoth Maugrim the Unraveller. Rakoth breaks free from his prison and is bent on finishing what he started - destroying the land. [return][return]Loren and Brennin Seer Ysanne would readily confess that Loren came into our world for Kim Ford, whom Ysanne dreamt will succeed her as Seer. What they didn t foresee is that the other four also had specific roles to play in the Tapestry.[return][return]The Wandering Fire, which is the middle book that will make little sense without the other two, is where Kay moves all his characters into attack position for the next book. It sees the Arthurian mythos joining the tale, along with deities and symbols from various Northern and Celtic myths. [return][return]The Darkest Road is where it all comes together and makes sense. This is where we get to appreciate how intricately woven the tale is as a whole. Light triumphs over Dark, of course, but the journey there is ultimately fulfilling to follow. [return][return]I m not a big fan of High Fantasy. Most fantasy literature is either Tolkienesque in depth and length, or just sorry imitations of it. I must confess that by the time I got to The Two Towers, I ve forgotten what Fellowship if the Rings is about and summarily gave up trying to read it.[return][return]Another friend commented that The Fionavar Tapestry is too much like Lord of the Rings and it s true. You have the big bad guy, a group of people unwittingly caught in a fight against the villain, a good wizard who help the good guys, another wizard who ends up batting for the other team, the return of exiled royalty, a nation of horse riders, dwarves, a race that will no doubt bring Tolkien s elves to mind, and a lonely journey made by a short guy to the very heart of evil.[return][return]Kay, who helped Christopher Tolkien edit The Silmarillion, deliberately set his novels in Tolkien s tradition of High Fantasy to show that there is still room to come up with something that follows a formula, yet throw many surprises of its own at the same time.[return][return]The prose is beautiful without being overbearing, and despite the many characters running all over the place, Kay still manages to make you care deeply for them. Often times, you don t realize it until the characters go off and sacrifice themselves for the greater good.[return][return]There aren t that many books out there that make me cry so much reading. The last one that comes close is Anita Diamant s The Red Tent, but that is just one book and this is three.[return][return]Every time I re-read The Fionavar Tapestry, I am reminded that there is hope for High Fantasy yet.[return][return]For more on Guy Gavriel Kay, visit his website at www.brightweavings.com.[return]return
ORIGINALLY POSTED AT Fantasy Literature.
It???s been 1?? years since I read The Summer Tree, Guy Gavriel Kay???s first novel and the first in his Fionavar Tapestry. I mentioned in the review for that book that I???m an adoring fan of Kay???s later stand-alone novels but that I found The Summer Tree derivative and heavy. I would have happily skipped its sequel, The Wandering Fire, but I had already purchased it at Audible, so I thought I???d give it a chance to win me over. Simon Vance, the narrator, is one of my favorites and his bad Canadian accents were toned down this time, which made him pleasant to listen to, as usual.
In this installment, the five college students are back home in Toronto after Kim whisked them out of Fionavar when she heard Jennifer being tortured after being raped by the dark lord, Rakoth Maugrim. Jennifer became pregnant and has refused to get rid of the baby. Will the son of the dark lord be evil? Are genes destiny, or might love overcome their effect? Meanwhile, the unnatural winter grinds on in Fionavar. The people are starving and the minions of the dark lord are attacking, so Kim goes to Stonehenge to summon Arthur Pendragon and takes him and the rest of the gang back to fight evil in Fionavar.
I felt pretty much the same way about The Wandering Fire as I did about The Summer Tree. Here we get to know our heroes a little better, but they still remain rather shallow even though we spend plenty of time viewing events from their perspectives and watching them act and speak with an abundance of emotion. The villains are similarly thin. The story advances, though not much has been accomplished by the end, and I had the familiar feeling that The Fionavar Tapestry could have been done in two books instead of three.
The story, though derivative (there are so many Tolkienesque elements here), is intriguing, but the addition of King Arthur (and the foreshadowed love triangle with Jennifer and Lancelot) is strange and seems out of place. There are bright patches of humor and wit, especially in the blossoming romance between Sharra and Diarmuid, which has been my favorite plotline in this series.
My main problem with The Fionavar Tapestry is that it???s so unrelievedly heavy and histrionic. The characters, even those from modern Toronto, express almost every thought in intense turgid prose. Everything that happens ??? every conversation, every fight, every sex scene, every meal ??? is treated as if it???s the climax of the story. It???s often beautiful, but frankly, it???s exhausting. This is an area where GGK has markedly improved over the years. His later novels are still full of passion, but in these earlier books, each character feels as if he???s likely to explode at any moment if the temperature in Fionavar ever gets above freezing.
Overall, then, The Wandering Fire is a rather conventional high fantasy that suffers from excess weight and pomposity, but it???s easy and exciting to see the early stages of Guy Gavriel Kay???s later greatness here. Fans who are interested in this author???s evolution will want to be familiar with The Fionavar Tapestry, especially since its mythology is alluded to in his later novels.
2.5 out of 5 stars
After really enjoying the first book in the series, I thought this second book had a major drop-off in quality. The story went in several head-scratching directions that left me disengaged and confused. I'm hopeful that this can be explained away as “middlebookinitis” and that the third book can recapture the magic of the first.
See this review and others at The Speculative Shelf.