| #2 |  V.
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| #3 |  The Matrix Trilogy
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| #4 |  Cinema of John Ford
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| #5 |  The Trial
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| #6 |  The Origin of Capitalism
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| #7 |  Projections 10 Projections 10: Hollywood Film-makers on Film-making |
| #8 |  Bollywood
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| #9 |  The Disney Films
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| #10 |  Beloved
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| #11 | The Management of Savagery The Management of Savagery
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| #12 |  Set The Night On Fire: L.A. in the Sixties
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| #13 |  Theory of Film Theory of Film: The Redemption of Physical Reality
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| #14 |  Dune
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| #15 |  Angler Angler: The Cheney Vice Presidency
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| #16 |  Mo' Meta Blues
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| #17 |  New Hollywood Cinema New Hollywood Cinema: An Introduction
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| #18 |  The Uncensored Picture of Dorian Gray
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| #19 |  The Road
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| #20 | Film Genre Film Genre: From Iconography to Ideology
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| #21 |  Usagi Yojimbo Saga, Vol. 3
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| #22 |  Classic Jazz Classic Jazz: A Personal View of the Music and the Musicians by Floyd Levin
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| #23 | Print the Legend Print the Legend: The Life and Times of John Ford
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| #24 |  Synners
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| #25 |  Of Mice and Magic : History of American Animated Cartoons
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| #26 |  Perspectives on Chinese Cinema Perspectives on Chinese Cinema |
| #27 |  Film Studies: An Introduction
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| #28 |  The Conversations : Walter Murch and the Art of Editing Film
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| #29 | Essential Cinema Essential Cinema: On the Necessity of Film Canons
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