 Death at Whitewater Church | 3.67 | 4 | |
 Pros and Cons
| 4 | - | |
 The Fifth Season
| 4.33 | 3 | |
 23 Things They Don't Tell You about Capitalism
| 3.67 | - | |
 Reasonable Doubts: Stories of the Law and How it's Broken
| 5 | 5 | |
 Tin Man
| 3.6 | 2 | |
 Unthinkable
| 3.75 | - | |
 206 Bones
| 2.67 | 2 | |
 The Grownup The Grownup
| 0 | 3 | |
 Asking for it
| 4.18 | 5 | |
 The Guest Cat
| 3.43 | 2 | |
 The Long Goodbye
| 3.97 | 3 | |
 Testosterone Rex
| 4 | - | |
 Good Me Bad Me
| 3.78 | 3 | |
 The Killing House
| 0 | 3 | |
 Queer
| 3.79 | - | |
 The Missing Postman The Missing Postman
| 4 | - | |
 A Vindication of the Rights of Woman
| 3.92 | - | |
 Hag-Seed: the Tempest Retold
| 4 | - | |
 Dear Ijeawele, Or a Feminist Manifesto in Fifteen Suggestions
| 4.39 | 4 | |
 Sweet Little Lies
| 3.82 | 4 | |
 The Beauty Myth
| 3.38 | 5 | |
 The Girl on the Stairs
| 0 | 2 | |
 In a Dark, Dark Wood
| 3.36 | 3 | |
 Bloodchild
| 4.34 | - | |
 Inferior: How Science Got Women Wrong—and the New Research That's Rewriting the Story
| 4 | 5 | |
 The Girls in the Big Picture: New Voices from Ulster Theatre
| 0 | - | |
 Rain Dogs
| 4.2 | - | |
 Don't Let My Past Be Your Future: A Call to Arms
| 0 | - | |
 Lasting Damage
| 0 | - | |
 A Rising Man
| 3.9 | - | |
 Designing Your Life
| 3.74 | 4 | |
 Postcard Stories
| 5 | 5 | |
 Well-Behaved Women Seldom Make History
| 4 | - | |
 Animal
| 4 | 4 | |
 The Power
| 3.73 | 3 | |
 Freedom Is a Constant Struggle
| 4.29 | - | |
 I Am, I Am, I Am: Seventeen Brushes With Death
| 4.18 | 4 | |
 Attack Of The Fifty Foot Women
| 0 | - | |
 Divorcing Jack
| 2 | - | |
 The Dead Ground
| 0 | 3 | |
 Rilke on Black
| 0 | - | |
 Statistics: A Very Short Introduction
| 0 | - | |
 An Astronaut's Guide to Life on Earth
| 4.28 | - | |
 A Savage Hunger | 3 | 3 | |
 Pond
| 3.47 | - | |
 We Should All Be Feminists
| 4.41 | 4 | |
 Belfast - Twelve City Walks
| 0 | - | |
 Snuff
| 4.01 | 3 | |
 Travels with Tom Crean: Antarctic Explorer
| 0 | - | |
 The Long Gaze Back: An Anthology of Irish Women Writers
| 0 | - | |
 Blood Tide
| 0 | 2 | |
 The Guards
| 3.6 | 3 | |
 Jean Cocteau and The Testament of Orpheus
| 0 | - | |
 Quiver
| 2 | 2 | |
 A Belfast Tale
| 0 | - | |
 The Gap Into Conflict: The Real Story
| 3.58 | - | |
 The Golden Ass
| 4 | 5 | |
 The Rhythm Section The Rhythm Section
| 2.83 | 3 | |
Breaking Point Breaking Point
| 3 | 3 | |
 Lord Foul's Bane
| 3.09 | - | |
 The Heart is a Lonely Hunter
| 3.77 | 4 | |
 The Last Wish
| 4.02 | 3 | |
 Never Let Me Go
| 3.85 | 1 | |
 The Mirror of Her Dreams
| 3.41 | 4 | |
 Stones in His Pockets: And a Night in November
| 0 | - | |
 The Invisible Girl: A Father’s Heart-breaking Story of the Daughter He Lost
| 2 | 2 | |
 Well remembered days: Eoin O'Ceallaigh's memoir of a twentieth-century Catholic life
| 3 | 3 | |
 The International
| 0 | 4 | |
 Monsieur Malchance et le Chevalier Monsieur Malchance et le Chevalier
| 0 | - | |
 Burlesque and the Art of the Teese / Fetish and the Art of the Teese
| 3.5 | - | |
 Comedians
| 0 | - | |
 The Home Planet | 4 | 4 | |
 Bounce
| 4 | 4 | |
 Borderlands
| 0 | 3 | |
 Flashman
| 3.65 | 3 | |
 Gemini
| 3 | 3 | |
 Chameleon
| 3 | 3 | |
 Yann Arthus-Bertrand Yann Arthus-Bertrand: Being a Photographer
| 0 | - | |
 The Book of Lost Things
| 3.87 | 4 | |
 Fermat's Last Theorem
| 3.88 | 4 | |
Fireproof Fireproof
| 4 | - | |
The Heidi Chronicles. The Heidi Chronicles.
| 5 | 3 | |
 Mortality
| 4.12 | 3 | |
 Candide
| 3.81 | 3 | |
Controlled Explosions Controlled Explosions
| 0 | - | |
 The Great Gatsby
| 3.72 | 2 | |
 Harry Potter and the Goblet of Fire
| 4.38 | 3 | |
 A Man Rides Through
| 3.72 | 4 | |
 Tickling the English
| 3 | 3 | |
 If Chins Could Kill
| 3.97 | 4 | |
 The Master and Margarita
| 4.16 | 4 | |
 Dracula
| 3.86 | 3 | |
 The Thought Gang The Thought Gang
| 4.5 | 4 | |
 The Gap Into Ruin: This Day All Gods Die
| 4.2 | - | |
 The Gap Into Madness: Chaos and Order
| 4.25 | - | |
 Scorch
| 0 | - | |
 How to Keep an Alien: A Story About Falling in Love and Proving it to the Government
| 0 | - | |
Leon Leon: Fast Vegetarian
| 0 | - | |
 Critical Mass
| 3 | - |
