Ratings33
Average rating4.1
Nat Cassidy is at his razor-sharp best again with his horror novel Nestlings which harnesses the creeping paranoia of Rosemary's Baby and the urban horror of Salem's Lot set in an exclusive New York City residential building. Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings with beautiful vistas of Central Park and stunning architecture and disturbing gargoyles. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby. Other Books by Nat Cassidy: Mary: An Awakening of Terror At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Reviews with the most likes.
4.5 stars!! ⭐️⭐️⭐️⭐️✨
It was a great exploration of grief and postpartum depression. The characters were well thought out and raw with a great deal of sympathy for what they were going through. You can tell this was carefully written.
I love the writing style. Comedic horror is to the likes of Grady Hendrix (in my opinion). They say this a mix of Rosemarys Babe and Salems Lot, but it also reminded me a lot of Lock Every Door by Riley Sager. If you enjoyed that one and are looking for a more in depth horror version, I'd highly recommend Nestlings!
I brought it down a half star only because of how dense the information was. For an under 300 page book, we still could've done without interludes and would still be jam packed with things going on.
Regardless, this was a great read.
Nestlings is truly creepy, something I was personally pretty grateful for considering my last horror read didn't feel especially spooky. I went in blind, so I had no idea what the horror aspect was, and I spent about half the book guessing, which was a lot of fun. I love that Cassidy didn't go with the typical tropes so even once I had figured it out, I was still surprised by various characteristics and rules of the Big Bad (which I'm not mentioning in case someone else wants to go in blind, but it's easy enough to look up).
I love how complicated Ana was. She struggled with bitterness over her parapalegia and resentment of her daughter in addition to the normal postpartum stuff. After all, she wouldn't be paralyzed if she hadn't had Charlie. The constant fight in her mind between loving and hating her baby, and then the guilt she felt afterward, the worry she wouldnt and couldn't be a good mother, was heartbreaking. Ana struggled with Reid as well, but in my opinion, anyone would. Reid was a colossal ass. Once upon a time, before this book began, he may have been a good guy, but not anymore. He didn't feel like a complex character, he just felt like an incredibly selfish jerk that only does things that will serve him. He was suffering mentally, just as Ana was, but the ways in which they handled it were so different. Sometimes I did feel like he had a right to be the way he was, or that it made sense, but I was constantly angry at him and even had to remind myself once that he isn't a real person.
There were a few things that were brought up or events that took place that confused me. I understood what was going on, but I didn't really know why it was going on. It didn't feel like filler, exactly, but it didn't feel necessary either. So yeah, a few things had me scratching my head, but the story was good enough that it was easy to shrug them off.
The formatting of the book was very pleasing to me, so I want to mention it too. Short chapters were broken down into small, numbered chunks, and paragraphs were small. I've never complained about paragraph or chapter length before but I liked this very much. Nestlings takes place during the pandemic and in a note at the end, Cassidy explains why. He wanted to “capture the incredibly strange period of time we were living through in 2021 (and '22)” where people wanted the pandemic to be over, but it wasn't quite. Some pretended it was. Some couldn't. It was just a very odd, nebulous time. I think he did a good job of capturing that uncomfortable feeling of the unknown.
Nestlings is a story of grief. It's a story of the complexity of motherhood. It's about feeling like you don't belong . And it's about an ancient evil that predates crosses 😉
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