#2 | 4.53 | 88 reads | |
#3 | 4 | 10 reads | |
#4 | 4 | 3 reads | |
#5 | 4.75 | 4 reads | |
#6 | 4.06 | 222 reads | |
#7 | 4.46 | 316 reads | |
#8 | 4 | 3 reads | |
#9 | 4 | 13 reads | |
#10 | 3.8 | 6 reads | |
#11 | 4.26 | 56 reads | |
#12 | 4.31 | 122 reads | |
#13 | 4.5 | 5 reads | |
#14 | 4.19 | 197 reads | |
#15 | 3.65 | 18 reads | |
#16 | 3.5 | 7 reads | |
#17 | 4.29 | 25 reads | |
#18 | 4.51 | 52 reads | |
#19 | 4.05 | 11 reads | |
#20 | 3.4 | 24 reads | |
#21 | 3.86 | 12 reads | |
#22 | 3.92 | 12 reads | |
#23 | Perfection Salad Perfection Salad: Women and Cooking at the Turn of the Century
| 0 | 2 reads |
#24 | 3.33 | 5 reads | |
#25 | 0 | 0 reads | |
#26 | 0 | 0 reads | |
#27 | 0 | 0 reads | |
#28 | Not That Bad: Dispatches from Rape Culture
| 4.56 | 21 reads |
#29 | 4.4 | 11 reads | |
#30 | 0 | 0 reads | |
#31 | 5 | 2 reads | |
#32 | 4.67 | 3 reads | |
#33 | When I Had A Little Sister When I Had A Little Sister
| 0 | 0 reads |
#34 | The Cut Out Girl The Cut Out Girl: A Story of War and Family, Lost and Found
| 4.33 | 3 reads |
#35 | 4.67 | 4 reads | |
#36 | 4.15 | 227 reads | |
#37 | 4.29 | 25 reads | |
#38 | 4.21 | 104 reads | |
#39 | 4.62 | 25 reads | |
#40 | 4.07 | 17 reads | |
#41 | 4 | 10 reads | |
#42 | 5 | 1 read | |
#43 | 4.17 | 165 reads | |
#44 | 3.5 | 8 reads | |
#45 | 4.82 | 14 reads | |
#46 | 3.72 | 19 reads | |
#47 | 4.13 | 99 reads | |
#48 | 4.18 | 158 reads | |
#49 | 4 | 17 reads | |
#50 | 3 | 3 reads | |
#51 | 5 | 1 read | |
#52 | 2 | 2 reads | |
#53 | 4 | 15 reads | |
#54 | 4.17 | 4 reads | |
#55 | 4 | 299 reads | |
#56 | 3.67 | 7 reads | |
#57 | 3.82 | 37 reads | |
#58 | 4 | 6 reads | |
#59 | 3 | 1 read | |
#60 | 4 | 3 reads | |
#61 | The Louvre The Louvre
| 4 | 1 read |
#62 | 4 | 2 reads | |
#63 | A History of Western Art A History of Western Art
| 4 | 1 read |
#64 | What's The Difference? - How to Tell Things Apart That Are Confusingly Close What's The Difference? - How to Tell Things Apart That Are Confusingly Close
| 4 | 1 read |
#65 | 4 | 1 read | |
#66 | History of Modern Art History of Modern Art
| 4 | 1 read |
#67 | 4 | 1 read | |
#68 | 4.33 | 12 reads | |
#69 | 3.78 | 386 reads | |
#70 | 3.76 | 243 reads | |
#71 | Inventing Beauty Inventing Beauty: A History of the Innovations that Have Made Us Beautiful
| 4 | 1 read |
#72 | The Great American Pin-Up The Great American Pin-Up
| 4 | 1 read |
#73 | Fashion Fashion: The Collection of the Kyoto Costume Institute - A History from the 18th to the 20th Century
| 5 | 2 reads |
#74 | 5 | 2 reads | |
#75 | 3.89 | 32 reads | |
#76 | 4 | 8 reads | |
#77 | 5 | 1 read | |
#78 | Cantinflas Cantinflas: Mario Moreno
| 2 | 1 read |
#79 | 4.1 | 24 reads | |
#80 | 4.14 | 27 reads | |
#81 | 4 | 3 reads | |
#82 | 4.45 | 143 reads | |
#83 | 3.8 | 11 reads | |
#84 | 4.46 | 39 reads | |
#85 | Siglo De Caudillos Siglo De Caudillos
| 0 | 1 read |
#86 | 3.5 | 2 reads | |
#87 | 0 | 0 reads | |
#88 | Tea and Pomegranates Tea and Pomegranates
| 0 | 0 reads |
#89 | Eating Right in the Renaissance Eating Right in the Renaissance
| 0 | 0 reads |
#90 | Born Again Bodies Born Again Bodies: Flesh and Spirit in American Christianity
| 0 | 0 reads |
#91 | 0 | 0 reads | |
#92 | Weighing In Weighing In: Obesity, Food Justice, and the Limits of Capitalism
| 0 | 0 reads |
#93 | 0 | 0 reads | |
#94 | 4.25 | 71 reads | |
#95 | 4.17 | 62 reads | |
#96 | 4.42 | 54 reads | |
#97 | 3.73 | 12 reads | |
#98 | 4.33 | 4 reads | |
#99 | 4.23 | 280 reads | |
#100 | 4.67 | 3 reads | |
#101 | 4.43 | 281 reads |