Husbands & Lovers

Story Tries Hard But *Just* Misses + Story/ Cover Mismatch. This is one of those reviews where the review and rating may not seem to align, because for the vast majority of this book, I thought it was pretty damn good. It does a LOT - even more than similar Soraya M. Lane books usually do - and *for the most part*, it does those things quite well. We've got a romance tale in the 2000s era New England that alternates between 2022 (current) and 2008 (the halcyon summer where the couple first fell in love). We've got a historical fiction tale that alternates between the 1952 Great Cairo Fire/ Black Saturday period and early WWII period. Either one of those tales could be an entire book in and of itself, and yet we've also got a 23 And Me type DNA mystery that links the two (and which admittedly is a spoiler mentioning, sorry). I've read many entire books that would use any one of those three elements to tell an entire tale, and yet we get all three tales in one book here. And *for the most part*, it all works.

Where it fails, and the cause of the first star deduction, is that the climax of the Cairo tale is rushed and its fallout effectively buried in service of the New England romance and 23 And Me mystery. This book could have been *so much more* with maybe as little as 10 extra pages flushing out the Cairo tale in 1952 rather than the 2022 manner in which we get that information, and I think this is a close enough to objective opinion to merit a star deduction here.

The other star deduction is one I don't encounter often, but *have* done a time or two before, and is warranted here for the same reasons I've used it before - the stories told here and the cover as it exists at publication (June 25, 2024) do not match. At all. The 1952 tale in Cairo -the era this cover screams to me - doesn't really have even a pool scene at all, much less one involving a diving board. Even the 2000s era tales don't actually involve any real pool activity, again particularly with a diving board. There are some ocean/ beach scenes that play key roles, but that isn't what this cover evokes. Even in tone, this cover leads the reader to believe that this will be some 1950s era glam tale of some form... and it isn't, not really. Yes, the Cairo tale is played as "exotic"... but that isn't the tone I get from this cover.

So a lot of words, maybe too many words, to say that you really do need - as one 2* reviewer also noted - to read the description of the book to really know what you're getting into here, and judging this book by its (admittedly great looking, in and of itself) cover may get you into a bit of a letdown situation with this particular book.

Overall, I actually really, really enjoyed this book. I thought it did a lot, and for the most part did well on damn near all of it. It simply lacked execution in a final detail and needed a cover that ties to the story more than the current one does.

Very much recommended.

It's been a while since a prologue gripped me as much as the beginning of Husbands & Lovers. 10/10 hook for sure. Had this book solely followed the modern storyline I think this could have been a five-star read.    After a summer camp incident involving a poisonous mushroom, Mallory's son Sam is in need of a new kidney. With no matches in her immediate family, the obvious choice could potentially be Sam's father — someone Mallory has spent the last decade trying to forget.    This historical portion of the book is set in the 1950s, centering on Hannah, a Hungarian refugee living in Cairo torn between two men, one of them the father of her baby.    Though the two storylines do of course tie together, Hannah's portion had little significance in the long run. It was a separate story next to Mallory and Monk's story which was far more fleshed out. I struggled through the historical timeline, especially given Mallory has a number of flashbacks into the past.