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Average rating5
"Jones's sense of place is acute, and his passion for the landscape-for its colors, its creatures, its textures, its scents-is absolutely magnetic."-Sarah Waters "A dark, tense, and vital short novel. Profound, powerful, and utterly absorbing."-The Guardian" It is a book about the essentials: life and death, cruelty and compassion. It is a book that will get in your bones, and haunt you."-Daily Telegraph" Cynan Jones's fourth novel, The Dig, is an extraordinarily powerful work-not in spite of its brevity but because of it. In its marriage of profound lyricism and feeling for place, deep human compassion and unflinching savagery, this brief and beautiful novel is utterly unique."-Financial Times Built of the interlocking fates of a badger-baiter and a farmer struggling through lambing season, The Dig unfolds in a stark rural setting where man, animal, and land are at loggerheads. There is no bucolic pastoral here: this is pure, pared-down rural realism, crackling with compressed energy, from a writer of uncommon gifts. Cynan Jones was born near Aberaeron, Wales, in 1975. He is the author of three novels, The Long Dry (winner of a Betty Trask Award, 2007), Everything I Found on the Beach (2011), and The Dig (2014), winner of the Jerwood Fiction Uncovered Prize. He is also the author of Bird, Blood, Snow (2012), the retelling of a medieval Welsh myth. The Dig is his first novel published in the United States"--
Reviews with the most likes.
Warning for graphic descriptions of animal cruelty. I did think Daniel's chapters were effective in describing (slight spoiler) grief and isolation. With a greater focus on Daniel's story I may have ended up liking the whole novel a lot more. Unfortunately, the “Big Man's” chapters were so deeply unpleasant and took up such a huge amount of pages for such a short book that I really can't see past it. There were other graphic scenes in Daniel's sections as well, but these scenes didn't bother me nearly as much as the Big Man's, because, I think, they seemed necessary and realistic in a farmer's way of life (for example, when Daniel was trying to save the life of a ewe and its unborn lamb). On the other hand, the Big Man's actions seemed needlessly cruel. Maybe if, in the end, the the two protagonists' stories had come together, as I'd been expecting, then I could have understood the Big Man's part in the story. But, instead, the narrative just seemed to stop. This was hugely disappointing. I had to read the last few pages just to check I hadn't missed anything. Not only was I disappointed by the plot, this also didn't have the beautifully written descriptions of the Welsh countryside that I'd hoped for. Overwritten in places, I found the writing awkward and stilted, heavy in purple prose. At least it was short, but I'll be happy to move on to my next book now.