Beth Tabler

Thank you Netgalley and the publisher for providing me with a copy in exchange for my honest review.

I loved this little book. Wendall is so cute and it is almost heartwarming the way that it is rendered and narrated. It is the soft colored by highly detailed pictures that sold me on the story. I think I would buy it just for that and keep in on my shelf. The story is cute and bittersweet, a bit light and childish, but cute nonetheless. The story works. I would recommend for a precocious middle schooler who is being introduced to the gorgeous world of graphic novels.

Spider is the hero you did not know that you needed. Brash and deranged, Spider yells at the top of his lungs things that make you uncomfortable. And, if you are nervous? Good. Scared to exams painful truths? Good. Because the truth is coming for you, and Spider is going to bringing it with the fervor and intensity of a bulldog on crystal meth.

Transmetropolitan was written twenty-one years ago, published by DC Comics between 1997 - 2002, but it might as well been written yesterday for how current and prescient it is. The story is built around the antics of our protagonist and antihero, an investigative journalist named Spider Jerusalem. He is tattooed, brash, brilliant, sarcastic, caustic, drug addicted, and a wild man of journalists fervor. Often drawn wearing a pair of stereoscopic sunglasses, one red lens, and the other green while streams of smoke curl out of his nostrils and usually sporting a scowl of discontent while gesticulating wildly at the idiocy of passers-by. Describing him, he sounds like a lunatic when in actuality he is the reincarnation of gonzo journalist Hunter S. Thompson dropped into the 23rd century.

The first six issues of the 60 issue story make up Vol. 1 Back in The Streets. It is written as Spider is getting his feet under him after a five-year voluntary sabbatical. Called back to finish his book deal with his editor, lovingly known as Whorehopper, he unwillingly reenters The City and society and is equal parts horrified and fascinated by it. The City, as it is referred to, is Id and hedonism run amok puked out in a cyberpunk Technicolor fever dream. If you can dream it, and have the money, you can do it. All of which sounds impressive when tempered with wisdom and ethics. However, The City is neither of those things. Spider is constantly reminded of why he hid in the wilderness and eschewed all human contact.

Issue three of Volume 1 talks about Spider's first story back into the throes of journalism. He is covering a pseudo-alien messiah named Fred Christ, as he represents the Transcience movement. The Transience movement being a subculture of body modification fetishists who use technology to change themselves to something resembling a new species. In this case, adapting aspects of an alien species. Fred Christ's base is located in the Angel 8 district of The City. After Spider burns a transient guard in the eye with a cigarette, Spider notices how tense the Transient population is. It is a powder keg ready to blow. Spider finds Fred Christ and has a brief interview with him where Spider basically eludes that Fred is puffed up with fake power and that the government is going to come down and stomp out this little movement of Freds. Here is where the writing shines. Eventually, the government does get with the stomping, and Spider gets right in the middle of it and live blogs. He brings the gritty moment to moment of the brutal beating of the Transient population by an uncaring police authority to the people. Eventually, this sways the audience gawking at this display via Spider's writing and causes a public outcry shutting down the beating. Spider helped. I don't think he intended to help but to speak the truth as he saw it; however, his truth saved some transient people.

God, I love Spider Jerusalem. He is everything I wish Journalists still were. Raw, uncut assholes who search for the truth as they see it no matter what they have to go through. In the politically charged climate of now, it seems that those who speak truth to power are not the journalists as we used to know them, but bloggers and users of Twitter.

The question is “Should you read this?” Should you delve into the gritty world of Spider and meet with the truth on his terms. I am of a resounding yes, there is a reason why he is a classic graphic novel series. I think the world needs Spider Jerusalem's even if he is just ink and ideas. All Hail Spider Jerusalem!

Thank you to the publisher and author Tochi Onyebuchi for providing me an ARC in exchange for my open and honest review.

Onyebuchi creates a dystopia portrait of modern American in Riot Baby. Kev, one of the two protagonists in Riot Baby, is born to a single mom in 1992 Los Angeles during the height of the Rodney King riots, hence the name Riot Baby. Kev was born into a time that explodes with violence in his childhood violence follows him, and as an adult, Kev is incarcerated at Rikers for eight years. Again his life swirls with anger and violence. The ironic and well-done part of Kev's character is that even though he was born, lived, and survived through significant violence, Kev himself, does not come off as a violent person. He is a person who reacts to violence and protects himself.

The other major character and protagonist of the story is Ella, Kev's older sister as much as Kev is mired in violence and its effects, Ella is mired in her power. She sees much more than the surface of events. She can touch the very soil of the land after some event or act of violence and feel the pain and emotions of those affected. There is a reason why she has this power, isn't there? While Kev is in prison, Ella visits him both physically and psychically. They do not lose touch and are very close even though Kev is incarcerated.

One of the most impactful parts of this story is the dichotomy that Onyebuchi writes events with. On one side, both Kev and Ella are very gifted and powerful; they have supernatural abilities. This could have been the main focus of the story, but it isn't. On the other side, racism and violence run rampant and have shaped their worlds in dystopias. These abilities do not save them from the vagaries of life. While each of the sides of this story is important, their powers and society in general, they are instead written to help develop the other.

In lesser hands, this story would have been challenging to make it through. It is dark and introspective, full of moments of pain and is unflinching from detailing the misery humans can rain down on others. However, in Onyebuchi's hands, this story has a vein of hope and ends on a note of possibility for the future.

I think it will be a book that people will be talking about in the coming year and is worth a reader's time.

Riot Baby is speculative fiction at its finest.

If you would like to read more of my reviews, please visit my site at www.beforewegoblog.com

Hard DNF on this one. Damn, I wanted to love this story as it was one of my most anticipated releases this year. I did not connect with this character. I tried. I really, really tried. I picked up the book and put it down a number of times in different mental states. But Gideon felt as a character, forced. The snark that Gideon displays, which was funny on page 25, felt annoying on page 100. It felt contrived. The goth world building in the beginning that I started out loving, started feeling forced right around where I stopped reading. I give this book two stars instead of 1 because of the ideas for the world-building were awesome and unique in the beginning. It was a very cool way to approach a world. 

Now, this is one of those rare books that is insanely polarizing. If you love this book, you really really love it. Like 5 stars, a huge fan of it and that is fantastic! I am so glad that there are books out there for everyone. So give this book a try. You might be in the “best book ever camp,” which would be wonderful and you will have discovered a new favorite book. Or you might be like me and this book might not have resonated with you, and that's alright. Not every book has to be for every person. It would be a boring world if that were so. 

“Hell is hilarious if you're the one in charge.” ~ Lucifer

I absolutely love this series thus far. It was one of the books I wanted to finish reading by the end of the year via this list. 10 Books I Want to Read This Year.. And Why

My blog post from earlier this year, “Kill the Dead” by Richard Kadrey -   I read the first “Sandman Slim” book, aptly named just “Sandman Slim” and dudddde, holy anti-hero batman. Yaas. Bring on the “I don't give a shit attitude.” I love that the language in Sandman Slim is punchy. Not overly wordy and detailed.  I want some concisely written words.”

I received everything I asked for and more after reading #2 in the series. Sandman Slim should be on more lists and garner more praise. It should be up there with the likes of Dresden, and October Daye because it is just that damn good. It is so refreshing when there seems to be so much unoriginal urban fantasy out there. Always the same sort of schtick. Not this book...

“Twenty percent? What am I, your waiter? I got you five vampires, not a BLT.”
― Richard Kadrey, Kill the Dead

This story picks up a while after the first Sandman Slim story left off. We have our resident anti-hero having a hell of a time mentally, and in some ways physically while trying to the bills by doing the odd killing or menacing here and there. I don't want to give too much away, but if you enjoyed the first book in this series, “Sandman Slim” you will probably enjoy this one. They are a little different in style and texture. But, the dark humor and great story come through. There is a bit of a love interest, and a new interesting character getting fleshed out in Lucifer. I am going to keep this short, as this book is a pause in a longer story. But read the series. It is so worth it.

Check out my blog- more review to come www.beforeweblog.com