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Two women—separated by decades and continents, and united by an exotic family heirloom—reclaim secrets and lost loves in this sweeping novel from the New York Times bestselling author of The Summer Wives.
“My favorite kind of page-turner—unputdownable!”—Martha Hall Kelly, author of The Golden Doves
New England, 2022. Three years ago, single mother Mallory Dunne received the telephone call every parent dreads—her ten-year-old son, Sam, had been airlifted from summer camp with acute poisoning from a toxic death cap mushroom, leaving him fighting for his life. Now, searching for the donor kidney that will give her son a chance for a normal life, Mallory’s forced to confront two harrowing secrets from her past: her mother’s adoption from an infamous Irish orphanage in 1952, and her own all-consuming summer romance fourteen years earlier with her childhood best friend, Monk Adams— one of the world’s most beloved singer-songwriters—a fairy tale cut short by a devastating betrayal.
Cairo, 1951. After suffering tragedy beyond comprehension in the war, Hungarian refugee Hannah Ainsworth has forged a respectable new life for herself—marriage to a wealthy British diplomat with a coveted posting in glamorous Cairo. But a fateful encounter with the enigmatic manager of a hotel bristling with spies leads to a passionate affair that will reawaken Hannah’s longing for everything she once lost. As revolution simmers in the Egyptian streets, a pregnant Hannah finds herself snared in a game of intrigue between two men . . . and an act of sacrifice that will echo down the generations.
Timeless and bittersweet, Husbands & Lovers takes readers on an unforgettable journey of heartbreak and redemption, from the revolutionary fires of midcentury Egypt to the moneyed beaches of contemporary New England. Acclaimed author Beatriz Williams has written a poignant and beautifully voiced novel of deeply human characters entangled by morally complex issues—of privilege, class, and the female experience—inside worlds brought shimmeringly to life.
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Story Tries Hard But *Just* Misses + Story/ Cover Mismatch. This is one of those reviews where the review and rating may not seem to align, because for the vast majority of this book, I thought it was pretty damn good. It does a LOT - even more than similar Soraya M. Lane books usually do - and *for the most part*, it does those things quite well. We've got a romance tale in the 2000s era New England that alternates between 2022 (current) and 2008 (the halcyon summer where the couple first fell in love). We've got a historical fiction tale that alternates between the 1952 Great Cairo Fire/ Black Saturday period and early WWII period. Either one of those tales could be an entire book in and of itself, and yet we've also got a 23 And Me type DNA mystery that links the two (and which admittedly is a spoiler mentioning, sorry). I've read many entire books that would use any one of those three elements to tell an entire tale, and yet we get all three tales in one book here. And *for the most part*, it all works.
Where it fails, and the cause of the first star deduction, is that the climax of the Cairo tale is rushed and its fallout effectively buried in service of the New England romance and 23 And Me mystery. This book could have been *so much more* with maybe as little as 10 extra pages flushing out the Cairo tale in 1952 rather than the 2022 manner in which we get that information, and I think this is a close enough to objective opinion to merit a star deduction here.
The other star deduction is one I don't encounter often, but *have* done a time or two before, and is warranted here for the same reasons I've used it before - the stories told here and the cover as it exists at publication (June 25, 2024) do not match. At all. The 1952 tale in Cairo -the era this cover screams to me - doesn't really have even a pool scene at all, much less one involving a diving board. Even the 2000s era tales don't actually involve any real pool activity, again particularly with a diving board. There are some ocean/ beach scenes that play key roles, but that isn't what this cover evokes. Even in tone, this cover leads the reader to believe that this will be some 1950s era glam tale of some form... and it isn't, not really. Yes, the Cairo tale is played as "exotic"... but that isn't the tone I get from this cover.
So a lot of words, maybe too many words, to say that you really do need - as one 2* reviewer also noted - to read the description of the book to really know what you're getting into here, and judging this book by its (admittedly great looking, in and of itself) cover may get you into a bit of a letdown situation with this particular book.
Overall, I actually really, really enjoyed this book. I thought it did a lot, and for the most part did well on damn near all of it. It simply lacked execution in a final detail and needed a cover that ties to the story more than the current one does.
Very much recommended.
Originally posted at bookanon.com.