Vagrant Queen

I received a digital edition of this from the publisher as well as a copy from Netgalley. Thank you to both of them for giving me the opportunity to review this in exchange for my open and honest review.


This story isn't Firefly, and it isn't trying to be. But it has bits and pieces of what made Firefly so beloved. This story is a straight-up space opera complete with quipping protagonist and smart and scheming “second in command”(he isn't second yet – but you get the vibe). I love stories like this. Space opera is the guilty pleasure of the sci/fi loving crowd. Action, sex, humor, and excitement all rolled into a little sci/fi package. If Space Opera were a food, it would be a glazed donut.


Who the hell doesn't like a glazed donut?


At least that is how I think about it. It doesn't mean that space opera doesn't have literary value or merit, quite the opposite. Star Wars is a space opera and where would we be without that. It just a genre type like anything else.

There are a few things (according to Wikipedia) that define what a space opera is. I am going to relate a few of them to Vagrant Queen.

“Colorful” – This story is colorful, both in dialog and commentary as well as the cast of characters. Multi-humanoid races are represented as well a smattering of alien races. It all makes for a rich stew of characters.


“Dramatic” – “Former child queen Elida was driven from her throne at age ten and forced to wander the galaxy, evading the revolutionary forces that wanted her dead.” Does this not sound like high drama to you?

“Large-scale science fiction adventure” – Again, multi-planet conquests spanning an entire generation searching for child queen Elida.

“Competently and sometimes beautifully written” – This written well. I enjoyed Elida quite a bit. She had a definite Han Solo/Malcolm Reynolds vibe to her. Being that I am a ride or die Firefly fan, this appealed to me.

“Usually focused on a sympathetic, heroic central character and plot action” – Elida is a sympathetic character without appearing weak. She can't be weak; everyone is coming to get her. She needs to be wily, strong and intelligent – and she is. It is such a refreshing thing to see in graphic novels. Elida needs no one to save her; she can save her damn self.

“Characteristically optimistic in tone” – This isn't a dystopia. The narrative of the story is not about the overarching problems of society and how they relate to Elida. It is about how Elida is going to escape past gunships that are blocking her way.

“Large stakes” – Elida is a former child queen being chased across the galaxy. The stakes are high.

See you should read this! Action, adventure, power struggles, history, it is all here. Is it perfect? Not yet. The story just started, and the writing and art are getting their proverbial feet under them. But it has a ton of promise.

★ ★ ★ 1/2 (rounded up)
This originally appeared at The Irresponsible Reader.
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Let's get this out of the way, I'm having a very difficult time not talking about the job the late SYFY show did of adapting this. I could go on and on...I don't know if I'd have liked it if I'd read the comic first, but I think I would. It captures the spirit of the book, and a fair amount of the letter. Coming the other direction, I'm pretty impressed.

ENOUGH OF THAT, TALK ABOUT THE BOOK

Once upon a time, there was a child queen, Eldaya. Eldaya seems to have had a good heart and a desire to rule her people well. Her handlers seemed all in favor of that, but some things came first. Somewhere along the line, her advisors/hanlders—as well as her predecessors—lost track of their purpose, and let the galaxy (not ours) go to pot, letting injustice and suffering grow. Eventually, this bubbles into a French Revolution-style revolt. Eldaya, her mother and some loyal people escape—for a while. They're eventually found, and some of the revolutionary forces almost get the queen, they get almost all of her staff and mother.

It's years later now, and the queen has adopted the name Elida. Elida's a mavericky, smark alecky, savanger—doing all she can to survive. She wants nothing to do with her past and is doing all she can to pretend it has nothing to do with her (and it works, there are few who have a clue about it)

Elida has a...frequent ally, I guess. He's not really a friend. He's definitely not an enemy. Think Empire-era Han and Lando, maybe. Isaac is from Earth (a planet that no one believes exists), and will do almost anything for a shot to get back there—even if it is in another galaxy.

One of the revolutionaries, Lazaro, has been hunting for the Queen since she fled her home—and after all this time, he thinks he can capture and kill her.

Throw these three into a galaxy-wide chase with Elida trying to rescue her long-lost mother from the clutches of the revolution...and you've got yourself an exciting little space opera.

HOW'S THE ART?
I don't have a lot to say about it, really. Which solely reflects on me, not on Smith. The art is quirky, vibrant—there's a great sense of motion to it. I really dug Smith's approach.

I think Lazaro is frequently depicted a bit too cartoonishly. Which is odd, as he's about as far from comic relief as you can get.

WHAT DID I THINK ABOUT VAGRANT QUEEN VOL. 1?

It was fun, with some great action. I wanted a little more depth to everything, but not much. For a little bit of fun SF adventure, Vagrant Queen fits the bill nicely. I'll be back for Vol. 2.