| #2 |  Literary Theory Literary Theory: An Introduction
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| #3 |  How to Read Literature
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| #4 |  Karl Marx and World Literature
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| #5 |  Marxist Literary Criticism Today
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| #6 |  Marxism and literary criticism
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| #7 |  The Necessity of Art
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| #8 |  Between Philosophy and Literature Between Philosophy and Literature: Bakhtin and the Question of the Subject
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| #9 | Art History as Social Praxis Art History as Social Praxis: The Collected Writings of David Craven
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| #10 |  Marxism and the History of Art: From William Morris to the New Left |
| #11 |  Fredric Jameson: The Project of Dialectical Criticism
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| #12 |  Marxism and Form Marxism and Form: Twentieth-Century Dialectical Theories of Literature
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| #13 |  Allegory and Ideology
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| #14 |  A Singular Modernity: Essay on the Ontology of the Present
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| #15 |  The Ancients and the Postmoderns: On the Historicity of Forms
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| #16 |  Dying for Time
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| #17 |  The Bourgeois: Between History and Literature
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| #18 | Seizing the Light Seizing the Light: A Social History of Photography
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| #19 |  The Social Photo: On Photography and Social Media
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| #20 |  Civil Imagination: A Political Ontology of Photography
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| #21 |  Capitalism and the Camera: Essays on Photography and Extraction |
| #22 |  Artificial Hells: Participatory Art and the Politics of Spectatorship
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| #23 | The Twilight of the Middle Class The Twilight of the Middle Class: Post-World War II American Fiction and White-Collar Work
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| #24 |  Art and Value: Art s Economic Exceptionalism in Classical, Neoclassical and Marxist Economics
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| #25 |  Art and Labour: On the Hostility to Handicraft, Aesthetic Labour and the Politics of Work in Art
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| #26 |  Art and Postcapitalism: Aesthetic Labour, Automation and Value Production
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| #27 |  Towards a Productive Aesthetics Towards a Productive Aesthetics: Contemporary and Historical Interventions in Blake and Brecht
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