Michelle

StN is a long, atmospheric historical fiction, mystery, novel. So many of the details that initially seem just part of that atmosphere contribute to the conclusion. You are never going to know what all matters or what detail will become significant.

Not recommended for people who want a fast pace or constant action. This story takes its time, lingers on details, contains long conversations.

Matthew and the magistrate, who is a father figure to Matthew, travel to the settlement of Fount Royal, the brain child of a man named Bidwell. The town is faltering due to the belief that one of the residents is a witch. Hence, the need for a magistrate.

Although McCammon writes horror, there is no real belief created in the reader that Rachel is a witch, nor is there meant to be. This detail works more on the level of hysteria, human bias and stupidity, and circumstantial evidence. To some extent, this is funny. To paraphrase any number of exchanges.

“So, magistrate, when will we get to burn the witch?”

“The accused needs to be tried.”

“Right, sure. We have to try her before we burn her – we believe in the law – but when do you think we can get to the burning part?”

And, unsurprisingly, anything that seems like evidence against her being a witch is written off as the devil being cunning.

But the book is about more than that. It's about Matthew coming of age and separating from his father figure as he definitively becomes a man in his own right. It's also about appearances being deceiving. Beyond an innocent woman being accused of doing the naughtiness with Satan, we have Matthew step into at least 3 homes that are not what they appear from the outside. We have multiple characters who are not what they seem. We have assumptions that prove to be false.

We also have this little ear worm:

Come out, come out, my dames and dandies. Come out, come out, and taste my candies.

I'm giving StN 5 stars because, after reading 800+ pages, I found myself not wanting to leave. A sense of melancholia set in at the last 10% because I knew the story was wrapping up, and I knew there would be some sadness both in the story and in me as a reader.

I listened to the audiobook of this, and the story and the narrator were a terrific match, January LaVoy did a great job with the various voices and accents, both the female and male characters. This was just plain fun with the setting of 1920s New York, and the slang, combined with the expert narration. And, of course, it was a bit creepy as well. A lot of future story lines were set up in The Diviners, and I plan to listen t0 – of course, in this case, listen to – the rest of the series. This made dull work at my business go a lot faster!