Dave

Interestingly, Nixonland isn't a biography of Richard Nixon but instead more a history of the 1960s in America with Richard Nixon as the main character. Perlstein tells the story of the political, social, and cultural history of the U.S. in the '60s in very entertaining fashion, jumping from historical event to historical event with very satisfying in-depth analysis and exploration. Perlstein's most valuable contribution is his ability to see past the surface of historical actors' words and analyze their rhetoric and ideology with a precise clarity. Nixon becomes the perfect protagonist for such analysis because, as Perlstein makes clear, he was a master of politics and language and controlling the conversation. Nixon chose his public words very carefully, always making sure that the American public saw the version of himself (a down-to-Earth outsider who understood their frustrations, grievances, and resentments) that he wanted them to see. His actions were carefully taken as well. Nixon was able to craft coalitions with elements of the right that suited him when he needed, be they far-right John Birchers and Southern Segregationists, or moderate liberal Republicans like those who were likely to support George Romney or Nelson Rockefeller.

Perlstein believes that the present day culture wars and sociopolitical divides trace their origins to the mid 1960s and that Richard Nixon was the soothsayer who identified them first and was able to exploit them to his benefit, ultimately winning him the presidency. I do believe that the general reactionary right wing / progressive left wing cultural dispute probably is older than suggested here, but Perlstein is able to present evidence from every single part of American society (electoral politics, mass pop culture, academia, student organizing, housing, literature, military, labor) to demonstrate how this divide grew to become a great chasm in the 1960s.

Kitchen Confidential condenses the energy, vitality, humor, integrity, and shock appeal that endeared Bourdain to millions of fans. It's impossible to read Kitchen Confidential and not feel some urge to abandon whatever else one may be doing with their life and go become a line cook (or at least take a little more pride while expressing one's self in the kitchen).

Had to slog through this. Lots and lots of important information and coverage of primary documents and accounts from roughly ~1750 to 1899 in both Oregon and Washington, but it is organized poorly and brutal to actually sit down and read. If I was a graduate student researching PNW Indians this is probably a must own just to use the index to find incidents, characters, and moments from PNW Indian history, but I cannot recommend it to a casual reader. New historiography is badly needed.

Mark Twain describes his travels on a luxury cruise that takes him and a couple hundred other Americans from New York across the Atlantic to the Azores, Gibraltar, Morocco, Marseille, Paris, much of Italy, Greece, Turkey, Lebanon, Syria, and Palestine in 1867. It is fascinating to hear about an American traveler's experience at such a time when the world was industrializing and probably already as different from the 18th century as it was different from our world in the 21st century today.

Twain takes in the hallowed sights and sites along the “grand tour” of Western Europe and the near Middle East with a wry and usually hilariously cynical skepticism. Rather than recount how extraordinarily beautiful the art of the old masters is, Twain instead typically comments on the way that tourists take in that art–almost always using the stock observations of the guidebooks. Twain never holds back and freely describes the uglier, chintzier, seedier, and more unpleasant experiences that a traveler would have faced, be they underhanded tour guides, fraudulent histories offered at sites, bad food, awful weather, shameful behavior from fellow American tourists, or otherwise.

This is the first pre 20th century travel writing that I have read, but I suspect that Twain's is among the most readable, in large part because he seeks to parody the stodgy cliches of other travel writing popular of the time. It offers a fascinating insight into the way people lived in urban and rural places from a perspective that is unique and historical, but familiar (as an American). This does not mean Twain's work is without fault. Despite many instances where Twain works to dispel prejudices (his preface even includes a famous epigraph about the power of travel to give one empathy and dispel racism), Twain expresses ugly attitudes towards “the Turk” and “Mohammedans”, perhaps consistent with his general anti-religious sentiments, but frustratingly ignorant nonetheless.