 First Comes Summer First Comes Summer
| 0 | - | |
 Bring It On: The Complete Story of the Cheerleading Movie That Changed, Like, Everything
| 4 | - | |
 Sellout
| 4.33 | 5 | |
 Remarkable Creatures
| 3.74 | 4 | |
 The Man Who Ate Too Much: The Life of James Beard
| 5 | 5 | |
 Cimino: The Deer Hunter, Heaven’s Gate, and the Price of a Vision
| 5 | 5 | |
 Easy to Learn, Difficult to Master: Pong, Atari, and the Dawn of the Video Game
| 0 | - | |
 Where Black Stars Rise
| 0 | - | |
 White Horse
| 3.38 | 4 | |
 How Y'all Doing?
| 4.33 | - | |
 The Postman Always Rings Twice
| 3.67 | 4 | |
 The Wanderer
| 4.33 | - | |
 My Annihilation
| 3.81 | - | |
 The Life of Crime: Unravelling the Mysteries of Fiction’s Favourite Genre
| 4 | 5 | |
 Ducks
| 4.46 | 5 | |
 A Judgement in Stone
| 4.33 | 5 | |
 A Fatal Inversion
| 3.67 | 4 | |
 Portobello
| 4.5 | 5 | |
 Daphne
| 3.33 | 3 | |
 Men Don't Read Men Don't Read: The Unlikely Story of the Guys Book Club
| 5 | 5 | |
 Hell of a Book
| 4 | - | |
 The Blackhouse
| 3 | - | |
 After She'd Gone
| 3 | - | |
 My Heart Is a Chainsaw
| 3.68 | 3 | |
 It Came from the Video Aisle! It Came from the Video Aisle!: Inside Charles Band's Full Moon Entertainment Studio
| 5 | 5 | |
 Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls
| 2.67 | 4 | |
 Gender Queer | 4.39 | 4 | |
 The Show That Never Ends: The Rise and Fall of Prog Rock
| 5 | 5 | |
 The Shadow Killer The Shadow Killer
| 3 | 3 | |
 I'm Glad My Mom Died
| 4.49 | 4 | |
 The Shadow District The Shadow District
| 3.5 | 4 | |
 Schemerspel
| 4 | 5 | |
 The Laughing Policeman
| 4.21 | - | |
 The Man Who Went Up in Smoke
| 4 | - | |
 The Pallbearers Club
| 3.43 | - | |
 Roseanna
| 4.22 | 5 | |
 Strange shores
| 3.83 | 5 | |
 Abgründe Abgründe
| 4 | 5 | |
 One Hundred Saturdays One Hundred Saturdays: Stella Levi and the Search for a Lost World
| 5 | - | |
 The Shamshine Blind
| 4 | - | |
 Six Weeks to Live
| 5 | - | |
 The Deceptions
| 0 | - | |
 Don't Fear the Reaper
| 4.21 | - | |
 Aces Wild
| 2.88 | - | |
 We Spread
| 3.9 | - | |
 Paper Targets: Art Can Be Murder
| 4 | - | |
 Sunset Motel
| 0 | - | |
 Reluctant Immortals
| 4 | - | |
 Wardenclyffe
| 0 | - | |
 The Vicious Circle
| 3.6 | - | |
 Dark Music
| 0 | - | |
 Unleashed
| 0 | - | |
 What Lies in the Woods
| 3.83 | - | |
 The Tooth Fairy
| 0 | - | |
 The Wheel of Doll
| 3 | - | |
 Meet Us by the Roaring Sea
| 4 | - | |
 My Dirty California
| 0 | - | |
 When the Devil Holds the Candle
| 5 | 5 | |
 The Man Who Died
| 3.5 | 4 | |
 Frevelopfer Frevelopfer
| 4 | 4 | |
 Talking about detective fiction
| 4 | 5 | |
 Hypothermia
| 4.5 | 5 | |
The Rough Guide to Crime Fiction The Rough Guide to Crime Fiction
| 0 | - | |
 1222
| 2.86 | 2 | |
 One's Company
| 3.88 | 4 | |
 Arctic Chill
| 3.33 | 3 | |
 The Draining Lake
| 4 | 4 | |
 Voices
| 4.08 | 5 | |
 Silence of the Grave
| 3.89 | 5 | |
 How to Sell a Haunted House
| 3.8 | - | |
 Jar City
| 3.4 | 4 | |
Blackout Blackout
| 3.5 | 3 | |
 Smilla's Sense of Snow
| 3.69 | - | |
 Miss Iceland
| 4.25 | 5 | |
 Outside
| 3.17 | 3 | |
 The Resting Place
| 3 | 4 | |
Magma Magma
| 3.75 | 3 | |
Nightblind Nightblind
| 3 | - | |
Snowblind Snowblind
| 3.33 | 4 | |
 We Had to Remove This Post
| 3.07 | 3 | |
Winterkill Winterkill
| 3.67 | 5 | |
 Mickey7
| 3.58 | 4 | |
 The Overnight Guest
| 3.74 | 2 | |
The Vinyl Frontier The Vinyl Frontier: The Story of NASA's Interstellar Mixtape
| 5 | 5 | |
 What Makes This Book So Great
| 4 | 5 | |
 The White Darkness
| 4 | 4 | |
Myst in Retrospect Myst in Retrospect: A Journey Through the Ages
| 5 | 5 | |
 Mouth to Mouth
| 3.81 | - | |
 A Psalm for the Wild-Built
| 4.3 | - | |
 The Secret Life of the American Musical: How Broadway Shows Are Built
| 3.6 | 4 | |
 Either/Or
| 4.53 | 4 | |
 Booth
| 3.83 | 5 | |
 An Informal History of the Hugos
| 4 | 5 | |
Visiting Friends Visiting Friends: Or, What I Did On My Summer Vacation
| 0 | - | |
 The Silent Patient
| 3.75 | - | |
 Moxyland
| 3.82 | - | |
 Last Night at the Telegraph Club
| 4.35 | 4 | |
 Gate of Ivrel
| 3.83 | 5 | |
We Who Are About To . . . We Who Are About To . . .
| 3.5 | 5 | |
 You Should Have Left
| 3.1 | - |
