Ratings83
Average rating3.9
The acclaimed debut of Japan’s “master storyteller” (Chicago Tribune). With the publication of Kitchen, the dazzling English-language debut that is still her best-loved book, the literary world realized that Banana Yoshimoto was a young writer of enduring talent whose work has quickly earned a place among the best of contemporary Japanese literature. Kitchen is an enchantingly original book that juxtaposes two tales about mothers, love, tragedy, and the power of the kitchen and home in the lives of a pair of free-spirited young women in contemporary Japan. Mikage, the heroine, is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend Yoichi and his mother (who is really his cross-dressing father) Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart. In a whimsical style that recalls the early Marguerite Duras, Kitchen and its companion story, Moonlight Shadow, are elegant tales whose seeming simplicity is the ruse of a very special writer whose voice echoes in the mind and the soul. “Lucid, earnest and disarming . . . [It] seizes hold of the reader’s sympathy and refuses to let go.” —Michiko Kakutani, The New York Times
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Your book preferences aren't solely determined by an author's writing skill. Various elements like theme, plot, characters, and even the cover play a crucial role in shaping your review. Reviews tend to be deeply personal; what resonates with one person might not resonate with everyone. So my personal rating for the book is 3/5.
That being said, this book left me with mixed emotions. I enjoyed the first story, “Kitchen,” yet elsewhere, I came across another person's review which I liked to quote here - “she's not for everyone; she's a minimalist storyteller, at least in my opinion, able to turn the emotional state of the right reader with the flick of just one beautiful perfect phrase, but only if you're ready to catch that beautiful perfect phrase and appreciate it for what it is.”
This book is made up of two lovely, but brief, stories. I'd like to read something longer and more immersive by Yoshimoto.
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