Ratings70
Average rating4
I liked the idea of a strong caste-system being enforced on a generation ship, which launched from a post-apocalyptic earth with no destination. Planets are, in some ways, just generation ships, but it feels more claustrophobic in a ship, and therefore less room for idealism. I liked Aster and the deuteragonist, Theo a lot as part of a complicated, diverse and neurodiverse cast. And I also liked that for once in a dystopian setting, Solomon really explores the psychological impact of trauma in a way that is unflinching but still leaves room for sympathy.
But while the first half of the book was fascinating and driven by a compelling mystery, the denouement of the central mystery around page 150 requiring a bunch of pseudoscientific babble broke the metafictional agreement of mysteries (i.e. that before they are solved the reader at least has heard of all of the core components necessary to solve them; no fictional toxic heavy metal elements at the last minute.) And following that, the pacing really lagged into a series of upsetting but ultimately irrelevant oppression scenes. And ultimately, I wasn't sure what Solomon was trying to say about American slavery by telling a very conventional slavery narrative in space. I wish they had used the setting to advance the narrative.