 What I Talk About When I Talk About Running
| 3.93 | 3 | |
 Excession Excession
| 4 | 4 | |
 Priestdaddy
| 3.91 | 4 | |
 The Power
| 3.73 | 4 | |
 The Electric Kool-Aid Acid Test
| 3.48 | 3 | |
 Introduction to Game Design, Prototyping, and Development: From Concept to Playable Game with Unity and C#
| 3 | 3 | |
 Hell's Angels
| 3.82 | - | |
 Use of Weapons Use of Weapons
| 4 | 3 | |
 Lincoln in the Bardo
| 3.88 | 5 | |
 Death's End
| 4.35 | 4 | |
 The Blade Itself
| 4.09 | 3 | |
 Atomic Design
| 3.83 | 3 | |
 The Dark Forest
| 4.23 | 3 | |
 Hocus Pocus
| 3.64 | - | |
 Between the World and Me
| 4.58 | - | |
 Homeland
| 3.85 | 2 | |
Read This if You Want to Take Great Photographs of People Read This if You Want to Take Great Photographs of People
| 4 | 3 | |
 Little Brother
| 3.89 | 2 | |
 Read this if you want to take great photographs
| 3.83 | 3 | |
 The Diamond Age
| 4 | 4 | |
 Lovecraft Country
| 3.99 | 4 | |
 The Willows
| 3.93 | 3 | |
 Station Eleven
| 4.11 | 4 | |
 Futuristic Violence and Fancy Suits
| 3.72 | 2 | |
 The Player of Games
| 3.83 | 4 | |
 Changer Changer
| 4 | 2 | |
 Reamde
| 3.95 | 3 | |
 The Library at Mount Char
| 4.01 | 4 | |
 The Stars Are Legion
| 3.19 | 3 | |
 Central Station
| 3.25 | 3 | |
 Consider Phlebas Consider Phlebas
| 3.33 | 3 | |
 Perdido Street Station
| 4.03 | 3 | |
 The Last Colony
| 3.97 | 2 | |
 Processing, second edition: A Programming Handbook for Visual Designers and Artists
| 3 | 3 | |
 Glasshouse
| 3.57 | 2 | |
 Making Music. 74 Creative Strategies for Electronic Music Producers
| 4.67 | 4 | |
 The Ghost Brigades
| 3.96 | 3 | |
 Generative Design: Visualize, Program, and Create with Processing
| 3 | 3 | |
 Generative art
| 3 | 3 | |
 Embassytown
| 3.92 | 5 | |
 The Three-Body Problem
| 3.93 | 3 | |
 Company Town
| 3.62 | 4 | |
 The Fireman The Fireman: The chilling horror thriller from the author of NOS4A2 and THE BLACK PHONE
| 4.33 | 4 | |
 Acceptance
| 3.54 | 3 | |
 Do Purpose
| 1 | 1 | |
 Apex
| 4.07 | 3 | |
 Slade House
| 3.9 | 3 | |
 Crux
| 4.02 | 3 | |
 Zero K
| 2.82 | 2 | |
 City of Blades
| 4.18 | 4 | |
 Figure Drawing for All It's Worth
| 5 | - | |
 Authority
| 3.33 | 2 | |
 Old Man's War
| 4.19 | 3 | |
 Red Rising
| 4.1 | 4 | |
 Orașul scărilor
| 4.16 | 4 | |
 Woken Furies
| 3.65 | 3 | |
 Broken Angels
| 3.63 | 3 | |
Ordering Disorder Ordering Disorder: Grid Principles for Interaction Design
| 4 | - | |
 Nexus
| 3.89 | 3 | |
 Dust
| 4.2 | 3 | |
 Shift Omnibus
| 3.83 | 3 | |
 Wool
| 4.15 | 3 | |
 Anathem
| 4.22 | 5 | |
 Altered Carbon
| 3.9 | 3 | |
 Programming Elixir 1.2
| 3 | 3 | |
 Seveneves
| 3.92 | 4 | |
 CLOSURE
| 0 | - | |
 The Grapes of Wrath
| 3.72 | - | |
 The City & The City
| 3.93 | 3 | |
 Annihilation
| 3.63 | 4 | |
 One Flew Over the Cuckoo's Nest
| 4.09 | 4 | |
 Wonder Boys
| 3.57 | - | |
 Hard-Boiled Wonderland and the End of the World
| 3.84 | 5 | |
 The World According to Garp
| 4.04 | - | |
 Angela's Ashes (Frank McCourt, #1)
| 3.84 | - | |
 Corelli's Mandolin
| 3.92 | - | |
 The Wind-Up Bird Chronicle
| 4.13 | 4 | |
 1Q84
| 3.72 | 4 | |
 Dance Dance Dance
| 3.99 | 4 | |
 Glamorama
| 2.67 | 3 | |
 American Psycho
| 3.61 | - | |
 The Hobbit
| 4.31 | 3 | |
 The Cider House Rules
| 4.14 | - | |
 A Widow for One Year
| 3.7 | - | |
 The Catcher in the Rye
| 3.59 | 3 | |
 On the Road
| 3.36 | 3 | |
 Wizard and Glass
| 4.09 | 3 | |
 Wolves of the Calla
| 4 | 3 | |
 Song of Susannah
| 3.63 | 3 | |
 The Waste Lands
| 4.2 | 3 | |
 Lunar Park
| 3.82 | - | |
 The Brief Wondrous Life of Oscar Wao
| 3.75 | 4 | |
 Lord of the Flies
| 3.53 | - | |
 After Dark
| 3.64 | 4 | |
 Practical Vim : edit text at the speed of thought
| 4 | - | |
 Big Sur
| 3.43 | 3 | |
 The Stranger
| 3.93 | 4 | |
 Practical Object-Oriented Design in Ruby
| 4.71 | - | |
 The War of Don Emmanuel's Nether Parts
| 3.5 | - | |
 The Dark Tower (The Dark Tower, #7)
| 4.21 | 3 |
