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Average rating3
"A deliciously quirky crime novel from David McCallum, the beloved actor know for his portrayal of Illya Kuryakin on The Man From U.N.C.L.E. and Dr. Donald "Ducky" Mallard on NCIS. Crime pays. And pays well. Sal, Max and Enzo Bruschetti have proved this over a lifetime of nefarious activity that they have kept hidden from law enforcement. Nowhere in any file, on any computer is there a record of anything illegal from which they have profited. But Max has a problem. His body is getting old and his doctor has told him to take it easy. Max has decided that the time has come for the family to retire. But when young actor Harry Murphy overhears the Bruschetti brothers planning changes to their organization, including the murder of a man in London who knows to much, the Bruschetti's plans begin to unravel. After Harry makes the well-intentioned if egregious mistake of trying to warn the Bruchetti's intended victim he finds himself alone in a foreign country, on the wrong side of the law, with a suitcase full of cash and a dangerous man on his trail. And while his good looks, charm and cheerful persistence may prove assets in the turbulent events that follow, none of Harry's past roles have prepared him for what happens next. A turns tense and funny, Once a Crooked Man is infused with the infectious charm that has made David McCallum one of television's longest running, most-beloved stars"--
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★ ★ ★ 1/2 (rounded up)
This originally appeared at The Irresponsible Reader.
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If you've read Hugh Laurie's The Gun Seller, Eoin Colfer's Daniel McEvoy books or Elmore Leonard's lighter works (like say, the Chili Palmer books) – there's a pretty good chance that you'll enjoy this.
Max Bruschetti is a pretty successful organized crime figure, but circumstances have brought Max and his brothers, Enzo and Sal to the point where they've decided to retire, and live off the smart investments made of their ill-gotten gains. There's just a few details to clean up first. By “details” I, of course, mean employees who can testify against them; and by “clean up,” I mean “kill.”
Harry Murphy, a frequently employed actor and very occasional public unrinator, overhears the Bruschetti brothers making these plans. For reasons beyond my ken, he decides that instead of calling the police, he hops on a plane to London to warn one of the targets.
Things get strange, twisty, turny and out of control from there.
Along the way, Harry meets DS Elizabeth Carswell who accompanies him back to New York to track down the people who sent the killer to England. Lizzie is a great character – I'd gladly read a series about her (at least her life leading up to the events of this book, I'm not so sure how interested I'd be in what comes after – but maybe); tough, smart, damaged in the way the best police characters are.
The characters in this book are just great – even people we meet for just a few pages. There are so many details to some of these characters that we just don't need, and other authors wouldn't bother including. But McCallum does, and I'm so glad he did.
There's one thing that I can't believe an editor let go – there's a rape scene. I've read worse (i.e., more graphic, violent, horrific, detailed), but it was pretty unnerving – and an oddly dark turn for this book. But what's worse is the way that the victim reacted – not immediately, that seemed to line up with reality – but longer-term, that was just wrong. It was tasteless, questionable in terms of characters, and (at least in the eyes of some) socially irresponsible. I really tarnished the whole book for me (and the more I think about it, the worse it gets – so I'm moving on).
I wouldn't say that this was funny, but there was a comedic slant to it. Plenty of action, a dash of violence, and plenty of good ol' entertainment bag for your buck. McCallum's got actual writing chops and I hope has another novel up his sleeve – it's not like Ducky has a lot to do on NCIS anyway, he's got time.
I love David McCallum from his role on NCIS, but I did not enjoy this book at all. The story follows a struggling young actor who inadvertently gets mixed up in the affairs of a crime family trying to dismantle their illegitimate operations. While a fairly creative story, it was convoluted and at times hard to follow. The perspectives switched at odd times, and there were several lengthy tangents that did not significantly enhance the plot. The best part of the experience was listening to the author's familiar voice and all the different accents he used for the various characters (I listened to the audiobook version).