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Average rating3
The stories collected here are linked by more than the exquisitely winding prose of their creator: Helen Oyeyemi's ensemble cast of characters slip from the pages of their own stories only to surface in another. The reader is invited into a world of lost libraries and locked gardens, of marshlands where the drowned dead live and a city where all the clocks have stopped; students hone their skills at puppet school, the Homely Wench Society commits a guerrilla book-swap, and lovers exchange books and roses on St Jordi's Day. It is a collection of towering imagination, marked by baroque beauty and a deep sensuousness.
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As a reader, I'm very reluctant to step outside my usual comfort zones of historical and literary fiction or nonfiction. Which is why the first book I read for my book club was a stretch for me: Helen Oyeyemi's What Is Not Yours Is Not Yours is a collection of short stories. At the time I read it, I didn't have a single other collection of short stories on my shelf, as it's not a format I generally enjoy. But we all benefit from a step outside the old comfort zone every once in a while, eh?
Honestly, I found the book more interesting than enjoyable. This is my first taste of Oyeyemi (although her well-regarded Boy, Snow, Bird is on my shelf, I haven't read it yet) and she's a powerful, talented writer. Most of the stories (but not all) are loosely interconnected...characters introduced in one have a way of showing up in others, but it's like a kaleidoscope in a way: the same pieces getting combined in different ways to create a whole new view. The boundaries of the world she creates in each story are all slightly different, so it doesn't feel cohesive despite the repeating characters and even the repeating motifs.
Possession and belonging, doors and keys, transition and fluidity are all over the stories in What Is Not Yours. Some of the stories really manage to develop these themes in interesting ways that feel complete, but for my money, this was maddeningly inconsistent. There was only one story I didn't like at all, but several of them felt unfinished and slightly underdone to me. Which is why I don't usually read short stories...when they're very good, they're amazing, but when they are anything less than great I find them mostly frustrating. I like immersing myself in the characters and setting of a book, so I find the constant change in setting and characters that short stories bring to be jarring. Most of the stories in this collection were good but not quite there for me...I wanted more from them, and from this book as a whole.
I love Oyeyemi's style and imaginative ideas, which is why it is so disappointing to me that everything I've read by her has felt so unfinished. [b:White is for Witching 6277227 White is for Witching Helen Oyeyemi https://images.gr-assets.com/books/1328020246s/6277227.jpg 6460728] would have been 5 stars up until the second half, when it just lost...something. It's so confusing, because I can't exactly put my finger on what makes Oyeyemi's books so disjointed. I think some of this disjointedness must be on purpose, because she seems like such a talent, and that just leaves me confused. I feel sad that I can't seem to love her work and that makes me tempted to keep trying...
A linked story collection shot through with a theme of keys, this one sounded promising. I read the first story in its entirety and enjoyed it. But I kept thinking I was missing something. Then into the second story I persevered for at least a dozen pages before skimming to the end because I had no idea what was going on. Tried the third story but quickly lost patience. Nope.