The Child Thief

My reasons for disliking this book may be slightly personal. That said, I wouldn't write off this review entirely. I do have quite a bit to say about it.

I think its a childhood fear. The fear of being mistrusted, your judgement questioned. When you're a kid, particularly a smart kid, you pick up pretty quickly that adults are hiding things from you. That when you know something and they don't it doesn't really matter because you're the smaller one, and the bigger one is always right. This is what makes it so hard for me to read stories like this, where a character's own sanity, even his status as a human being is put in to question. Its something that you can't defend with anything but your word and its funny how willing people are to throw that away when they've decided they're through with you. It's why I hated reading The Crucible in high school, and why this season of American Horror Story is particularly chilling (actually, gaslighting is totally a theme in AHS, so its pretty much the show all around). The idea of my word being denied is terrifying to me and part of that has to do with being a woman of color, of which there is only one in this book and she dies relatively early.

And so because it is a fear stemmed from childhood, I suppose that's why its so intrinsic to this novel. The major conflicts are built on one misunderstanding or miscommunication or another, and exacerbated by people seeing their enemies where and when they want to. To disastrous results, not surprisingly. Everybody dies. Literally, rocks fall. From multiple directions. That didn't make it any easier for me to read though.

The Child Thief is in third person omniscient, which generally I think I don't have a problem with, except the past couple of times I've read books with that POV, I haven't liked it. Here, I think the focus is spread too thin and we're never given a chance to really entrench ourselves in a character. Nick is the closest thing the book has to a classic protagonist, he is the reader's cipher. For me though, he was too much of a stereotypical young boy - headstrong, a tad self-righteous (he's totally self-righteous what am I talking about), with a bit of smarts. As a 26-year-old woman, I couldn't find anything in there to relate to. Not to mention, considering the fact that he just found himself on fucking Avalon, he was seriously lacking in awe. I mean, I get that the island is not what it used to be, and mostly he was just scared, but I would have liked Brom to have incorporated something misty-eyed, something to make us love the setting and want to fight for it.

That point of view was supposed to mostly come through Peter, who loves the island dearly. Or he thinks he does, because personally I think he hates men-kind a lot more. I wanted to like him, but the kid is wild, his emotions are so over-the-top that its just really hard to feel grounded with him. You could also see his mistakes plain as day, and it was hard to see him as totally sympathetic, or to get behind his mission, when he's done such horrible things just because it was fun.

The other points of view we get are briefly from one of the other kids, Cricket for the opening chapter I'm guessing because she's the last of the Devils other than Peter to survive, but otherwise that opening was mostly pointless, aside from establishing mood. Then there's Ulfger basically vomit inducing, the fact that there was someone on the island who was full blown insane when it counted turned my frustration into a headache, and The Captain, the one genuine guy on this damn boat. You know, aside from the whole killing kids and sticking their heads on pikes thing. Or forget it, everybody sucks here.

I also felt a little duped by this. When I first picked this up, based on the description and the cover, I was expecting more urban fantasy, maybe magic realism. This is actually more like high fantasy, with modern elements. There's a considerable amount of mythology and background, some obscure terminology, and even some walking. I don't do high fantasy, not unless its really damn good. I may be slightly bitter about that.

On the plus side, there is a lot of great action. The plot and pacing is very tight and quick, there is no loose end left untied. And if you're into go and body parts going flying then that's here too, but there isn't much art or even horror behind it. The illustrations are also beautiful, I'm glad at the very least that I picked this up from the library so that I could at least handle it and appreciate that aspect of it (even if its shaped like goddamn textbook).

But this is bleak. Nobody wins in this story. I think in some places I heard this describe as YA, and I'd have to respectfully disagree. Not because of how dark this is, the gore or the tragedy. But because its not a coming of age story, in fact its the exact opposite. After everything, Peter stays the way he is, a perpetual child, carefree and murderous. I see what Brom was going for, and in many ways this is probably the only way to make an honest take on Peter Pan, a story that shows the wrong doing and valor on both sides of the conflict, while maintaining the inherent nature of Peter and the Lost Boys. But I think I could have probably lived my life without it.

[b:The Child Thief 6308379 The Child Thief Brom https://d.gr-assets.com/books/1336347513s/6308379.jpg 6493440] is one of those rare books that you just don't want to put down and, once you finish, you want another 400+ pages to read. This was definitely a thriller and a wonderful (and more realistic) take on Peter Pan and just what kind of child he really was. I loved being immersed in the world of Avallach and, apart from Ulfger, there wasn't a single character I wasn't interested in which is a rare thing indeed.[MINOR SPOILERS] As for Ulfger, his character was a bit confusing. He went from just being a bully with daddy issues to being a full-on magic-powered murdering psychopath seemingly instantaneously and we never really learn exactly why he was hiding the Lady from the world (I understand it was to protect her and Avalon from outside influences but his methods were a bit more than unreasonable) or how his seemingly stable knowledge of politics gets twisted in such an extreme way (why is he suddenly killing the people he fought to protect). Overall, he seemed mostly pointless because the Flesh-eaters provided most of the conflict and danger. [END SPOILERS]I can only hope to see more from this world in the future from [a:Brom 172487 Brom https://d.gr-assets.com/authors/1302077137p2/172487.jpg]. This is the second book from him I've read in just over a week ([b:Krampus: The Yule Lord 13505670 Krampus The Yule Lord Brom https://d.gr-assets.com/books/1360091553s/13505670.jpg 19056087] was just as amazing) and at nearly 400 pages a piece, that can only mean good things for Brom's writing.

A Peter Pan retelling that apparently is true to the original's very dark tone. Check for trigger warnings if you pay attention...that first chapter was unexpected. I devoured this book and absolutely loved it. Fantastic world building, characters and plot. All of Brom's other works are now on my TBR.

I found this book very fascinating. For some reason, I have never read J.M. Barrie's original Peter Pan. I've seen movie adaptations of the book, but never actually sat down to read it. This book is a very dark Peter Pan, deadlier and definitely more adult. I am not usually a squeamish person when I read graphic scenes, but there were a few times when my skin crawled (there is one scene where the head Reverend explains how he will go about exorcising the demons he believes lives in Peter and his Devils aka Lost Boys). Brom mixes other legends into this story, which created an interesting history for the characters. I've always been fascinated with faeries, witches, pixies, trolls and elves and you'll find them in this story. This Peter is both playful and mischevious, as well as has a very dark side that reveals a murderous appetite. That was different. This is definitely not Disney's Peter Pan nor is it anywhere close to the playful stage versions I've seen. This is not a bedtime story type of book either, this book deserves a mature audience. I think if you're familiar with the basic story of Peter Pan (the boy who never grew up) and have a tiny idea of what Avalon is, you'd probably find this book interesting and possibly enjoyable.