“Hell is hilarious if you're the one in charge.” ~ Lucifer
I absolutely love this series thus far. It was one of the books I wanted to finish reading by the end of the year via this list. 10 Books I Want to Read This Year.. And Why
My blog post from earlier this year, “Kill the Dead” by Richard Kadrey - I read the first “Sandman Slim” book, aptly named just “Sandman Slim” and dudddde, holy anti-hero batman. Yaas. Bring on the “I don't give a shit attitude.” I love that the language in Sandman Slim is punchy. Not overly wordy and detailed. I want some concisely written words.”
I received everything I asked for and more after reading #2 in the series. Sandman Slim should be on more lists and garner more praise. It should be up there with the likes of Dresden, and October Daye because it is just that damn good. It is so refreshing when there seems to be so much unoriginal urban fantasy out there. Always the same sort of schtick. Not this book...
“Twenty percent? What am I, your waiter? I got you five vampires, not a BLT.”
― Richard Kadrey, Kill the Dead
This story picks up a while after the first Sandman Slim story left off. We have our resident anti-hero having a hell of a time mentally, and in some ways physically while trying to the bills by doing the odd killing or menacing here and there. I don't want to give too much away, but if you enjoyed the first book in this series, “Sandman Slim” you will probably enjoy this one. They are a little different in style and texture. But, the dark humor and great story come through. There is a bit of a love interest, and a new interesting character getting fleshed out in Lucifer. I am going to keep this short, as this book is a pause in a longer story. But read the series. It is so worth it.
Check out my blog- more review to come www.beforeweblog.com
Spider is the hero you did not know that you needed. Brash and deranged, Spider yells at the top of his lungs things that make you uncomfortable. And, if you are nervous? Good. Scared to exams painful truths? Good. Because the truth is coming for you, and Spider is going to bringing it with the fervor and intensity of a bulldog on crystal meth.
Transmetropolitan was written twenty-one years ago, published by DC Comics between 1997 - 2002, but it might as well been written yesterday for how current and prescient it is. The story is built around the antics of our protagonist and antihero, an investigative journalist named Spider Jerusalem. He is tattooed, brash, brilliant, sarcastic, caustic, drug addicted, and a wild man of journalists fervor. Often drawn wearing a pair of stereoscopic sunglasses, one red lens, and the other green while streams of smoke curl out of his nostrils and usually sporting a scowl of discontent while gesticulating wildly at the idiocy of passers-by. Describing him, he sounds like a lunatic when in actuality he is the reincarnation of gonzo journalist Hunter S. Thompson dropped into the 23rd century.
The first six issues of the 60 issue story make up Vol. 1 Back in The Streets. It is written as Spider is getting his feet under him after a five-year voluntary sabbatical. Called back to finish his book deal with his editor, lovingly known as Whorehopper, he unwillingly reenters The City and society and is equal parts horrified and fascinated by it. The City, as it is referred to, is Id and hedonism run amok puked out in a cyberpunk Technicolor fever dream. If you can dream it, and have the money, you can do it. All of which sounds impressive when tempered with wisdom and ethics. However, The City is neither of those things. Spider is constantly reminded of why he hid in the wilderness and eschewed all human contact.
Issue three of Volume 1 talks about Spider's first story back into the throes of journalism. He is covering a pseudo-alien messiah named Fred Christ, as he represents the Transcience movement. The Transience movement being a subculture of body modification fetishists who use technology to change themselves to something resembling a new species. In this case, adapting aspects of an alien species. Fred Christ's base is located in the Angel 8 district of The City. After Spider burns a transient guard in the eye with a cigarette, Spider notices how tense the Transient population is. It is a powder keg ready to blow. Spider finds Fred Christ and has a brief interview with him where Spider basically eludes that Fred is puffed up with fake power and that the government is going to come down and stomp out this little movement of Freds. Here is where the writing shines. Eventually, the government does get with the stomping, and Spider gets right in the middle of it and live blogs. He brings the gritty moment to moment of the brutal beating of the Transient population by an uncaring police authority to the people. Eventually, this sways the audience gawking at this display via Spider's writing and causes a public outcry shutting down the beating. Spider helped. I don't think he intended to help but to speak the truth as he saw it; however, his truth saved some transient people.
God, I love Spider Jerusalem. He is everything I wish Journalists still were. Raw, uncut assholes who search for the truth as they see it no matter what they have to go through. In the politically charged climate of now, it seems that those who speak truth to power are not the journalists as we used to know them, but bloggers and users of Twitter.
The question is “Should you read this?” Should you delve into the gritty world of Spider and meet with the truth on his terms. I am of a resounding yes, there is a reason why he is a classic graphic novel series. I think the world needs Spider Jerusalem's even if he is just ink and ideas. All Hail Spider Jerusalem!
Thank you to the publisher and author Tochi Onyebuchi for providing me an ARC in exchange for my open and honest review.
Onyebuchi creates a dystopia portrait of modern American in Riot Baby. Kev, one of the two protagonists in Riot Baby, is born to a single mom in 1992 Los Angeles during the height of the Rodney King riots, hence the name Riot Baby. Kev was born into a time that explodes with violence in his childhood violence follows him, and as an adult, Kev is incarcerated at Rikers for eight years. Again his life swirls with anger and violence. The ironic and well-done part of Kev's character is that even though he was born, lived, and survived through significant violence, Kev himself, does not come off as a violent person. He is a person who reacts to violence and protects himself.
The other major character and protagonist of the story is Ella, Kev's older sister as much as Kev is mired in violence and its effects, Ella is mired in her power. She sees much more than the surface of events. She can touch the very soil of the land after some event or act of violence and feel the pain and emotions of those affected. There is a reason why she has this power, isn't there? While Kev is in prison, Ella visits him both physically and psychically. They do not lose touch and are very close even though Kev is incarcerated.
One of the most impactful parts of this story is the dichotomy that Onyebuchi writes events with. On one side, both Kev and Ella are very gifted and powerful; they have supernatural abilities. This could have been the main focus of the story, but it isn't. On the other side, racism and violence run rampant and have shaped their worlds in dystopias. These abilities do not save them from the vagaries of life. While each of the sides of this story is important, their powers and society in general, they are instead written to help develop the other.
In lesser hands, this story would have been challenging to make it through. It is dark and introspective, full of moments of pain and is unflinching from detailing the misery humans can rain down on others. However, in Onyebuchi's hands, this story has a vein of hope and ends on a note of possibility for the future.
I think it will be a book that people will be talking about in the coming year and is worth a reader's time.
Riot Baby is speculative fiction at its finest.
If you would like to read more of my reviews, please visit my site at www.beforewegoblog.com
Misery by Stephen King is a novel about pain, obsession, and writing. Paul Sheldon, the stories protagonist, is 42. He is a celebrity writer, twice married and divorced, drinker and smoker, and he is in a lot of trouble. So much trouble. “umber whunnnn yerrrnnn umber whunnnn fayunnnn These sounds: even in the haze.” Even through the haze of drugs and pain, he knew something was off; something was wrong. There was pain, so much of it. “The pain was somewhere below the sounds. The pain was east of the sun and south of his ears. That was all he did know.” His memory was hazy. He remembers a crash. He remembers he stopped breathing, then breathing again. A mouth, spitless, dry, and tight had clamped on him like a vise with its breath. It was “a dreadful mixed stench of vanilla cookies and chocolate ice cream and chicken gravy and peanut-butter fudge.” It was awful, Paul begged and pleaded to be left alone. But Annie couldn't leave him alone.
“Breathe, goddam you!” the unseen voice shrieked”
This was Paul's introduction to Annie Wilkes, Paul's number one fan, the stories antagonist and Paul was in a lot of trouble.
Paul was out celebrating the finishing of his newest novel. “Fast Cars.” A story that Paul had written after putting behind him his best-selling romance series staring the heroine Misery Chastain. A story that, to him, was not writterly and deserving of praise. He had drunk champagne, high on the excitement of the victory, and went driving. He crashed his car spectacularly on a snowy road outside Sidewinder, Colorado. A place that many King fans will recognize from Dr. Sleep, American Vampire, and The Shining. He is found broken and twisted amongst the remains of his car by Annie Wilkes. His legs are a badly broken puzzle of bone shards and pain. He awakes in Annie's farm somewhere outside of Sidewinder with only the sounds from an unhappy cow and a pig that Annie had named Misery to greet him.
“This memory circled and circled, maddening, like a sluggish fly. He groped for whatever it might mean, but for a long time the sounds interrupted. fayunnnn red everrrrrythinggg umberrrrr whunnnn Sometimes the sounds stopped. Sometimes he stopped”
Paul realizes that his legs are a broken and splintered mess pretty quickly. Ironic because Annie is an ex-nurse and probably could have set them to rights. He is in excruciating pain and hooked on pain killers, and is entirely at the mercy of his number one fan, and something is not quite right with her. There is something diabolical and insane in Annie Wilkes. Something dark is inside her mind and only comes out sometimes, something that can hurt him, something that will eventually kill him. If he wants to continue his existence, he needs to write a new Misery novel for her, one that revives the protagonist Misery Chastain. Misery is a character that Paul was delighted to kill off and be done with. Otherwise, Annie might kill him; but she might kill him anyway piece by piece.
Much of Stephen King's Misery is psychological terror and internal turmoil. The psychological terror is palpable. Annie Wilkes might be the scariest villain I have ever read. She is cruel, but her cruelty is unknown to her. “You did this to yourself, Paul!” She is also efficient and diabolical. “Annie was not swayed by pleas. Annie was not swayed by screams. Annie had the courage of her convictions.” When Paul is found to be investigating the farmhouse while Annie is out, Annie decides that he needs to be punished, so she cuts his foot off with an ax and cauterizes the stump with a blow torch. It is brutally efficient, and in its way, Annie thinks she is weirdly kind. She gives Paul a pain killer and a slight sedative beforehand. Much like grounding a wayward child for being naughty, Annie feels she needs to punish Paul. Although her punishment is violent and cruel, she doesn't know it.
Misery is a spectacularly, cruel novel, and it goes beyond the usual horror that we can expect from King. This novel touches on the psychological horror and self-flagellation of a writer. Paul must create a story that he does not want to tell, then the story takes ahold of him as he begins to tell it, and he must see it to the end. Annie is both a jailer, muse and finally the ultimate critic. She punishes failures by cutting off pieces of him. Deadlines and writerly problems take on whole new meanings for Paul.
The ending is almost anti-climatic. As a reader, I want fire and brimstone to fall upon Annie. She deserves so much comeuppance. But I think the way that King handled it is perfect. A battle between writer and critic needs to happen, and the struggle between jailer and inmate needs to happen. “It was always the same, always the same-like toiling uphill through jungle and breaking out to a clearing at the top after months of hell only to discover nothing more rewarding than a view of a freeway - with a few gas stations and bowling alleys thrown in for good behavior, or something.” And, as King says here, writers plod through, whip themselves, battle their muses, and in the end, it is anti-climactic - a bowling alley and gas station. It is not satisfying, but the ending is right. It is terrifying for Paul and quite disturbing as a metaphor for writing.
Misery is King writing at his finest and possibly most introspective. It is, at times, a painful and terrifying read. I had to put it down a few times to take a breath, pet a dog, and watch some happy youtube video. But it is worth the read, and I am so glad I took it on.
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