| #2 |  Literary Theory Literary Theory: An Introduction
| 0 |
| #3 |  How to Read Literature
| 3.5 |
| #4 |  Karl Marx and World Literature
| 0 |
| #5 |  Marxist Literary Criticism Today
| 0 |
| #6 |  Marxism and literary criticism
| 0 |
| #7 |  The Necessity of Art
| 0 |
| #8 |  Between Philosophy and Literature Between Philosophy and Literature: Bakhtin and the Question of the Subject
| 0 |
| #9 | Art History as Social Praxis Art History as Social Praxis: The Collected Writings of David Craven
| 0 |
| #10 |  Marxism and the History of Art: From William Morris to the New Left | 0 |
| #11 |  Fredric Jameson: The Project of Dialectical Criticism
| 0 |
| #12 |  Marxism and Form Marxism and Form: Twentieth-Century Dialectical Theories of Literature
| 0 |
| #13 |  Allegory and Ideology
| 0 |
| #14 |  A Singular Modernity: Essay on the Ontology of the Present
| 0 |
| #15 |  The Ancients and the Postmoderns: On the Historicity of Forms
| 0 |
| #16 |  Dying for Time
| 0 |
| #17 |  The Bourgeois: Between History and Literature
| 0 |
| #18 | Seizing the Light Seizing the Light: A Social History of Photography
| 0 |
| #19 |  The Social Photo: On Photography and Social Media
| 0 |
| #20 |  Civil Imagination: A Political Ontology of Photography
| 0 |
| #21 |  Capitalism and the Camera: Essays on Photography and Extraction | 0 |
| #22 |  Artificial Hells: Participatory Art and the Politics of Spectatorship
| 0 |
| #23 | The Twilight of the Middle Class The Twilight of the Middle Class: Post-World War II American Fiction and White-Collar Work
| 0 |
| #24 |  Art and Value: Art s Economic Exceptionalism in Classical, Neoclassical and Marxist Economics
| 0 |
| #25 |  Art and Labour: On the Hostility to Handicraft, Aesthetic Labour and the Politics of Work in Art
| 0 |
| #26 |  Art and Postcapitalism: Aesthetic Labour, Automation and Value Production
| 0 |
| #27 |  Towards a Productive Aesthetics Towards a Productive Aesthetics: Contemporary and Historical Interventions in Blake and Brecht
| 0 |
