The Last Murder at the End of the World

Thanks to NetGalley for the ARC!

5 sparkly stars! It's always great when you finish a book and feel the need to silently stare at a wall for 10 minutes after because you don't know what to do with yourself now.

There's some gorgeous writing in this and an infuriating countdown. What more do you want?

This is a favourite of the year. Stuart Turton remains one of my all-time favourite authors. He made me enjoy an environmental dystopia that has hints of climate scifi, a subgenre I usually don't like at all!

I can't say much about this book since I believe the less you know about this author's novels, the more fun you'll have. What I will say is that, although The Last Murder at the End of the World shares some characteristics with his previous books—namely, that they are all mysteries featuring a small number of core characters who are surrounded by a larger cast and they all have lengthy titles—it is also, once again, a completely different book compared to the other things Stuart Turton has written. In the same way that The Seven Deaths of Evelyn Hardcastle and The Devil and the Dark Water are very different books!

Basically, if you love how Stuart Turton builds his stories, you won't be disappointed. If what he does is not your cup of tea, then I'm not sure this will work for you.

Personally, I can't wait for his next book! And with all due respect, please write faster, sir.

Here's another hit for Mr. Turton. Despite the obvious differences in the plot, the characters and the setting, this reading experience reminded me of the revelation of reading The 7 1/2 Deaths of Evelyn Hardcastle. The same sensation of barely hanging on to the logical thread of the story but not being able to stop reading and seeing where the story would take you next. Absolutely brilliant!

This gave me a similar feeling to The Seven Deaths - a crunchy, complex mystery where you're wondering 'what is going on?' as often as 'whodunnit'

There were some fun ideas and interesting questions to ponder, I loved the point of view and there were some greatly intense as well as some nice and sweet moments.

It didn't quite measure up to Seven Deaths for me, just because of the loss of tension and questions for the middle chunk, and perhaps the characters being much more simplistic. Maybe not simple, but a lot more of an open book - most of the characters didn't felt like a mystery to me.

I loved it, I'm keen to read all of Turton's books!

I'm starting to really like these ship-in-a-bottle mysteries that Turton pops out. I really enjoyed The Devil and the Dark Water (aside from some thematic quibbles near the end of the book), and this was (kind of) more of the same, just with an island instead of a ship. Island-in-a-bottle just doesn't sound as good though.

We have a small colony of people, marooned on an island and unable to leave due to a mysterious fog that's swept the world and killed everyone else on it. This island was the last refuge for scientists, who constructed a barrier that managed to keep the fog at bay and the people safe, but the lab that housed most of their technology and kept most of the people asleep in suspended animation had to be sealed up. Time passed. Survivors rebuilt their society as best they could. The three surviving scientists, enhanced to live long lives, shepherd their small colony of 122 villagers through their lives and their little society coexists together in a fragile balance of just enough villagers for just enough food. There's enough little oddities told about this village to keep you reading and make you wonder at what's actually beneath this little idyllic existence -- and then one of the scientists, beloved and revered, turns up dead. Suddenly there's a clock ticking where the murder must be solved before everyone is killed.

I really mostly enjoyed this book! There's enough strange things going on that's hinted at or glossed over by the POV characters as being something that just is to keep me wondering what actually was going on here. In fact, if the whole book was told with this as the framework, I'd probably be looking at a 5-star review here. My hangup is when things turn into murder investigation mode, because everything starts feeling a bit disconnected and frantic. The "detective" (in quotes, because she's not actually a detective with training) seems like she bounces from random location to random location in rapid succession with no real idea what she's doing. (ending spoilers here) Despite this, she manages to stumble on enough of the clues to lead her to a conclusion that was far-fetched at best. I certainly had a hard time following her train of thought, despite already arriving at the 'these people aren't people' conclusion before we got there. It feels like a book that begs for a re-read to really understand the ending.

Still, really interesting thoughts here, spun in a way that kept me reading to see how things wound up. I can't say I necessarily agree with the motive and the ending, but the journey was fun enough for me.

I've listened to all 3 of Stuart Turton's novels and the narrator (James Cameron Stewart) is excellent. Yet, I think this novel especially would be better experienced in print. I dig the intricatacy of his mysteries - "The 7 1/2 Deaths of Evelyn Harcastle" is amazing. Yet, the details of timelines, character actions and motives in his novels require careful attention for the reader to follow the plot to a satisfying conclusion. Taking this in via even the best narrator - while multitasking - was too much for my aging brain to follow. The universe of the story is an engaging one & the discovery of this would have surely been better for me in a print format - where I can easily go back to earlier in the story - as opposed to the challenge of moving backwards to re-listen to a passage in an audiobook. I admire the boldness of Turton's first forray into a fictional, dystopian, tech-heavy setting, yet I feel he's better at taking a historical place & time in which to create his impressive "puzzle box" mysteries.

Given the title, I don't know why I was surprised by the fact that this book is just as much a dystopian novel as it is a mystery. I don't know if my opinion of the story would have been different had I gone into it knowingly, but it definitely did take me by surprise.    I struggle to give a synopsis of this because I found it tricky to follow on audiobook. The delivery may be better suited for paper. The gist of the story is that a small island community is cut off from other parts of the world due to a dense fog that surrounds them. They live in relative peace, that is until one of their important scientists is found murdered, jeopardizing their security system.    A common problem I find in several of the dystopian books I've read is that the universes are presented as though the reader already knows every intricacy. I felt lost from start to finish, feeling only slightly enlightened as the book went on. Again, this might have been less of a problem if I'd been reading it with my eyes. Even still, it felt like as a whole there were a number of gaps in regards to both plot and character. By the end, I felt nothing had resonated.    Trouble following aside, I enjoyed the narrator, James Cameron Stewart's performance on the audiobook.    Thanks to NetGalley and Tantor Audio for providing me with a free audio ARC of the book! 

4.5 rounded up to 5. The ending, for this reader, was too convoluted - I lost track of what was what and didn't care who the murderer was so much but up to that point, a truly enthralling world with a great deal to say about human's penchant for greed, selfishness, sorrow, kindness, while also working in social commentary, climate issues, and strong familial bonds. Turton is a favorite author and he never disappoints. I enjoyed his comments at the end about writing stand-alones and about the synergy between writer and reader. Made me love him even more.