Ratings171
Average rating3.9
NATIONAL BESTSELLER * NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE * ROXANE GAY'S AUDACIOUS BOOK CLUB PICK Shortlisted for the The Ursula K. Le Guin Prize for Fiction "Moving and thought-provoking . . . offering psychological insights in lyrical prose while seriously exploring speculative conceits." -- New York Times Book Review "Haunting and luminous . . . Beautiful and lucid science fiction. An astonishing debut." -- Alan Moore, creator of Watchmen and V for Vendetta Recommended by New York Times Book Review * Los Angeles Times * NPR * Wall Street Journal * Entertainment Weekly * Esquire * Good Housekeeping * NBC News * Buzzfeed * Business Insider * Bustle * Goodreads * The Millions * The Philadelphia Inquirer * Minneapolis Star-Tribune * San Francisco Chronicle * The Guardian * PopSugar * Literary Hub * and many more! For fans of Cloud Atlas and Station Eleven, a spellbinding and profoundly prescient debut that follows a cast of intricately linked characters over hundreds of years as humanity struggles to rebuild itself in the aftermath of a climate plague--a daring and deeply heartfelt work of mind-bending imagination from a singular new voice. In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus. Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resilience of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe. "Epic . . . Sequoia Nagamatsu is a writer whose imagination is matched only by his compassion, the kind we need to light our way through the dark." -- Chloe Benjamin, New York Times bestselling author of The Immortalists "Wondrous, and not just in the feats of imagination, which are so numerous it makes me dizzy to recall them, but also in the humanity and tenderness with which Sequoia Nagamatsu helps us navigate this landscape. . . . This is a truly amazing book, one to keep close as we imagine the uncertain future." -- Kevin Wilson, New York Times bestselling author of Nothing to See Here
Reviews with the most likes.
A stunning debut novel by Nagamatsu. From deep under the melting permafrost in Siberia an ancient virus is unleashed upon the world by unsuspecting archaeologists. So you might think this is another Covid influenced “pandemic” novel, but the germ of the idea came to the author in 2008. Indeed this is more a tale dealing with loss, grief and the thread of humanity that carries this species forward.
Essentially a series of interconnected stories, where characters from one tale pop up in another, or their descendants do. The characters are well drawn, the stories are moving, melancholy at times yet also uplifting, as humanity fights to find a cure. Along the way scientific breakthroughs lead to the singularity, which in turn enables intergalactic flight and ships sail to the stars looking for a second Earth.
The narrative moves forward in time and shows how we deal with the huge loss of life, how we care for victims of a virus that causes mutations. The strange funerary customs that grow up, the way even that business changes as a cure is found and the aftermath, how the survivors deal with returning to a world forever changed.
I have not enjoyed a novel this much for quite a while, hence the five stars. The revelatory chapter at the end, that pulls all the disparate threads together is surprising and yet makes perfect sense of all that has come before. Wonderful stuff.
This one started off very promising to me, and kind of fizzled out a bit further into it. I really like the structure of this book, it's a series of short stories told as vignettes from different characters, but all within the same world and timeline. (It's also a pandemic story, although a fantastical one, but that might be off-putting to some).
There are a few stories near the beginning that were incredibly engrossing. I'll try to keep it vague and it will sound silly, but one is about a euthanasia theme park and another is about a talking pig. These are complete stories, well told, and are actually quite heartwrenching.
I think I may try rereading this at some point, I listened to the audiobook and it's possible I just wasn't in the mindset to pay property attention to the latter parts of the book, but they just didn't hold my attention as much and by the end I was a bit unsatisfied. Still worth reading for the high points though.
More science-fictiony than I expected, but also very intricate and moving.
I heard such great things about this book, although I do not remember now where I heard that. I had high hopes and was sadly disappointed.
I had just read The Wrack which was a similar concept of interconnected stories, all with different characters about the same event or happening. That story was also about a pandemic and at first, they were very similar. However, where those stories had lots of emotion and depth I felt these were very superficial. Especially in the beginning, all the stories were very sad but they didn't actually make me feel anything. They were just tragic in the most basic ways.
Some of the stories also felt very out of context and not at all relevant to the whole story. Like the talking pig. It was trying to be too much and the quality between stories varied wildly. A Gallery a Century, a Cry a Millennium, for instance, was great although again with too little depth in my opinion. The timelines were also very different as well. And the last chapter felt like a tack-on to connect all the stories because they weren't connected enough by themselves.
This jumbled collection of disconnected stories is too ambitious for its own good and didn't do the hype justice.
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