Ratings2
Average rating3.5
"So funny, smart, sophisticated, and captivating, you just want to spend your whole life with it."--Kevin Kwan, author of Crazy Rich Asians In this modern reimagining of Jane Austen's Emma, Delhi's polite society is often anything but polite. Beautiful, clever, and more than a little bored, Ania Khurana has Delhi wrapped around her finger. Having successfully found love for her spinster aunt, she sets her sights on Dimple: her newest, sweetest, and most helpless friend. But when her aunt's handsome nephew arrives from America, the social tides in Delhi begin to shift. Surrounded by old money and new; relentless currents of gossip; and an unforgettable cast of socialites, journalists, gurus, and heirs, Ania discovers that her good intentions are no match for the whims and intrigues of Delhi's high society--or for her own complicated feelings toward her cherished childhood friend, Dev. Pairing razor-sharp observation and social comedy with moments of true tenderness, this delicious whirl through the mansions of India's dazzling elite celebrates that there's no one route to perfect happiness.
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I've been on a roll for almost the past year, trying to read as many modern Jane Austen retellings as I can. So when I found that there was a new version of Emma set in Delhi, I just had to get my hands on it.
Emma is one of those books that's not easy to like, especially because of our titular character. The retellings which stay close to the original tend to have similar concerns, so I really wanted to see how the author would manage to make me like the story here. I think the author's decision to set it among the uber rich elite class of Delhi was perfect for this story. The pretentiousness of this group of people really comes through and one can't help but wonder how far away they are from the country's reality. The book really feels like a satire and I could enjoy it because of that. The first half of the book does a neat job of establishing the characters, giving us a look into their backgrounds and motivations and the general culture among this crowd. However, it's the second half where it really faltered for me. We follow many characters and I thought it'll be fun to see where they all end up, but it felt like the story meandered a lot and we never got any proper resolution to most of the characters' arcs. The ending felt very abrupt and open ended and I'm not really a fan of those. Another problem I had was that some of the English vocabulary used was completely unfamiliar (with some French words also thrown in the mix) and I found it all a bit tough to follow - it's totally a me problem and others would probably enjoy it too.
This book has a huge ensemble cast but I didn't end up connecting to anyone. No one here is written to be likeable, so that's not the issue - it's just that I felt a huge divide between them and myself, so I couldn't find myself invested in any of their issues. I'm not even a fan of Emma from the original but she manages to redeem herself a bit towards the end, however I didn't feel the same about Ania. She is a snob and a creature of privilege, always sure that she is doing the right thing and feels herself to be superior to other mere mortals. But I did sympathize with her when some unfortunate incidents happened, but we never see her actually contemplate or learn anything from them so it didn't make any difference. Even towards the end, I don't think that she realized any of her faults - just that things didn't go her way. So, I was pretty disappointed with this missing character development. And that's the case with most of them in the book. Things just happen to the characters in their life and they move on to something else, but we never really see anyone reflect or try to change or even empathize with others.
In the end, I thought this was mostly a faithful retelling of Emma (atleast all the characters of Emma's family and Harriet). It has a well written satirical tone which made the book interesting to read, and I also absolutely adored the narrator Deepti Gupta whose voices for each character was unique and beautiful. But the lack of character development and unresolved arcs left me feeling dissatisfied. If you like desi Jane Austen retellings or previously have enjoyed reading The Windfall by Diksha Basu, you probably will enjoy reading this one too. I also recommend the audiobook because of the wonderful narrator.
When she wrote Emma, Jane Austen famously described her as a heroine that she didn't think people would really like. A smart, pretty, rich girl isn't exactly the most sympathetic of heroines. Clueless proved that Emma could hold up well to adaptation, so when I read that Mahesh Rao had decided to transplant the book to modern-day India in Polite Society, I was curious. Instead of Emma Woodhouse, we have Ania Khurana, beloved daughter of wealthy businessman Dileep. Ania is bored with her socialite life in the most elite circles of Delhi, and when she successfully sets up her spinster aunt Renu, she decides her next project will be her new friend Dimple, who works in PR. Dimple grew up in the country, and though she met a nice guy, Ankit, when she first moved to the city, finds it hard to resist when Ania tries to steer her towards up-and-coming reporter Fahim.
While many aspects of the original are here, Rao puts his own, darker spin on some of the side characters: both the Frank Churchill and Jane Fairfax types have very different storylines than Austen gave them, and Dileep is drawn dangerously into the thrall of a faith healer type called Mr. Nayak. The broad strokes of the story play out more or less as expected, though: Fahim does not fall for Dimple and marries impulsively shortly thereafter, Ania grows closer to her longtime family friend Dev (standing in for Mr. Knightly) even as she develops a flirtation with the Frank substitute, Dimple and Ankit come back to each other eventually. But while Austen wraps things up neatly and happily, it's much more unsettled at the end of Polite Society.
Taking a beloved story and adapting it is a tricky thing to do...too close to the original, and it barely seems worth the effort, but too far away and you risk enraging fans. I think Rao struck a good balance, adding plot twists that gave the story new complexity. I especially liked the addition of perspectives besides that of Ania, which had the effect of giving Dimple, Dileep, and even Fahim so much more richness and interest. I appreciated the generally edgier tone and the way it undercut a story that has a lot of romantic wish fulfillment and froth built into it. The story the book tells is compelling, and I think would work even without having read Emma (though the understanding that the heroine is supposed to be kind of annoying is definitely helpful to come in with).
While I enjoyed a lot of what this book did, it was not entirely successful. Rao's prose lacks the wit and verve that really mark Austen as a master of her craft, and is less charming as a result of the inevitable comparison. And while many of the side stories were a welcome addition, it felt like there were too many to give them all time to really develop. The generally lightweight tone of the book (even in the heavier way Rao rendered it) would be compromised by the addition of too many extra pages, but I think another 50 or so would have given it all a little more room to breathe. Overall, though, I found this book very good and would recommend it both to those who already love Emma and those who haven't experienced it yet!