The Speculative Shelf
4.0 out of 5 stars
I have wanted try out Guy Gavriel Kay's work for quite a while but haven't known where to start. The collective wisdom I've seen says to skip his first books, a trilogy called The Fionavar Tapestry. They say that he hadn't quite found his voice yet and that the story plays as a cheap Lord of the Rings knock off. I didn't necessarily want to read his best novels first and be disappointed later on, so I ignored the advice and dove in at the beginning. I was pleased to find that this first book was quite compelling and enjoyable. Yes, it's a bit uneven and the similarities to Tolkien are present, but I set these things aside because I saw sparks of brilliant storytelling. The world building and character work are particularly strong.
At first the characters seem interchangeable (and weirdly unskeptical when a wizard offers to whisk them away to another world), but as the story unfolds, each character embarks on their own emotional journey and I'm fully invested in it. I look forward to seeing how it all plays out in the next two books and am excited to read his subsequent (supposedly better) work.
See this review and others at The Speculative Shelf.
2.5 out of 5 stars – see this review and others at Avengers of the Moon.
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
Allen Steele's Arkwright popped up on many “Best of” lists in 2016 and I gave it shot, but it was not to my liking. Steele's writing style was tough to engage with. Luckily, I found Avengers of the Moon to be much more palatable. I was coming in blind to Steele's previous work as well as the source material for which this novel is based — Captain Future, a 1940s pulp sci-fi hero made famous by Edmond Hamilton.
Captain Future is an orphaned renegade who seeks revenge for the death of his parents along with his trusty android sidekick, a disembodied brain, and a hulking robot. It is a fun group, but there's not a great deal of nuance to these characters. I understand that Steele was operating within the confines of a previously established cast, so I do think he does well with what he's given.
I very much enjoyed the classic sci-fi vibe of this world — plasma guns, rocket ships, and robot companions abound. In many ways it feels like a B-movie in book form, and as such, the story doesn't take many creative risks. Throw in an over-the-top mustache-twirling villain and you have the makings of fun, but otherwise ephemeral story.
★★★ out of 5 – See this review and others at: spikegelato.com/2016/08/03/review-the-rook/
Summary: Myfanwy Thomas wakes up with her memory wiped clean. The only hints into her secret agent past life are letters written by herself...to herself. These letters help her rediscover her identity, while also assisting her in solving the mystery of a saboteur in her midst.
Review: Daniel O'Malley presents a witty voice and engaging book structure in The Rook. All characterization of Myfanwy Thomas, the protagonist and narrator, is told through letters interspersed throughout the narrative. This serves as a real-time glossary for both the reader and the amnesiac main character. It provides amusing and detailed backstory without the traditional interwoven exposition. It is within these letters that O'Malley's storytelling really shines–filling in details splendidly. In a strange way, I ended up losing my investment in what was happening in the main narrative because the letters were more compelling.
My biggest criticism of this novel was the length. It would've benefited greatly from being about 150 pages shorter. This sort of book deserves to be consumed quickly, and the length made quick consumption prohibitive. The recently released sequel, Stiletto, is 100 pages longer than this one, so that presents a challenging barrier to entry. I hate to judge a book based on it's length (I'm always happy to do it based on it's cover), but it factored into my level of enjoyment so it's certainly hard to ignore.
A timely, engrossing, and well-researched read about a fascinating figure. Otis's writing and the dramatic conflicts from Hicky's life kept me fully engaged in a topic I knew nothing about at the outset.
3.5 out of 5 stars – see this review and others at The Speculative Shelf.
Passing Strange is a story of love and friendship among six women in 1940s San Francisco. Author Ellen Klages employs elegant prose, a straightforward plot, and a splash of magic to construct this beautiful and well-told story. Everything here works well, but nothing about it blew me away. That being said, I would read an entire book of Klages describing pastries!
3.5 out of 5 stars
It feels good to finally check this science fiction classic off of my to-read list. I was expecting a slow, dry slog, but I found Dune to be surprisingly engaging and accessible. The worldbuilding and character building are top notch and I can see why the desert planet of Arrakis is such a legendary setting. I can't say that I enjoyed every aspect of the story, but I certainly appreciate Dune's place in the Pantheon of the genre and am glad to have read it. Looking ahead, I'm excited to see how Denis Villeneuve adapts this for the big screen.
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3.0 out of 5 stars
Coming off the great Sailing to Sarantium, I was let down by part two of this duology. This book expands on several story threads and introduces new characters that I struggled to invest in. I would have been perfectly satisfied with a book solely focused on Crispin and the construction of his grand mosaic. Kay pushes the story well beyond the reaches of Crispin's plight and, in doing so, created a story that feels uneven, unwieldy, and mostly uninteresting to me. It is still beautifully written and ambitious, so I certainly do not regret finishing it, but it falls towards the bottom of what I've read from GGK so far.
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This was a big step down from the first book in the series. Although it was fun to see Thrawn and Darth Vader team up, their story arc was less than riveting. For me, knowing the fates of established characters (Vader, not Thrawn) drains the story of any real stakes. Similarly, the Thrawn/Anakin/Padme story that parallels the present day narrative did not land for me and I felt myself rushing through it just so I could get back to Thrawn/Vader, which I also quickly lost interest in. So then I was rushing through both timelines just so I could finish the book and move on to the sequel, which has better reviews and features the welcome return of Eli Vanto, who I sorely missed here.
I can't say that I was too interested in what happened to the Norns in the aftermath of Tad Williams' original Osten Ard trilogy, but this was a nice, quick read that added greater depth and understanding to the plight of the Norns.
It wasn't the epilogue to Memory, Sorrow, and Thorn that I was expecting (or wanting), but it was a well-written tale that keeps me excited for what's to come in this world.
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Another satisfying read as the overarching story starts to take shape (all is not well in Osten Ard!). So much of my enjoyment of this ongoing series comes from Williams's writing. It's beautiful to read and although the pacing is often slow, there's rarely much fluff from page to page.
In truth, the reason I started Williams's original series was because I saw Michael Whelan's incredible cover art for this novel and it made me want to read the entire series so I could put this book on my shelf. Seven books later and I've finally finished that book that caught my eye so many moons ago. Sadly, DAW chose not to commission more cover art from Whelan for future books in the series. Luckily, I'm now invested in the story itself, so the cover art is less important! (Although, I do like the art from book #3 – Into the Narrowdark).
See this review and others at The Speculative Shelf.
4.5 out 5 stars – see this review and others here.
Robot sentience dawns and engulfs the world like a plague. In the third and final volume of the Alchemy Wars trilogy, author Ian Tregillis continues his brilliant alternate history tale with a tense build-up and an explosive payoff.
Tregillis is a master at framing and answering the “what if?” questions inherent in the genre. “What if human-created robot slaves obtained Free Will?” Multiple answers are presented, as separate factions of free “Clakkers” split off. What is so captivating about this novel is how Tregillis uses the chess pieces that he's laid out in the first two novels (The French underdogs, the Dutch overlords, the free Clakkers, the slave Clakkers, the messiah-like Clakker named Daniel, Queen Mab and the Lost Boys, etc.) to show which strange bedfellows will align to better serve the end goals of their specific group.
Tregillis has built up several strong, compelling characters over the course of his novels. Each feels wholly different from book to book, as they're all deeply impacted by their previously-endured trials and traumas. I wish we had spent more time with Daniel/Jax and his mechanical kin. It feels that the Clakker perspective is a bit underserved in this novel, but nevertheless, this is a deeply satisfying conclusion to one of my favorite series of all time.
★★★★½ out of 5
3.75 out of 5 stars – see this review and others at The Speculative Shelf.
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
In this final volume of Robert Jackson Bennett's brilliantly inventive Divine Cities trilogy, the focus shifts to Sigrud je Harkvaldsson — for my money, one of the best characters in the series. Seeing him get the spotlight was a welcome sight, but I didn't end up enjoying his POV as much as Shara's and Mulaghesh's before him. He may be better served as a supporting character being peppered-in sparingly rather than having full star-status, but as the plot unfolds you come to realize that he was the necessary choice for this role. While he struggles to carry parts of the novel, Bennett builds up a strong supporting cast around him that mostly negates this deficiency.
Bennett's writing is as strong as ever here, as the novel sets off with a propulsive pace. I'll set the scene — against the backdrop of a gloomy metropolis, a hulking, lone-wolf vigilante, stealthily picks off baddies one by one in the dark, fueled by the deaths of those he loved. He's basically Batman for the first part of the novel and I loved it. Despite a middle portion that could have been tightened up as my interest started to wane, Bennett ratchets everything back up for the big heart-pounding finale that each of his books have done so well.
Overall, this was a worthy addition to the Divine Cities series, but not my favorite. That said, Robert Jackson Bennett nailed this trilogy and did a wonderful job with the interplay of gods & mortals, modernity & traditional fantasy worlds, and great characters & an imaginative story. I look forward to seeing what he puts out next.
What an excellent series capper. I'm glad I pushed through the so-so second book and wasn't deterred by the size of this massive, massive tome. Williams puts on a masterclass in building towards a grand finale here and while brevity and succinctness are nowhere to be found, Williams employs his 520,000 word count to set a captivating tone and mood for this concluding novel. I listened to some of this via audiobook as a change of pace and Andrew Wincott's incredible narration added another layer of gravitas to the story and characters.
I'm very pleased to know that Williams has continued telling stories in this world and I look forward to diving into those books soon.
See this review and others at The Speculative Shelf.
3.5 out of 5 stars – see this review and others at The Speculative Shelf.
Here are some brief thoughts on each story of this collection:
The Emperor's Soul – 3.75 – A beautiful story, which I very much enjoyed.
The Hope of Elantris – 2.5 – A decent short story; leaves me nostalgic for Elantris.
The Eleventh Metal – 3.0 – A nice primer for the Mistborn books that gives further insight into Kelsier's backstory.
Allomancer Jak and the Pits of Eltania – 4.0 – I loved the humor and style of this one. The call-and-response nature of the story and footnotes was very funny.
Mistborn: Secret History – 2.0 – This was disappointing; it's an addendum to the story that feels unneeded.
White Sand – 2.25 – Features great artwork, but it's a bit spatially disorienting. The written companion was much more clear, but the overall story was just okay — a simple, mostly interesting story.
Shadows for Silence in the Forests of Hell – 4.0 – I really dug this one. The world, the concept, and the execution were all spot on.
Sixth of the Dusk – 3.5 – I thought this was well done and I enjoyed the dynamic between the protagonists on a cool island/jungle world.
Edgedancer – 3.5 – Light in tone, and a bit too goofy at times, but it hits some satisfying emotional notes. It's nice to see a new character and a new part of Roshar.
I read most books digitally, but owning this in hardcover is a must for any Sanderson fan. It's really a beautiful physical book — the artwork, the layout, and the overall furtherance of the Cosmere through visual representations is a sight to behold.
★★★★ out of 5 stars – see this review and others at The Speculative Shelf
Planetfall (2015) has stuck in my mind since reading it last year. It had a haunting quality that I could not shake. After Atlas is a pseudo-sequel that takes place after the events of that novel, but exists adjacent to the original story. It certainly can function as a standalone novel, but knowing the backstory and outcome of Planetfall adds another layer to the reading experience that ended up being quite satisfying.
In the near future, technology has advanced to a point where everyone has their own virtual assistant, food comes out of printers, virtual reality is ubiquitous, and corporations (overtly) control governments. Some long for a simpler time, including those in the Circle, an anti-tech cult. When their messiah-like leader is found dead under mysterious circumstances, Carl Moreno, a detective and former Circle member, must solve the case while multiple nefarious factions attempt to stop him.
In this police procedural, let's call it CSI: VR, author Emma Newman deftly lays out the clues and mysteries in a straightforward way, but the way the puzzle and solution come together is unexpected, yet makes perfect sense. The pieces fit together snugly and the whole is greater than the sum of its parts.
Another strength of After Atlas lies in Detective Moreno, the chief protagonist. He has so many forces acting and pulling on his psyche, from his own internal demons, to his tragic past, to his unending indentured servitude to his employer, and to unseen external forces that are conspiring against him. He is a complex hero who has a gratifying character arc.
The ending of After Atlas was final in a certain sense, but opened the possibility for a follow-up that would explore the continuation of the same story, but would switch up the genre yet again. I, for one, hope that comes to fruition. Emma Newman has emerged as an impressive voice in science fiction who writes interesting stories with depth and nuance. I look forward to seeing whatever else she cooks up in the future.
★★★★½ out of 5 – See this review and others at: spikegelato.com/2016/08/02/review-dark-matter/
Summary: A college physics professor is abducted, injected with a mysterious substance, and then wakes up in an alternate version of his life. The book chronicles his harrowing attempts to return to his original timeline.
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
Minor spoilers below...
Review: This is a taut thriller that reads very quickly. Short staccato sentences bring an urgency to the narrative and kept me hooked as a reader. It reads like a movie, which is why it's not surprising that author Blake Crouch has already signed a lucrative movie deal with Sony for the rights to the film version. I can picture Bradley Cooper or Matt Damon occupying the role of Jason Dessen, stopping at nothing to return to his wife and son. Much like a movie, it feels like you owe it to the material to finish it in two hours or at least one sitting.
It is certainly a unique piece of fiction that oftentimes reminded me of other films that possessed shared elements: the quantum physics of Interstellar, the mind bending worlds of Inception, the twisty reveals of The Prestige, the emotional heft and plot beats of About Time, It's A Wonderful Life, and even Adam Sandler's Click.
My only reservation in giving this a full blown 5-star review was the ending. It made sense and concluded in a way that it needed to, but it also felt predictable and a bit hollow. I was hoping for one final twist or revelation that never came. Other than that, this was a gripping, edge-of-your-seat, popcorn movie thriller that easily positions itself as one of my favorite books of 2016.
3.75 out of 5 stars – see this review and others at The Speculative Shelf.
Combine the magic system of Mistborn, the gunplay of Red Dead Redemption, the steampunk aesthetic of Bioshock Infinite, the dragons of Skyrim, a fun cast, a unique culture, and an intriguing Macguffin and you have The Waking Fire. I was expecting a traditional dragon-centric Epic Fantasy story and this was that and so much more.
The story follows three character POVs who are each integral to the hunt for the mythical White drake, whose blood grants unimaginable power to those who can ingest/wield it. Along the way, the characters are thrown into bar brawls, naval battles, dragon fights, zombie horde skirmishes, and so on – frankly, the steady barrage of action sequences was a bit dizzying. I would have happily sacrificed a few of these scenes for some additional character development. With that in mind, the book feels overlong, but luckily never loses its sense of excitement. Author Anthony Ryan has built a thrilling and fascinating world that I plan on revisiting soon in the forthcoming sequel, The Legion of Flame (2017).
4.5 out of 5 stars – see this review and others here.
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
Mashup: The Martian + Dark Matter + Back to the Future
It was truly a delight to read a novel with such a perfect blend of wit, adventure, and poignancy. Mastai writes with a smart, self-assured edge that makes his wonderfully absurd plot feel plausible and all the complexities of time travel seem straightforward. I fully expect (and hope) that All Our Wrong Todays will be a hit when it is released next year and I look forward to the movie adaptation that is already in the works.
This book showcases some truly spectacular science fiction artwork from Swedish artist Simon Stålenhag. The undeniably cool retrofuturistic aesthetic is juxtaposed against the seemingly mundane goings on of small town life in 1980s Sweden. The accompanying text is sometimes just window dressing to fill in the backstory behind the images, which stand on their own just fine.
If this sounds intriguing, I'd also highly recommend the Amazon show of the same name, which is loosely based on this source material. Each episode tells a self-contained story about a rural Ohio town and how The Loop that runs beneath it all fuels technological marvels that coexist amongst the townsfolk.
See this review and others at The Speculative Shelf.
3.5 out of 5 stars
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
In this third novella of the series, a group of travelers from Eleanor West's Home for Wayward Children sets off to resurrect a former student in hopes of saving her future daughter (who somehow already exists).
Having enjoyed, but not loved the previous two books, I found this one to be my favorite of the bunch. The characters are well-drawn, rich, and nuanced; the story feels cohesive, complete, and fun; and the portal world of Confection is a joy to read about. Author Seanan McGuire does a great job to further the development of the portal worlds, giving more background into their existence and what they mean to the children who venture there.
Generally, I struggle to rate novellas higher than 3 stars, as they rarely dive as deep as a full-length novel can, but this one came close! I'd happily go on another adventure in this world, though.
See this review and others at The Speculative Shelf.
4 out of 5 stars via spikegelato.com/2016/06/11/review-the-caped-crusade/
A definitive cultural history of Batman–from his comic book beginnings in 1939, to his 1960s television campiness, through his cinematic endeavors, and now to his present day existence as a pop culture icon for both nerds and non-nerds alike.
Despite my self-identification as a Batman fan, there are a considerable number of holes to fill, mainly comic book related, when it comes to my knowledge of the history of the man behind the cowl. Luckily, Weldon does a beautiful job guiding the reader through each iteration of Batman in every medium imaginable, starting with the comics.
The general conceit of the book is that Batman takes a tremendous amount of heat from his own fans, who bemoan that each subsequent iteration of Batman does not represent their mental vision of how Batman should be. He's either too campy, not campy enough, too brooding, not brooding enough, and so on. With so many versions of Batman to choose from, it makes sense why allegiances and opinions vary so much across the board. Without the aid of inlaid comic frames or examples, it was difficult, at times, to understand the full nature of Batman's comic transitions. Hearing about line work that is “more confident,” “spare,” “jittery,” or “decidedly unpretty” does not always paint the clearest picture for the non-comic book fan in me.
Personally, I was much more enthralled when Batman's cinematic history was outlined in detail, from Tim Burton to Joel Schumacher to Christopher Nolan–all Batman movies in name, but vastly different takes and styles in practice. Weldon's ability to work the business side of Batman into this book grounded these fictions into reality by showing how each choice made in the fictional universe impacted sales and popularity (i.e., a Batman Returns-McDonald's tie-in left the fast food giant upset with the dark, gross-out tone of the film and may have caused Warner Bros. to leave Burton behind and hand the reins over to director Joel Schumacher, who lightened everything up, albeit with too much nipple, in Batman Forever and Batman & Robin). Weldon also simplifies the business side of the comic book game, spelling out how many issues were sold of which comic, how that compared to other series at the time, and how the industry trended, in general.
Weldon has deftly written about an icon who fans take very seriously (a man who dresses up like a bat to fight crime) with enough “why so serious?” humor to give the reader an outside, objective look at the history of the character and helps them understand why Batman has engendered such deeply passionate debate and fanhood over the past 75+ years.
★★★★ out of 5
★★★½ out of 5 via spikegelato.com/2016/07/08/review-seinfeldia/
Seinfeldia chronicles the history of Seinfeld from its creation, to a behind-the-scenes account of its wildly successful run, and to its immense cultural impact beyond the television landscape.
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
Review: Having grown up watching Seinfeld and continuing to devour reruns on a nightly basis, I consider myself an ardent fan of the show. Seinfeld devotees are likely the only people to rush out to read this book and I'd say it hits all the right notes that any fan would want or expect. With so much of the show's minutiae discussed online and featured in its DVD box sets (“Notes about Nothing,” episode commentaries, deleted scenes, bloopers, etc.), it's likely that diehard fans already know the show down to its tiniest details. Seinfeldia doesn't present many new or revelatory behind-the-scenes stories or ideas, but it does a good job of compiling the show's history into a concise chronology that is highly readable.
Author Jennifer Keishin Armstrong's exploration of the idea of “Seinfeldia” was the most compelling thing to unpack in this book. Its roots are in real anecdotes and people from Jerry Seinfeld and Larry David's life being used as plot points and characters for episodes. Needing to use real life material became so pervasive that writing staffs would be purged after each season so a fresh batch of writers could be mined for new ideas/anecdotes each subsequent year. Seinfeldia seems to be the first attempt to catalog the blurred lines between the real world, the fiction of the show, and the way that fiction impacted the lives of the real-life counterparts. This is never more apparent than when Armstrong discusses how fame from being featured/lampooned on the show manifests itself in different ways. She juxtaposes the disinterested-in-fame Tom's Restaurant (Monk's Restaurant on the show) against the money-grubbing Kenny Kramer (Cosmo Kramer on the show) who has made an entire career out of giving tours of Seinfeld landmarks and capitalizing on being basis for fictional Kramer.
Seinfeldia struggles to sustain itself in the backend of the book when Armstrong transitions from a chronological retelling of the show and starts to present anecdotes of people who had brushes with Seinfeld: a woman featured on a Rochelle, Rochelle movie poster, the actor who plays the Soup Nazi, the relationship between Seinfeld's J. Peterman (John O'Hurley) and the real life clothier John Peterman, and a overlong section about dueling Seinfeld Twitter parody accounts. It certainly works to convey how anything, no matter how small, related to the show could “intrude on the real world,” thus reinforcing the general thesis of the book, but it strayed too far from relevancy to hold my interest. Either way, I breezed through Seinfeldia and enjoyed reliving the “show about nothing” through a different lens.
A Green and Ancient Light is a beautifully told story of love, family, the beauty of nature, and the innocence of youth. Equal parts Pan's Labyrinth, The Secret Garden, and The Chronicles of Narnia, it's a fantasy tale that could be appreciated by readers of any age.
The story was scrubbed of any identifiers (no village name, no country name, no character names), but the rich setting detail provided everything you could need. Frederic S. Durbin creates a setting filled with such beautiful imagery that opening the book felt like being transported to the nameless countryside each and every time. He writes a simple, yet profound story that I enjoyed immensely.
2.5 out of 5 stars
After starting Lois McMaster Bujold's Chalion series, I'm now dipping my toe into her Vorkosigan Saga. Falling Free is the first book in the series when reading in internal-chronological order.
Even though it was written thirty years ago, it still holds up and doesn't show its age. I was never hooked by the story, but it moves quickly enough and I was consistently amused by the idea of genetically engineered humans with four arms floating around a space station. This is one of the lower rated entries of the series, and the next book is fairly short, so I think I will see how I like that one before making a decision about whether to commit to the rest of the series.
See this review and others at The Speculative Shelf.
★★★½ out of 5 via spikegelato.com/2016/06/28/review-age-of-myth/
It was thought to be impossible for man to kill the god-like Fhrey. When one Fhrey is killed by a lesser Rhune, potential war between the two races begins to brew. Meanwhile, a Rhune township named Dahl Rhen struggles with leadership upheaval, political maneuvering, and a menacing bear that threatens to rip their limbs and lives to shreds.
My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
To be honest, this novel only caught my eye because of its wonderful cover image. I have not read Michael J. Sullivan's other Riyria novels, but this Riyria prequel and series starter seemed like a good place to begin. What's admirable about this novel is that it tells a tight, self-contained story while also leaving enough loose threads to carry over into the subsequent sequels. Age of Myth feels like a quest in The Witcher video game series in the style of The Hobbit. Although dealing with the politics of racial inequality and the end of the world, the tale is lighter in tone than most other comparable fantasy series that trend towards the grimdark.
Sullivan positions his characters on far reaching parts of the map before their interests, fates, and motivations become intertwined. While the characters are apart, the story feels disjointed and lacking direction, but once these characters are thrust together things begin to click into place. The characters that Sullivan has placed in this world feel a bit hollow and underdeveloped, with the exception being Suri, the mystic girl who seems able to speak to trees, spirits, and her trusty wolf Minna. Suri is a fascinating and peculiar character who lights up every page that she graces. Suri's presence and Sullivan's knack for humor are a saving grace for a novel that I was not totally taken with at the outset. Buoyed by a strong third act filled with twists and monumental confrontations, the Age of Myth tells a satisfying tale that I would be interested in revisiting in the future–either in its sequel, Age of Swords, or Sullivan's other Riyria novels.