Ratings57
Average rating4.5
"An exceptionally beautiful book about loneliness, labor, and survival."--Carmen Maria Machado Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and gaelic folk songs. After university, Katie heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Katie will be far more than she anticipates. Arriving in Fort McMurray, Katie finds work in the lucrative camps owned and operated by the world's largest oil companies. As one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. Katie encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.
Reviews with the most likes.
My favorite comic artist writing a memoir? I have been waiting for this one to come to the library for months now. It's a beautiful read about her time working in the oil sands of Canada. Topic I was totally unfamiliar with. It's got the same wry wit as Hark! A Vagrant. She went through a lot, I thought to myself many times that I would not have been tough enough to endure working there. The first quarter of the book about the shackles of student loan debt resonated with me so, so much.
I much prefer Beaton's humourous stuff and I ended up skipping a chunk because our trusty narrator was subjected to harassment that I didn't want to experience along with her. Interesting to learn about the extraction operations but not a fun read if you're female cause of the second-hand rage.
Re-reading for book club which means I will be doing the painful parts this time.
And that was even better than I remembered. Very excited to talk about this with other people.
Painful but also graceful take on wage slavery, toxic masculinity, rape, mental health, colonialism, ecocide, and more. Beaton convincingly and poignantly shows the many stages she experienced through multiple soul grinders: starting off as an innocent young art graduate desperate to pay off student loans, doing what she thought was necessary (and probably was), but paying prices noone should have to. Important reading, but the kind of people who need to read this, won't.