Ratings20
Average rating3.7
DNF at 61%. I felt like this had potential, but I was too distracted by all the run-on sentences and character jumping. I lost track of how many times I had to re-read a rambling sentence...phew.
I wasn't wild about the addiction side plot, but I understand it was relevant overall and relatable to those who have struggled with addiction. My only experience with it involved being raised in a home with an alcoholic who dabbled in other drugs.
I was also a bit disappointed that we didn't get to see the POV of a character I loved from the previous book, but it makes sense in retrospect. That also fits well with the title.
Overall, I liked how the book wrapped up, and appreciated the less chaotic nature compared to the first book.
Similar to how I encountered Tommy Orange's debut novel, I listened to the audiobook of this one - about 1/3 of which is prequel to his first work while the other 2/3 is a sequel which picks up after the tragic ending of "There There." I appreciate how Orange weaves together the history of Indians in America with the modern experiences of urban Indians - specifically Oakland, CA. The past part of the story focused on the de-humanization and de-culturalization caused by the Indian schools of the late 19th & early 20th centuries. Once the family lineage story moves ahead to the grandma of the three brothers from "There There," much of the story becomes about the opioid use and abuse of the oldest of the trio. His addiction is drawn vividly and I imagine with authenticity. Although the plot feels thinner than his first novel, Orange here has a more mature voice - especially as he breaths life in to the family at the center of the story.
I love Alma Cuervo, her performance in this audiobook is phenomenal. I love her cadence, tone, and variation in her range. I fell in love with her work in The Seven Husbands of Evelyn Hugo and this performance in Wandering Stars is very lovely!