Ratings2
Average rating4
“[Kathleen Jamie’s] essays guide you softly along coastlines of varying continents, exploring caves, and pondering ice ages until the narrator stumbles over — not a rock on the trail, but mortality, maybe the earth’s, maybe our own, pointing to new paths forward through the forest.” —Delia Owens, author of Where the Crawdads Sing, “By the Book” in The New York Times Book Review. An immersive exploration of time and place in a shrinking world, from the award-winning author of Sightlines. In this remarkable blend of memoir, cultural history, and travelogue, poet and author Kathleen Jamie touches points on a timeline spanning millennia, and considers what surfaces and what reconnects us to our past. From the thawing tundra linking a Yup'ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressiely preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time. Most movingly, she considers, as her father dies and her children leave home, the surfacing of an older, less tethered sense of herself. In precise, luminous prose, Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.
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I found this book in a donut shop in Arlington, VA, where I spent most of early 2020 before my dad died in March. It caught my eye in their lending library because Jamie has won a John Burroughs Medal, and I was partway through “The Song of Trees,” for which Haskell won a JB Medal, as well, and I've really been enjoying environmental non-fiction. My star rating doesn't totally reflect my emotional experience with this book: there was something oddly soothing reading a poet's prose about Neolithic ruins while bearing witness to someone's death, and this book was one I could come back to throughout this year without losing the connection to the story despite significant lapses in time. There are times that I think Jamie came close to exoticizing her subjects (the book includes passages about Alaska, a Tibetan town in China, and Scotland), but I think she recognized and addressed that tendency relatively successfully by the book's end, and she has a great deal of compassion for the world, both human and everything else.