 Why Marx Was Right
| 4 | - | |
 How to Read Literature
| 3.5 | - | |
 Literary Theory : An Introduction
| 3.8 | - | |
 Marxism and literary criticism
| 0 | - | |
 Recitatif
| 4.02 | 3 | |
 The Anxiety of Influence: A Theory of Poetry
| 4 | - | |
 All About Love: New Visions
| 3.9 | - | |
 Consider the Lobster and Other Essays
| 4.19 | - | |
 Split Tooth
| 3.59 | - | |
 We We: Understanding the Psychology of Romantic Love
| 4.25 | - | |
 The Girl with All the Gifts
| 4 | - | |
 Black Water
| 4.25 | - | |
 The Circle
| 3.26 | - | |
 Her Pretty Face
| 3.78 | - | |
 The Silent Patient
| 3.75 | 2 | |
 Lock Every Door
| 3.73 | - | |
 The Stranger Inside
| 4 | - | |
 Double Indemnity
| 4.27 | - | |
 The Couple Next Door
| 3.3 | 2 | |
 The Mother-in-Law
| 3.95 | - | |
 Lying Next to Me
| 3.9 | 3 | |
 I Know Everything I Know Everything
| 4 | - | |
 Big Little Lies
| 4.26 | 4 | |
 Gentlemen and Players
| 3.8 | - | |
 The Whisper Man
| 3.81 | - | |
 The Never List
| 3.33 | - | |
 Here To Stay
| 3.43 | - | |
 The Lost Man
| 4.4 | 4 | |
 Midnight in the Garden of Good and Evil
| 3.8 | - | |
 Never Let Me Go
| 3.85 | 4 | |
 Good as Gone
| 3.58 | - | |
 Then She Was Gone
| 3.74 | - | |
 The Secret Keeper
| 4.25 | - | |
 Fingersmith
| 4.06 | 4 | |
 The Perfect Mother
| 3.35 | - | |
 Gone for Good
| 4.18 | - | |
 The Fifth Season
| 4.33 | - | |
 The Family Upstairs
| 3.8 | - | |
 Lying in wait a novel
| 3.62 | - | |
 The Nanny
| 3.5 | - | |
 The Perfect Child
| 3.93 | - | |
 I Let You Go
| 3.58 | 3 | |
 The Broken Girls
| 4 | - | |
 I Am Watching You
| 3.84 | - | |
 The Bone Collector
| 4.02 | 2 | |
 The House of the Spirits
| 4.2 | - | |
 The Girl on the Train
| 3.45 | 2 | |
 The Next Time You See Me
| 4 | - | |
 Shutter Island
| 3.91 | 4 | |
 Before I Go to Sleep
| 3.49 | - | |
 I'm Thinking of Ending Things
| 3.68 | 3 | |
 The Woman in the Window
| 3.58 | - | |
 The Grownup
| 3.51 | - | |
 Sharp Objects
| 3.8 | 5 | |
 Dark Places
| 3.76 | 4 | |
 Gone Girl
| 3.94 | 4 | |
 Kafka on the shore
| 3.92 | 3 | |
 The Vegetarian
| 3.51 | - | |
 The Seven Sisters The Seven Sisters
| 0 | - | |
 Sharp: The Women Who Made an Art of Having an Opinion
| 4 | - | |
 The Year of Magical Thinking
| 4.07 | - | |
 Computer Systems Computer Systems: A Programmer's Perspective
| 4.5 | - | |
 My Year of Rest and Relaxation
| 3.78 | 2 | |
 Agency
| 3.64 | - | |
 Ideias para adiar o fim do mundo
| 4 | - | |
 Interpretação de Kafka Interpretação de Kafka
| 0 | - | |
 Kafka's Milena
| 0 | - | |
 Rabbit, Run
| 3.73 | - | |
 How to Disappear
| 2 | 2 | |
 How to Be Alone
| 3.5 | - | |
 Coraline
| 4.1 | - | |
 The Ocean at the End of the Lane
| 4.06 | - | |
 On Ugliness
| 4 | - | |
 Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
| 4.22 | 4 | |
 How to Talk to Girls at Parties
| 3.75 | - | |
 Stardust
| 3.98 | - | |
 Neverwhere | 4.16 | 4 | |
 The Nonexistent Knight
| 3.75 | - | |
 The Heart Is a Lonely Hunter
| 3.77 | 3 | |
 The Sexual Politics of Meat
| 4.5 | - | |
 Surfacing
| 3.44 | 4 | |
 To the Lighthouse
| 3.71 | - | |
 Black dogs
| 3 | - | |
 The Comfort of Strangers
| 2.94 | - | |
 As I Lay Dying
| 3.56 | - | |
 Atonement
| 3.85 | - | |
 Serendipities : language & lunacy
| 3 | - | |
History of Beauty - On Ugliness History of Beauty - On Ugliness
| 0 | - | |
 Experiences in translation
| 4 | - | |
Confessions of a Young Novelist Confessions of a Young Novelist
| 0 | - | |
 History of Beauty
| 3.67 | - | |
 The Search for the Perfect Language
| 4 | - | |
 Last Exit to Brooklyn
| 3.46 | - | |
Anti-Oedipus Anti-Oedipus
| 4.44 | - | |
 A Thousand Plateaus
| 4.13 | - | |
Put Your Best Foot Forward Put Your Best Foot Forward: Make a Great Impression by Taking Control of How Others See You
| 0 | - | |
 Frankenstein, Or, the Modern Prometheus: With Connections
| 3.83 | 4 | |
 As Veias Abertas da América Latina
| 5 | 5 | |
 Chinese Lessons
| 0 | - | |
 Crime and Punishment
| 4.28 | 3 |
