Ratings2
Average rating3.5
A fierce mixed-race fighter develops a powerful attachment to the yakuza princess she’s been forced to protect in this explosive queer thriller: Kill Bill meets The Handmaiden meets Thelma and Louise.
Tokyo, 1979. Yoriko Shindo, a workhorse of a woman who has been an outcast her whole life, is kidnapped and dragged to the lair of the Naiki-kai, a branch of the yakuza. After she savagely fends off a throng of henchmen in an attempt to escape, Shindo is only permitted to live under one condition: that she will become the bodyguard and driver for Shoko Naiki, the obsessively sheltered daughter of the gang’s boss.
Eighteen-year-old Shoko, pretty and silent as a doll, has no friends, wears strangely old-fashioned clothes, and is naive in all matters of life. Originally disdaining her ward, Shindo soon finds herself far more invested in Shoko’s wellbeing than she ever expected. But every man around them is bloodthirsty and trigger-happy. Shindo doubts she and Shoko will survive much longer if nothing changes. Could there ever be a different life for two women like them?
Akira Otani’s English-language debut moves boldly through time and across gender, stretching the definitions and possibilities of each concept. Rendered in a gorgeous translation by International Booker–shortlisted Sam Bett, this lean, mean thriller proves that bonds forged in fire are unbreakable.
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my media consumption has unintentionally converged: i just recently watched both volumes of kill bill followed by its inspiration lady snowblood, and yakuza 0 is next up on my games backlog (like a dragon, the JRPG title with kasuga, is the only one i've played in the series). so that should give you an idea of the book content: a bloody action thriller, with severed limbs, tons of misogyny and gross sexual violence, but gratifying physical hand-to-hand combat. it's a short read (translated from what i assume is a light novel) and pages go by fast due to the font size and line spacing. the plot probably fits into a 30-minute tv episode; it's compact and deliberate, with not much to trim off.
i don't want to say too much here because i think the less you know the more you'll enjoy the read (if you're OK with the content warnings above), but i was definitely glad i had a library hard copy to easily flip back to earlier pages. the book jacket synopsis also doesn't allude to this format outside of one word that you'll only figure out the meaning of towards the end, but it's dual POV with a wicked cool confluence.
this has a sapphic asian author and it was probably on my radar from some preview list of upcoming queer releases, and one of the marketing blurbs on the back alludes to it being "part poignant queer love story," but i think that's overselling it. the queerness is more... nebulous, understated. it's got certain themes that will make some audiences go 👀 and i think you'll root for the protagonists like you would for sook-hee and hideko in the handmaiden, but it's a far cry from being a gay romance.