Built on the Upper West Side, the elegant Breviary claims a regal history. But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants . . . except for Audrey Lucas. No stranger to tragedy at thirty-two -- a survivor of a fatherless childhood and a mother's hopeless dementia -- Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her . . . and for the voice that demands that she build a door? A door it would be true madness to open . . .
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Exactly like Netflix Archive 81, only I finished the book while I gave the series up. Should've had the same choice for both.
A little different from the previous two books, this focuses mainly on the titular character, an OCD Nebraska girl with a rough past and insane mother. It's about her life, her problems, and her creepy new apartment building filled with creepy old crazy folks. The building is also evil and part of the Chaotic Naturalist movement, which I'm not dying to read more about. There was a slow patch in the middle, but, all in all, I quite liked it. Like always, a central theme is mother/daughter relationships, and Audrey herself has trouble relating to people, even the man she loves. But it's delightful, sad, personal, and nicely creepy.