Ratings28
Average rating3.3
Shimamura is tired of the bustling city. He takes the train through the snow to the mountains of the west coast of Japan, to meet with a geisha he believes he loves. Beautiful and innocent, Komako is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion that is alien to Shimamura, and their love offers no freedom to either of them. Snow Country is both delicate and subtle, reflecting in Kawabata�s exact, lyrical writing the unspoken love and the understated passion of the young Japanese couple.
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I enjoyed this book more and more as it went on. The thought processes sparked by this novella are never overtly stated yet clear. In addition, the book is written in a simple language. A recurring idea in this book: Sometimes, things are what they are and not what we want them to be, even if we are unaware of why or how.
I enjoyed reading this book and it was exactly what I expected but at the same time it wasn't. The writing was great and I really loved the descriptions. You have to read a lot between the lines, however, and I was often confused about what was going on and where I was and had to go back and reread what I've just read. There's really a lot to this story and even though I didn't like the characters, I did enjoy following their story and seeing how their lives change and how this novel ends.
Shimamura, a wealthy dilettante from Tokyo, travels to the snowiest region on earth and meets up with Komako, a poor provincial geisha. Snow Country tells the story of their relationship.
It's a poem of a story, complex, brimming with both the care and indifference that characterize a deep connection between two people. Like a haiku, the details of the season, of the place, fill the margins of the story, and color the emotional resonance of the relationship. The story is mysterious, with much left unsaid or unclear, as Shimamura and Komako come together and separate and come together and separate.