Everyone on This Train Is a Suspect

I think it is generally hard to write a very good sequel. Especially for a book that is quite inventive, funny and a very good mystery all in one. So, I was wary of this sequel and I was more critical with this book while I read it.

Suffice to say, I absolutely loved this one.

Ernest Cunningham is back. He lays out the rules. He hands us all the clues. And is more than happy for us to solve it with him.

Ernest - I mean Benjamin Stevenson - has given us a lovely new narrative that builds on the previous story, with a fresh new mystery and new characters. He utilises the classic mystery tropes and, just as the previous one, puts his own twist on them. There are enough red herrings to go around, but one thing is for sure, Stevenson provides us with all the clues necessary to solve the case.

(Let me say, I did think I solved the case, but as he was doing the explaining, I realised I had gotten it all wrong and had called for the red herrings.)

I really liked this one - engaging mystery, humour, and some delightfully frustrating characters. It didn't quite have the emotional impact of the first book, but I guess that makes sense in the context. Though I did have fun exploring Ernest's relationship and seeing just how how much of an idiot he is - very enjoyable.
Unfortunately, like the first one, I found there to be way too much info dumped on me right at the end. Too much for me to ever guess it all, even if I can guess whodunnit based off vibes. Which is kind of annoying, because Stevenson is good at drip feeding clues - I just wish we got more of those big revelations throughout the book, so it wasn't such a leap to the solve at the end.
I hope he writes another one.

This book is about an author talking about writing a mystery, and then a murder happens when he's at an author event so in a way you're reading him write the book within the book, while also reading the book within the book, while really, you're reading and trying to solve the main mystery. The fourth wall is practically non-existent in this book while the author always talks to you, the reader, directly, and promises to never hide anything.

The fourth wall is practically non-existent while Ernest, the author, always talks to you, the reader, directly, and promises to never hide anything. He's playing with his cards open. He also gives hints along the way and tells you about how a mystery should be written, while also trying to stick to those rules himself. It's a marvelous journey literally, figuratively and literary-ly.

This is book 2 in a series, I didn't really feel like I missed anything by jumping in at this point. Reading this did make me wanna go back and read book #1 though. And I'll absolutely be reading the next book in the series.

This might be the funniest, wittiest mystery I've ever read. The book is so meta, and the humor is so on point, it was an absolute hoot to read. I laughed out loud at many points throughout the book. The kind of self aware meta-narration + humor this book adopts is so smart, it really tickled my brain in the right spot. I was so delighted while reading it.

This is a must read if you like cozy mysteries. There were many nods to Agatha Christie, starting with The Orient Express. But it also subverts some of those expectations many times, with a wink and a nudge.

The main character is not the most loveable, nor is he the smartest. He's definitely no Poirot, he makes mistakes, makes wrong assumptions. I got annoyed at times because of it, but since he's also always very forthcoming, I can see how the mystery wouldn't be so mysterious if he was brilliant. The author within the book promises to never hide anything, and never lie to the reader so that we can be on the journey with him and try to solve it alongside him.

I solved the mystery about halfway through the book, but there were still a few unexpected twists, and thanks to the way it's written it never felt boring.

This is a really great mystery with a big cast of characters with varying levels of loveability. And the fact that most of them are authors makes it even more awesome, since I always love reading books set in the world of books.

Thank you to Mariner Books and NetGalley for the ARC!

Was on track to rate this a 3-3.5 until the ending, which bumped it up. There were parts in this which dragged a little, and I did have to flip to the beginning to distinguish between characters (which I am so thankful that was included). The ending answered all my questions and cleverly threw away some red herrings, making for a surprising reveal. The last few pages added an unexpected zinger, and really just had me so impressed with the cleverness this entire book is written in. This is a series (author) to watch, it is so much fun and still meta unlike anything I've read. Waiting patiently for the next one! 

Benjamin Stevenson's “Everyone on This Train is a Suspect” takes a clever, almost cheeky approach to the classic whodunit genre. Set against the backdrop of a writers' conference aboard the Ghan train, Stevenson crafts a narrative that's as self-aware as it is engaging.

Ernest Cunningham, our protagonist and a crime writer himself, finds himself amidst a bevy of fellow mystery writers when fiction turns to reality: a murder on the train. The concept is intriguing: authors who know all the tricks of the mystery trade now have to apply them in real life. It's a setup rife with potential for both humor and intrigue, and Stevenson delivers on that promise.

While the book's playful self-awareness often charms, it walks a fine line, at times bordering on cloying—a trait that some readers may find somewhat off-putting. Unlike its predecessor, “Everyone in My Family Has Killed Someone,” which balanced the plot with deeper dives into character dynamics, this novel strips back much of that to focus squarely on the mystery. The result is a story that moves swiftly, though it does take its time to gather momentum.

While the book may not be as twist-laden as some might hope, it doesn't detract significantly from the enjoyment. Stevenson's writing is sharp, and the plot, though streamlined, is still engaging. The book's strength lies in its ability to not take itself too seriously while still delivering a satisfying mystery.

I enjoyed the journey Stevenson took me on but found myself yearning for a touch more depth and a bit less whimsy. The book is a delightful read, but for the next installment, a return to the heart and complexity of the first would be welcome. A little less reliance on its meta-nature and more fleshed-out characters could make Stevenson's next book not just a good mystery, but a great one.

Thank you to Netgalley and Mariner Books for the advance copy.

I loved how meta this one was! Not only did he tell us the number of times the name was mentioned, but also kept a tally for us! I love how this took a fair play mystery to the extreme.
The ending was clever and almost too clever. I'm still not sure if I like it or not. There were also almost too many characters. It was hard to keep track of the 8 or so writers plus the handful of fans and the other publishing people in the train. For the most part there were enough clues in the conversation to help us connect the name to the right person.