Into the Drowning Deep

WOW. I don't typically read horror, but this was fantasy horror, and WOW. I picked up the novella precursor to this sometime last year - I never reviewed it here, probably because it was barely over 100 pages, but it was fascinating and haunting all the same. Rolling in the Deep told the story of the Atargatis, a ship sent out to the Mariana Trench to stage a mockumentary - supposedly looking for mermaids, but equipped with actors who could swim with mermaid tails. They never planned to find anything. Except they did. And they all died. One by one at first, a few people picked off, then the entire ship swarmed and eaten. The reader sees this happen, but to anyone not on the ship, the only thing they find is some footage on an abandoned ship.

Into the Drowning Deep fast forwards a few years; the production company, Imagine Network, is not doing so well, and they want to prove that the footage wasn't a hoax. So they assemble a new mission, this one with a lot more security. (Though they still picked security with an eye for what would look good on TV, rather than what would be effective, which was a poor choice.) The reader, of course, knows that the mermaids are real, and that they are dangerous, so you spend much of the first part of the book in a state of suspense waiting for them to show up. (I actually thought it took a little too long for them to finally show up, but the time was used for character-building.)

The book is very Lovecraftian, actually - from the strong, building sense of foreboding doom to the creatures that should not exist, to the kind of gibbering insanity near the end. It's probably why I liked the book so much; Lovecraft is about the only kind of horror writing I like, and I get the same feeling from Grant's writing.

So yes, the book is about mermaids. But these aren't mermaids as you've seen them before. They're not cute, they're not seductive, they don't want to live on land, and they're definitely not friendly. These mermaids are predators. Intelligent predators, but predators. And humans, apparently, are delicious.

Most of the characters in the book are scientists trying to prove mermaids exist, so there's a lot of science happening aboard the ship, and Grant doesn't shy away from it happening on the page as well. She also includes a pair of deaf scientist twins, and their interpreter sibling, which is important because the mermaids use a form of sign language as well. Most of the main characters are women, which is also great to see in such a large concentration of fictional scientists.

If you like fantasy horror, i.e. Lovecraft, you should definitely pick this up. Rolling in the Deep is also worth reading first - I think it definitely adds another layer to the sense of foreboding doom.

You can find all my reviews at Goddess in the Stacks.

Pros: excellent creature building, diverse cast, some tense moments

Cons: several minor items made me lose immersion, minor inconsistencies

Seven years ago the entertainment company Imagine's ship Atargatis was lost in the Mariana Trench. Video, called a hoax by most, showed mermaid like creatures attacking the ship. Now, a new ship is being sent to find out what really happened.

There's a great diverse cast. It was interesting seeing the hearing impaired twins interact with and without their translator (though I was surprised more people didn't consider handwriting or typing notes to communicate with them). I really liked Victoria, and seeing her determination to discover what happened to her sister on the Atargatis. The book had some great friend duos between Victoria and Luis and Olivia and Ray. It's not common to see close and supportive male/female friendships so it was great seeing those. While I didn't particularly like Dr. Toth, I loved her mixture of curiosity and fatalism when it came to the mermaids.

The mermaids, or sirens as Dr. Toth preferred to call them, were incredible. They're both alien and based on deep ocean creatures, beautiful and terrifying. I was impressed that the author makes it clear how they became objects of myth while also being quite different from the stories they inspired. I loved the hypotheses regarding aspects of their biology, mannerisms, and communication. The creature building was brilliantly done.

I appreciated that the romantic elements came with a healthy dose of communication and a lack of manufactured drama. It came up quickly but felt organic to the story.

There were several conversations and minor issues that kept bumping me out of the story. This ruined my immersion and lessened the tension. For example, when scientists start boarding the ship Ray and Olivia point people out to each other. Ray sees Luis Martines and knows a surprising amount of information about his life and field of study. He's even read one of Luis' academic papers. While I'll accept that Olivia and Ray were given a crew manifest, he definitely knows more than a cursory search would bring up, even if Martines' wealth makes him an intriguing subject. But then he doesn't know who Dr. Toth is, which makes no sense if he studied the crew, considering she's more famous and important as a subject for their work.

Another scene with Olivia made me pause when she thought about her family: conservative father, liberal mother. Apparently her mother doesn't think she should ever have sex due to her ‘condition', which doesn't seem ‘liberal' to me. Had Olivia framed her thought explaining that her mother believed she was liberal but her words to Olivia proved otherwise, it would have made more sense.

I noticed several minor inconsistencies. I'm not sure if other readers will find these as distracting as I did. Thankfully the last hundred pages or so didn't include any of these so I was able to really get into the action and feel the suspense and horror of the ending.

The book wasn't perfect but it has some great creatures and the ending is excellent.