The Republic of Thieves

I spent most of the nights this week immersed in this tale. Having to work half-asleep is a chore, but for this book, it's totally worth it.

Something about Lynch's writing style makes it impossible for me to put his books down once I've picked them up. His whipcrack-stlye jokes certainly play their part, but this isn't a comedy, so that's not all of it.

The characters, Locke and Jean, are super easy to root for. While Locke is obviously the lead character, I find Jean to be more interesting, overall. I find it easier to understand and empathize with Jean's worldview. Sabetha, who we meet for the first time in this book, was a bit of a disappointment. She's a strong female character with few twists. Locke's infatuation with her is a a hard swallow. However, revelations towards the end of the tale shed a possible clue as to why he follows her around the way he does.

This books going straight into my favorites list, and I'm definitely going to pick up the next book as soon as it's released!

Let me start by saying this is one of my favorite series. The first book was one of my favorites. The second was great too but not quite as good as the first for me. As for this one..my least favorite of the 3. Was it good? Yes but no where near the first two. I guess by the end I felt like this was more like a Part 1 or 2 books. I loved the back story, The Locke and Sabetha story and current interactions were great. I think what was off for me was the ending of both stories. Seemed like the current story and the election just kind of ended. The whole competition seemed like just friendly banter between them and at the end no one cared. The Magi stuff was great but I could careless about them. Seems like this books was needed to get us into the next one. Same issue with the back story. The twists and turns where great up until what happened at the end. There was no closure to what happened next. Seemed like a lot was held for the next one.

i have a feeling the next will be more like the first and should be awesome.

The third book of the Gentlemen Bastards did not disappoint.

Unlike the previous two books, this actually has two simultaneous interwoven plot threads running through the entire novel. This does an excellent job of highlighting the characterization between Locke and Sabetha (finally introduced to us in this volume). Both stories are interesting, different, and full of wonderful characterization and development.

My only complaint is that both stories left me wanting more. The stories were well executed, and resolved satisfactorily; however was left feeling as if I had missed some of the detail and scenery of the previous two novels.

There's a lot to love about Scott Lynch's series, and I'm particularly excited that the direction this is taking is exploring the mysteries of the world which have served as backdrop to Locke and Jean's adventures. This book delves just a touch deeper into the world of the Bondsmagi and the nature of the Eldren, hinting at books to come. Those books, I was disappointed to find, do not exist yet. Boo.

Locke and Jean remain great if severely flawed characters and the fun of watching them plot, fail, improvise, re-plot remains throughout this novel. There's a bit more melodrama on Locke's end (I could use a lot less romantic whining, but the teenage flashbacks made that impossible), but they are still solid. Sabetha is nice new edition although I do occasionally want to shake both her and Locke and tell them to just talk. So many stories would be so much shorter if the two romantic leads would have a lousy conversation instead of leaping to conclusions at every bend in the road.

So yes, the series still holds. My favorite part of Lynch's writing however has nothing to do with his characters, plot, or dialogue, but with his background. I've probably said this before but Lynch builds the most diverse and believable background for his novels. Women are everywhere in both menial and powerful position. Lady cops and henchman alike abound to thwart and be thwarted. This book makes the first mention, I believe, of racism with Jerena's ill-treatment, and uses the nation of Syresti to supply some much needed color to the fantasy world. While Sabetha and Jerena could both be seen as SFP archetypes who don't really do bad things, there are a number of complicated if not goodly characters of all types. Even homosexuality is treated with normalcy with couples making out in the bushes just as likely to be members of the same sex as different ones. While the main cast remains pretty much white and male, it's really nice to see the fantasy world expand to include diversity as a natural element.

If you liked Lies and Seas, you'll have no problem devouring Republic and being just as impatient as I am for Thorn of Emberlain's release.

Like everyone else, I've waited for this book for a long time, as Lynch has had a number of personal life issues to work through. It pains me to say I am unhappy with the eventual result.

I was pretty excited when I picked it up on release day, but it didn't last. It jumps back and forth between a flashback and present-day; it's been so long since I read the first two books that I don't recall it, but I'm reliably informed that the first two did this as well. Regardless, I found neither especially compelling. Characters' actions are sometimes inexplicable because their motivations aren't reasonable. The will-they-won't-they relationship between Locke and Sabetha is more irritating than anything else. I felt like Sabetha sometimes said and did the things she did not because they made any sense, but because she had to to get her character where Lynch wanted her to go.

Sad to say this did not live up to my expectations.

Executive Summary: The long awaited third novel in the Gentleman Bastards series, I would put this one about on par with [b:Red Seas Under Red Skies 887877 Red Seas Under Red Skies (Gentleman Bastard, #2) Scott Lynch https://d202m5krfqbpi5.cloudfront.net/books/1291336119s/887877.jpg 856785] but not nearly as good as [b:The Lies of Locke Lamora 127455 The Lies of Locke Lamora (Gentleman Bastard, #1) Scott Lynch https://d202m5krfqbpi5.cloudfront.net/books/1320532483s/127455.jpg 2116675].Full ReviewI only recently started the Gentleman Bastard series, so I didn't have the anticipation or the wait that many other fans had. I was however wondering if we'd ever meet the occasionally mentioned, but never seen Sabetha anytime soon.This book delivers that in spades. In fact possibly a little too much to the detriment of the other characters. Don't get me wrong, I really enjoy her character, and hope we'll see a lot more from her in the future, but I could have used some more with Jean and the other Bastards.The others? Yes, about half of this novel is a series of flashbacks much like the first novel where we finally learn about Sabetha and her relationship with Locke. I found these parts the better of the two stories. Maybe it was the (albeit brief) appearance of Chains, or the twins. I'm not really sure.For the present day story Locke and Jean are compelled to take their hand at politics, and you'll never guess who they are up against?The writing is once again excellent. I've heard complaints about the pacing, but I didn't find that an issue. In fact I found it much easier to get into this one than I did with the start of [b:Red Seas Under Red Skies 887877 Red Seas Under Red Skies (Gentleman Bastard, #2) Scott Lynch https://d202m5krfqbpi5.cloudfront.net/books/1291336119s/887877.jpg 856785].There is once again a slew of hilarious (and often inappropriate to repeat) conversations and one-liners. I often had to pause my reading to set down my book to control my laughter.My major issue is the main story in many ways felt like more of the same. Locke is supposed to be this criminal genius, yet he always seems not just one or two steps behind, but way behind his opposition. Maybe it's because I read all three books in close proximity, but I found it frustrating at points.That said, it was still a fun ride most of the way and I'll be eagerly waiting now for the fourth book in the series.

This book picks up a few weeks after the end of the last book. Locke and Jean are approached by a Bondsmagi who wants them to help rig an election in Karthain. They later find out that Sabetha is helping rig the election for the opposing side. I won't get too much further into the plot to avoid spoilers of the previous books.

I really enjoyed this book. There were definitely some drawbacks for me, but this series is still up there in my favorites because the characters in these stories are just so captivating. First, the plot was a little slower than the previous 2 books. There were a lot of political intrigue, which didn't hold many stakes, and then there was the flashbacks that were all of the Gentleman Bastards as teens doing an assignment for Chains. The flashbacks were lovely. I was always excited to get into them. It's the first time the reader gets to see Sabetha interacting with the rest of the crew, and it was very interesting to put their childhood into that context. As for the political stuff, I felt like it was a little lackluster. There weren't many stakes, and we didn't focus too much on this political race. It felt like extraneous information. The present time scenes were mostly focused on the romance of Sabetha and Locke. While I did enjoy their relationship and getting to see the character growth in Locke, Sabetha was not as cool of a character as I thought she would be. Another thing I wish this book had more of was more of Locke and Jean's relationship. That is what made the last book so incredible. Their relationship is one of my favorites in all of fiction. In the beginning of this book, when Jean is feverishly trying to find a cure for Locke, I was constantly just gushing about how genuine and incredible this relationship is.

All in all, this book was still incredible. I love this series and these characters, regardless of the few qualms I had with it. If you're looking for a charming, dark, fast paced fantasy series, this is it. Although, word of caution, the 4th book is a mystery as to when it will be published. Scott Lynch is one of the authors infamous for taking a while between books.

TW: body horror (including eye-harm), genital mutilation, loss of loved one, rape, torture

I liked the story. I liked the flashbacks. I liked Sabetha.

I really liked the dialogue, and certain lines in general. I found myself highlighting more than usual.

This book made me a bit “meh” on Locke as that relationship really just drags his character down. They're hinting that there's something more behind his very obsessive infatuation but booooooy. I like her but she has no idea what she wants and is absolutely not worth waiting for. (I feel like a parent sometimes)

It's also a bit too bad that the cat-and-mouse game in the book isn't all that present (or even just happens behind the scenes). Instead we got Locke and Jean constantly being thrown for a loop, which got tiring after the third time of that happening.

I think there could have been more fun with the politics aspect of it, which is a sentence that you don't hear me say often. Election-rigging! Come on! I just missed the scheming in general.

The first two thirds were very strong. The last third (coincidentally) focused a bit more on the Locke/Sabetha aspect and that may be why I wasn't as interested. The note on which the book ended was great though. Overall, I liked it a lot! Just a few things that left me a teensy bit annoyed.

This book was better than the second one, but not as good as the third. The cliffhanger at the end was perfect though. The book was great, but i feel the ending lacked impact (except for the cliffhanger). It just felt like the book was drawing to a big end and then sort of petered out. All in all 9.5/10

Edit added 6/26/2020: Recently it???s come to light that Scott Lynch is a serial emotional abuser and manipulator. I did not know that at the time I wrote this since I don???t move in the same spaces as his victims, but I???m leaving this note here now to say that, despite my high praise of this novel, I absolutely do not condone his behavior at any point in time, whether I was aware of it or not. Any of his books that I now have will not be reviewed on this blog. Review of any of his future work will depend upon whether he has demonstrated any actual, genuine change in his behavior going forward.

Caveat: Before I begin, I think it would only be wise to put up a spoiler warning. I don't know how many people have already read the book, but if the reader has strayed here from someplace else, not entirely aware of the nature of this review, then it's only right to inform them that there are spoilers in this review, and if one wishes to avoid spoilers, then it would be good to avoid this review until one has read the book.One last time: spoilers lie ahead, so do not read further than this unless you're one of a select class of people who are “spoiler-proof,” or you've already read the book. This is your last warning.

I truly, honestly do not know how to properly begin this review. I've declared my love for Scott Lynch's Gentlemen Bastards series here, there, and almost everywhere. I've tried to get as many of my friends as I possibly can to read it. I make references to it when talking about all the other things I read, if I think the reference appropriate. I openly laugh, scream, and occasionally outright cry over the books. I have stated publicly that I would marry Jean Tannen if he were real, that Jean Tannen's qualities are some of the qualities of my ideal mate.

So when Hope gave me a copy of The Republic of Thieves, the long-awaited third book in the series, I entered a virtual lockdown, throwing aside all my other reading and all my other plans for reading other things in order to immerse myself once more in Lynch's world. And since the time I've emerged from that world, I've spent a great deal of time wondering how to actually talk about the book. It was only today that I managed to figure out how to do just that.

The Republic of Thieves takes place almost immediately after the concluding events of Red Seas Under Red Skies. In the last novel, Locke found himself mortally poisoned by the Archon of Tal Verrar, and he and Jean have fled to Lashain to escape the Archon, as well as to find someone who might be able to cure Locke. While there, they are found by the Bondsmagi of Karthain - the same folk who were responsible for the deaths of Locke and Jean's closest friends in The Lies of Locke Lamora, and who brought them to the attention of the Archon in Red Seas Under Red Skies. To say that Locke and Jean do not like the Bondsmagi is an understatement, but this time, they have no choice but to work for them. In exchange for curing Locke, the Bondsmagi Patience hires the two Gentlemen Bastards to help rig an election in Karthain. This doesn't bother Locke and Jean much, until they learn who their opposite number is: Sabetha Belacoros, former Bastard and Locke's one true love, who left him a long while ago and who still occupies an enormous space in his heart.

The novel's format is similar to the format used for The Lies of Locke Lamora: alternating between past and present, with one informing the other. While the present tackles the ways and means Locke and Jean attempt to get the election to swing in favor of their employers, the past discusses Locke's relationship with Sabetha, which significantly overlaps with how he deals with her in the present of the novel. This also means that many of the original Gentlemen Bastards and their friends, like the Sanza twins, their mentor Father Chains, and friend Nazca Barsavi, make reappearances - made all the more heartbreaking by the fact that they are, to a one, dead (the Sanzas and Nazca, in particular, died quite horrifically in The Lies of Locke Lamora). It must be said that, to anyone who has read all three novels, these flashback chapters will be a great source of emotional pain while reading the novel, and I firmly believe that Lynch was aware of that and did everything deliberately.

There is, however, the addition of chapters called “Intersects,” which are difficult to explain without giving away far, far too much, but which are crucial to the story and offer some interesting insight into what's going on behind the behind-the-scenes, so to speak, as well as set up foreshadowing throughout Republic of Thieves and beyond, into the next novels.

My feelings for this particular iteration of Lynch's series are almost the same as the feelings I had for the previous two books, The Lies of Locke Lamora and Red Seas Under Red Skies. It had almost all the elements I'd come to expect: witty writing, daring and seemingly-impossible hijinks, and excellent plot twists. Even better, this novel is the first time Sabetha Belacoros, a character who's been mentioned in the last two books, makes her proper appearance in the series. Anyone who has read the first two books can completely understand my excitement for this third book.

However, note that I say “almost,” and there is a very good reason for that. This is not to say that The Republic of Thieves is a complete disappointment, but there seemed to be something somewhat-amiss about it. I'll get to that in a bit.

First, the good parts. The fact that it involves Locke and Jean being themselves is good enough to count, and it's a testament to Lynch's writing that, time and again, he's capable of getting his readers to care a very great deal about what happens to his characters. There isn't a lot of Jean in this novel as compared to the last two, but though I missed him I can live with the lack of his presence for a while. After all, there was Sabetha to think about, and since she'd been mentioned but never seen in the last two novels, I didn't mind it much when my favorite character in the entire series had to be put on the back burner for a while to give Sabetha a chance to shine.

And speaking of Sabetha, Lynch's female characters are always well-drawn and interesting, and this novel is no exception. I might not always like them, but the fact that I can feel conflicted about them (which I think is better than simple like or dislike) is a good sign of how Lynch is handling them. I'm especially pleased with his handling of Sabetha, and her relationship with Locke. It takes reading the book to understand how complex and complicated that relationship, and Sabetha herself, really are, but I appreciate the fact that Lynch takes the time to make me feel really ambivalent about Sabetha. On the whole, I actually like her, but it's difficult to get a real read on who she is because she isn't always used as a point-of-view character: the reader sees her through Locke's eyes, and that's certainly not the best way to understand Sabetha, because Locke worships her hand and foot whether he admits it or not. I hope that in the upcoming novels, Lynch will allow Sabetha a chance to explain things her own way - not least because of what it could mean for Locke's characterization.

The plot is everything one could expect from a Gentlemen Bastards book: Locke and Jean find themselves in a seemingly-impossible situation from which they can't talk or bribe their way out, and have to confront seemingly-impossible odds. Through a series of exceedingly clever maneuvers and manipulations, they manage to get the results they want - well, sort of. That their opponent is Sabetha, a fellow Bastard, which just ups the ante since she's familiar with the way their minds work. It was interesting watching them trying to out-maneuver each other based on the fact that they actually know how the other operates. There are also quite twists along the way that will leave the reader grinning or staring aghast (depending on what happens - though one in particular had me screaming, which is no mean feat) and the ending is far more of a killer than the ending for the last two.

And the wit - ah, the wit and the sarcasm and the swearing. I've always loved how Lynch does this particular aspect of his novels. Whether the characters are insulting someone or making a statement, one can always expect to hear something so surprisingly clever that one has to chuckle or laugh aloud outright at what one has read. Take, for instance, this gem, used to describe Sabetha:

“Well, hell. It's been five years. Maybe she's learned to lose gracefully. Maybe she's out of practice.”“Maybe trained monkeys will climb out of my ass and pour me a glass of Austershalin brandy,” said Jean.

Or this excellent scolding:

“You snot-nosed grand duke of insolence,” said Chains, growing louder with each word, “you ignorant, wet-eared, copper-chasing shit-barge puppy!”

Or this one, succinct statement about the desire for coffee, to which every hardcore coffee-drinker can relate:

“I could do public murder for a cup of coffee,” said Jean.

Honestly, I could go on and on here, but this is really one of the greatest pleasures about reading Lynch's books. Of course, more sensitive souls wouldn't like it, but for those of us who enjoy a good insult, or love our sarcasm to be so dry and witty it practically snaps and crackles off the page, then Lynch's writing is a great pleasure indeed. It's certainly one of the reasons why I wait so rabidly for his books, at any rate.

Now on to the reason why I used the word “almost” earlier. For some odd reason I can't quite pinpoint, the plot in this book seemed to be somehow smaller, making it feel like Republic of Thieves suffers from the “middle-book syndrome” more often seen in trilogies. I define “middle-book syndrome” as the sense one gets, as a reader, wherein the second book in a trilogy feels like a transitional point between the momentous events of the first book, and the momentous events of the third. Compared to the many-layered heist-turned-quest for vengeance-turned-rescue in The Lies of Locke Lamora, and the casino heist-slash-pirate adventure in Red Seas Under Red Skies, the twinned plots of election-rigging (the plot in the present-time in the novel) and theater heist (the plot of a flashback story) don't come off as equally jaw-dropping or awe-inspiring as the plots of the first two books, hence that sense of smallness. I was expecting something grand and insane - after all, Locke's really, really good at coming up with grand and insane plots. But Republic of Thieves didn't feel that way.

Of course, it could be entirely possible that I'm wrong to feel that way. I suspect that the reason for the sense of “smallness” is the change of focus in this novel - away from the plotting and the scheming, and more to the personal. This is the first time Sabetha is present in the flesh (so to speak) in any of the novels, so naturally exploring her relationship with Locke would be a priority - especially if she's to make a reappearance further down the line.

Overall, The Republic of Thieves is almost everything a fan of Lynch's series could hope for: the characters are as clever and as snarky and as well-written as ever; the plot is pretty twisted and has more than a few surprises awaiting the reader; and Sabetha is precisely what one could have hoped for in a female character with as complex and mysterious a background as hers. However, some readers may feel a sense of smallness in the plot, especially when compared to the grander hijinks the Bastards have gotten themselves into in the last two books, but in this instance it would be best to keep in mind that in this book, Lynch is obviously taking time away from the scheming to focus more on the personal. Sabetha's around, after all, and she is such an important character to Locke that it does take an entire book to understand what she means to him. I all say nothing further on certain new plot developments, but I will say this: those developments are entirely, completely scream-worthy, all things considered, and will throw the reader for quite a loop. Either way, I cannot wait for the next book The Thorn of Emberlain, which I've read Lynch call “Grand Theft Emberlain” elsewhere on the Internet. As someone who is entirely familiar with the Grand Theft Auto games, I am absolutely excited for that next book, and hope that it sees a return to the grander-level scheming Locke and Jean do so very well.