“Crushed innocence and unannounced misery.” Yet - “life is a luxury” - abjectly saccharine ending?
“I confused her absence in conversation with an alienation of affection when it was only a compartmentalization of affection.”
Exploration on the (im)possibility of entirely scrubbing yourself from embryonic desire.
Positives: 1. True to life depiction of female friendships 2. The relative cinematography (pan in / pan out effect)
Negatives: Couldn't stand a single one of these people, and not in an anti-hero / anti-heroine sense
Singular-voice-driven as opposed to an explicit narrator; which perfectly steers an illustration of volatile and varying intimacies.
Midwestern winters loom large as a background to slippery consciousnesses and even slipperier senses of morality
The weakest of the trilogy, Levy too often loses her already loose thread to insufferability. Yet, her penchant for bread crumbs tightens the narrative just enough.
Exposes the Irish grandmother in Doolin telling me “I had the Irish look” for what it was, but beyond that the forced modernity falls a bit flat.
It reads as if Didion wanted to take another stab at A Book of Common Prayer, but forgot that the strength of the first work relied on its absurdism and subtle winks at the reader.
The stream of consciousness / lack of quotation marks jive could be a bit much, but by the end I was hesitant to go for a dip in a river any time soon so I suppose it did its job.