Where the Drowned Girls Go

Ever since the Moors, Cora has felt the Drowned Gods pull. Each night they whisper to her, calling her back. Water which once brought Cora comfort now fills her with dread, fearful the Drowned Gods will pull her back. Desperate to escape, Cora, begs to be sent to Whitethorn. And while she knows the school is different, she could never have guessed how different. From the strict rules to the no-nonsense matrons, Cora’s stay will be anything but pleasant.

There have been quite a few hushed whispers of an alternative school within the course of the Wayward Children series. Being able to experience Whitethorn firsthand through Cora’s eyes was startling. Instead of acceptance and friendship, they foster denial and subjugation. There is no talking of doors or whimsical worlds. Children are to focus on the here and now, on their future in the real world. Seanan McGuire effortlessly paints the picture of a new school without needing any overarching descriptions, or long detailed backstories. The character’s themselves bring it to life with peer interactions and overall body language.

Readers will be enthralled as they witness Cora’s past and present unfold. Being able to read about Cora’s history, and the bullying she endured for being different hit home. And knowing exactly what the Drowned Gods were taking away from her will make readers stand by Cora’s side as she does her best to piece together her future. It’s never easy being different. As much as Cora wants to believe in her door, the invasion of the Drowned Gods has worn her down day after day. Mentally exhausted, she makes a desperate move to Whitethorn. But forgetting is never easy.

Where the Drowned Girls Go is another thrilling addition to the Wayward Children series. Each new book takes readers on a dark and emotionally packed adventure. While I never know where the next door will take me, I know it will be an entertaining journey.

Again this book had the main character of Cora, who made everything about her fatness which I got tired of really fast. She has been in like 3 books so far and you would think she'd have some character development along the way but apparently not because it's all been stuffed in this books. 

The girl with no name and some of the other characters were nice. I liked the fact that Regan joined the gang in this one. Again though not much more info on Kade and also the whole mystery doesn't get resolved at all. This really is just an opening to the next book. I would have rather then had one bigger one where some stuff actually got resolved

There is a lot of magic in Seanan McGuire's Wayward Children series and her newest addition, Where the Drowned Girls Go. Magic in the characters' hearts and magic in the worlds and doors she has built. And that magic comes through in every lyrical word spoken by the characters. It is an impressive feat to be this far into a series, book 7 to be exact, and still be impressed by the story. But I very much am.

While novels have a long time to tell a story, it has a chance to zig-zag, twist, and curl around, coming to a climax that is 400 or 500 pages in the making; novellas aren't like that. They do not have the luxury and word count to dance around. They need to be tight where every word is a choice, and every character's action is exacting. This tightness is why this particular series is so powerful. McGuire tells a lot, builds whole worlds behind hidden doors with a short page and word count.

The seventh book of the series, Where the Drowned Girls Go, builds a world, but it isn't behind a door but at a new facility. Instead, McGuire creates The Whitethorn Institute, A school that is the antithesis of Eleanor West's Home for Wayward Children. There are old characters that readers of the series have gotten quite fond of and new ones to meet and get to know.

Cora, a girl who has gone through a door and returned, is desperate for change. She is desperate to move on. However, The Drowned Gods of the Moors have her number and torment her nightly, begging her to give herself over to them—something she will not do. Cora decides that the only way to get away from them is a drastic change. She leaves Home For Wayward Children to The Whitethorn Institute.

Mcguire was able to describe The Whitethorn Institute in very few words. For me, it resembled a “therapeutic” Boarding school for Problem Children that use questionable methods. Cora decides that she needs to go there and forget because The Whitethorn Institute teaches you to forget.

It is not what she imagined it to be. The school is much, much worse.

This story has many themes, very much like the other books in the series that adolescents and adults face in their lives. Where the Drowned Girls Go deals with self-image, weight, and bullying. And much like the other books, McGuire does not bash the reader of the head with the themes. Instead, she weaves them into the story, so they make up the story's fabric. I left Where the Drowned Girls Go, remembering my issues with bullying as a child and an appreciation for Cora as a character.

In conclusion, check out Where the Drowned Girls Go but only if you have read the entire series. Reading the first six books gives you a full appreciation for the worlds McGuire has created and a heightened enjoyment of Where the Drowned Girls Go. There is true beauty in McGuires writing, and the Wayward Children Series can take you out of this world and through the doors into new ones.