Ratings138
Average rating3.8
incredible concept and ideas, execution didn't live up to my expectations but overall a great read that makes you do some thinking
DNF: got about halfway through before the holes in the plot and worldbuilding got too annoying.
I should have read this book so much earlier. It's been on my list for ages and I could have been obsessing over Dell and Cara all that time. I loved the characters and all the different versions of it we have seen. I loved Nyame and how they made traversing a sort of spiritual experience. The whole dynamic between Wiley and Ash was amazing and showed through to every single character dynamic. Absolute magnificent world-building. I fear I will have to read this book over and over and over for the rest of my fucking life.
The many worlds hypothesis is an exciting place to start a story concept - that is exactly where Micaiah Johnson begins with The Space Between Worlds. Cara, our protagonist, is a traveler. Someone who is able to travel safely between worlds. The key requirement for a traveler is that they be dead on the world they are travelling to - a nice way of getting around some of the paradoxes that the many worlds theory has. In the world of this book, there are 380 worlds that are similar enough to the datum Earth for people to travel to. Cara is dead on 372 of them. Cara also has a secret. She may not be who everyone thinks she is.
The semi post-apocalyptic setting creates for an interesting world and subset of worlds for things to occur over. The interaction between the various worlds is carefully explored and the main protagonists are developed in interesting ways. The relationships are well developed and add some real color to the story. From the abusive relationship of Cara's former partner (which clouds her view towards him on all other worlds) to the strange and sinister manipulations of the corporation that employs her to travel between worlds, these are all fascinating a at times brutally real. The most heartbreaking is reserved for her relationships with her coworkers, both her mentor and her handler.
This book is the best take on the many worlds idea I have read so far. Thoroughly engrossing and a highly recommended read
Damn what a book. Very unique premise and very well written. Johnson really builds a world (or worlds).
This was not a light read, it was a slow, serious and tense story that uses its Science Fictional conceit to explore how events and choices, as well as accidents of birth affect who we are. As part of this, there is the dichotomy of “The Wastes” and “The City” driving home the differences and interactions of the “developed” and “developing” nations and their often paradoxical (or parasitic) relationships.
Well written and food for thought.
Infinite parallel worlds hold many wonderful plot opportunities, but also infinite plot holes that Authors fall through. Blake Crouch's [b:Dark Matter 27833670 Dark Matter Blake Crouch https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1472119680l/27833670.SY75.jpg 43161998] didn't escape them but this one did. I came for the genre and subject matter that has always fascinated me. I did not expect to be captivated by the character building and the quality of the writing. Look forward to her next book.
Overall I quite enjoyed this book. I loved the riddle of the multiverse that it started with. As we progressed through Cara???s experience on Earth 125 I will admit I started to think ???Oh god is this going to be a ???365 Days??? like Stockholm syndrome plot???? But my fears were unfounded and the rest of the novel unfolded with the interesting sort of point-counterpoint, plot-twist, cross, double-cross one-two punch that kept me turning the pages. It is a much more nuanced take on abuse and survivors and resilience than I initially gave it credit for. The author has really taken the time to think through the implications of her multiverse world AND tied that to interesting characters who make reasonable decisions and grow as they experience and develop events and understandings in their world. Wonderful.
In the little time I have for relaxing reading, reading about alot of violence against humans is not on my wishlist.
I think this excellent book suffered from being the first thing I read after finishing The Broken Earth Trilogy; I suspect most books' sheens would be somewhat dulled in comparison to the dazzle of TBET. Still, I raced through this and enjoyed it, with two caveats. First, there's one relationship between two main characters that grated on me for most of the novel, and I have a pretty high tolerance for interpersonal tension both in real life and fiction. After a plot twist, however, it becomes clear that the reader was supposed to be squirming reading those interactions, and I wish Johnson had been willing to give me a reprieve a bit earlier. The other caveat is there's another plot twist late in the novel that relies on the first person narrator failing to disclose a significant decision with the reader. That felt a bit sneaky to me, and is a good example of the success of TBET, which involved Jemisin deftly navigating second person narration without committing narrative errors of didactic commission or tricksy omission.
STILL! I'm just being picky! I believe this is Johnson's first novel, and based on how much I liked this, I'm hoping she keeps putting great stories out there in the world. Cara, her protagonist, is a nuanced and powerful character who will stay with me for a long time.
Thoroughly enjoyed this. It kept me interested and the pace was good. The characters didn't bore me at all. I liked the writing style besides some areas that gave off a YA feel.
The audiobook made that worse since the narration made the characters sound immature, I wasn't a fan, so I recommend just reading it yourself.
Er zijn oneindig veel parallelle werelden, en we kunnen mensen naar parallelle werelden sturen. Twee proviso's: de parallelle wereld mag niet té ver van de wereld verwijderd zijn, en de persoon die naar die parallelle wereld gestuurd wordt, mag niet meer leven in de wereld waar hij/zij naartoe gestuurd wordt.
In de praktijk betekent dat dat er 382 werelden bereikbaar zijn, en dat er normaal gezien veel verschillende mensen nodig zijn om naar die werelden te gaan, omdat de meeste mensen die in Aarde-0 leven, ook leven in de andere Aardes.
Ah ja: de wereld waar we het over hebben, is –vermoed ik– ergens in de toekomst, waar de zon dodelijk kan zijn en menden in de steden (of is er maar één stad over? geen idee) onder een bubbel leven. Geen Eloi en Morlocks, maar wel inwonder van Wiley City en Ashtown, de sloppenwijken rond de stad.
Wiley City is een moderne welvaartsstaat, Ashtown is sinds anderhalve generatie een soort fascistische staat met een ‘Keizer' aan het hoofd, die in elke wereld een min of meer erg schrikbewind voert.
Cara is iemand die in deze wereld aan de betere kant van Ashtown leeft, maar in de overgrote meerderheid van de andere realiteiten in Ashtown leeft, en bijgevolg in het overgrote deel van de realiteiten geen twintig wordt. Zij is dan ook behoorlijk waardevol omdat ze zeer veel werelden kan bezoeken: er zijn op 382 werelden maar 8 waar ze nog leeft.
Dat bezoeken, trouwens, is niet voor wilde nieuwe inzichten of vreemde nieuwe werelden: alleen bijna niet afwijkende werelden zijn bereikbaar, remember? Dus gaat het om maandelijkse redelijk doordeweekse bezoeken, om te kijken of er elders op andere plaatsen grondstoffen ontdekt zijn, of om te zien of die andere wereld net iets beter of slechter is en allerlei KPI's bij te houden.
Maar dat doet er eigenlijk niet zo heel veel toe: The Space Between Worlds is een zeer intiem verhaal, over Cara en hoe ze omgaat met haar situatie, over nature versus nurture, en over interpersoonlijke relaties over verschillende versies van die personen heen — niet in het minst met de Keizer van Ashtown, waar ze in verschillende realiteiten de concubine van is, en met haar handler Dell, waar ze stekeverliefd op is, maar waar het verschil in klasse (in deze wereld dan toch) onoverbrugbaar is.
Het gaat ook over liefde en klassen en privilege en trauma en mishandeling en misverstanden en liefde.
't Is een zeer aangeraden boek.
Cara is a traverser. She travels to different versions of Earth to collect data. She can travel to any other Earth as long as she is dead there already. Cara is unique because she is dead on 372. She only has 8 doppelgangers left.
Most of the worlds hold a different version of her life of hardship and suffering. But, they are mostly the same. Except for one. One of the doppelgangers dies and Cara can't help but think something isn't right. She sets out to find answers and finds more than she could've imagined.
This is a great book! There were so many plot twists that I didn't see coming. When I could find time to read, I didn't want to stop. This was such a breath of fresh air! So unique, so well written. I just really enjoyed myself.
I received a copy from Net Galley. All thoughts and opinions are my own.
I had high expectations for this book due to all of the positive reviews and felt a little let down by it. It was interesting enough to keep reading but I never connected with the main character. The ability to travel to different worlds is a concept that always interests me, but wasn't fully utilized in this story.
Do you ever procrastinate while reading a book because you know you'll be sad when it's over? That was this book for me. It had all of my favorite archetypes represented in the story. A strong but complex female lead, dystopian fantasy an sci-fi rolled into one, fighting, complicated romance, all of the characters served a purpose, and the setting was so unique and specific that I could see it in my mind as I read it. I hate when female characters are written to be naturally good and wholesome and perfect. Cara's character was far from all of these descriptions which made her great in all the ways that mattered. The author has a way of writing very complicated connections between her characters, but as a reader, I understood the relationships despite the varying rough history Cara had with each. I want an entire book series on the house and Exlee because that character was magic. If you love the fantasy genre and you've been looking to add some diversity to your bookshelves, this is the one.
Cara is a person who can travel between worlds. Multiverse travel is only possible if your counterpart is dead, and Cara's life had been ended on 372 of the 380 possible and accessible Earths. That makes Cara a valuable commodity, as she travels between worlds and collects data for a huge corporation back on her home planet. During her travels, Cara learns some very important information, and she must return to her Earth and figure out what to do with what she now knows.
We get to know the people Cara knows on her Earth, and we also get to know their counterparts on other Earths, and that makes for a fascinating story. There are lots of if-onlys and tweaks and missteps and slight adjustments between the worlds, and it's these sorts of comparisons between existing worlds that makes a reader think of possibilities in her own multiverse.
This is random, but I loved the prayer to the dead Cara's sister offers in this book:
‘“Nelline, I am commending you into the arms of the earth, the preserver of all mercy. I am returning you to everlasting peace, and to the denser reality of the creator of all. Don't be scared. Don't regret. Whatever time you had, it was enough. Whatever you accomplished, it was enough. We will remember your good deeds for the rest of our lives. We will forget your wrongdoings forever. Thank you, thank you, thank you, for spending your time in the dirt with us.”'
There are many advantages to reading with a book club, including: getting to discuss books with a group, discovering books I might have otherwise been unaware of, and of course friendship and fellowship. One downside though is feeling self-imposed pressure not to DNF a book I'm not enjoying because I don't want to let the group down by not reading it. Sadly this situation was the case with The Space Between Worlds by Micaiah Johnson. Imagine a world where the technology needed to travel the multiverse has been invented, the catch being that traveling to world in which the other version of yourself is still alive will kill you. Enter Cara, a traverser who came from impoverished Ash Town, who has died in a huge number of the other worlds making her extremely valuable to Eldridge Institute located in affluent Wiley City. The book has a lot going for it: a queer romance, representation and inclusion of different kinds of people, an inventive take on the multiverse, and relevant dystopian themes about equity. At its absolute best some sections reminded me a bit Butler's The Parable of the Sower, but unfortunately on the whole this book just didn't work for me. It was loaded with exposition and yet still managed to be confusing in its world building for far too long. I also found the fact that people sometimes had different names in the different worlds to be very confusing. Finally, I expected this to be a sci-fi adventure but it's really more of a character driven story with some sci-fi elements. Overall I was bored and confused and found listening to this book to be a bit of a chore. It did pick up a bit eventually, but it simply wasn't to my taste overall. ⭐️⭐️
This was a surprising read for me. I only knew it was about alternative universes, but at each quarter mark when I thought I knew where the story was going I was pleasantly surprised by its new direction each time. There were quite a few big surprises in between too. For a single POV I was impressed by the characterization of the other characters, but not enough for me to rate it 5/5. I was most invested in this book for its plot and world building - which I thought was pretty darn cool.
If you are searching for a Science Fiction book, this is not for you.
This is a story about a strong protagonist with questionable morals, an outsider making her way in a hostile world against all odds. You get religious themes, social commentary, philosophical ideas and, in great parts, a gripping story, but what you do not get is science fiction.
No explanation about how anything works hardly any information about the world and why it is how it is, let alone the parallel worlds, close to zero world building.
We get pages and pages exploring Cara and her feelings, former lovers, current crush, domestic violence, hopes and fears while the science fiction elements are glossed over in a paragraph or two and later happen totally ‘off screen'.
That being said, I could not put the book away and read through it within a few days. I like the style of the author, it never gets boring and has enough interesting ideas to keep you hooked and makes you think but overall I was looking for a sci-fi book, not some human drama. But that's on me.
2.5/5 stars.
This originally appeared at The Irresponsible Reader.
---
REASONS I HAVE DIED:
The emperor of the wasteland wanted to make an example of my mother, and started with me.
One of my mother’s boyfriends wanted to cover up what he did to me.
I was born addicted and my lungs didn’t develop.
I was born addicted and my brain didn’t develop.
I was left alone, and a stranger came along.
The runners came for a neighbor, and I was in the way.
The runners came for my mother, and I was in the way.
The runners came for my mother’s boyfriend, and I was in the way.
The runners came for no one, serving nothing at all but chaos and fear, and I was what they found.
Sometimes, I was just forgotten in the shed where she kept me while she worked or spun out, and in the length of her high and the heat of the sun I fell asleep alone and hungry and forever.
REASONS I HAVE LIVED:
I don’t know, but there are eight.
(that’s how you end a first chapter!)
I read this to take part in Shared Stories Bookstore’s Sci-Fi Book Club—I’ve never been to a Book Club before, I’m looking forward to doing so again. But that’s not what I’m going to talk about here—but I need to say that some of what I’m going to say about this book has either been shaped/informed by or directly stolen from someone at that meeting. I won’t share their names, because I didn’t get permission, but I wanted it out there that the smarter things I say here comes from them.
This is tricky for a few reasons, some of which I really can’t get into. In a sense there are four stories* in this book and each resolves (pretty much) before the next launches. So obviously, I can’t get into the latter stories. But the first one or two I can sketch out a little bit…
* This is stolen from our discussion leader.
In a pretty distant future world—following some sort of environmental collapse (and maybe some military-induced collapse, but mostly environmental) the world is covered in city-states (that’s actually a guess, we know almost nothing about the rest of the world). There’s a city called Wiley City—which is pretty much everything you think of when you think of a futuristic city—shiny buildings, cool tech, and whatnot. Outside the City is another settlement, called Ashtown. Ashtown is where the poor, the unwanted, the criminal classes live. There are also people who live outside Ashtown and in (or at least spend time in), called Ruralites—who are a strictly religious group and it seems most of the people of Ashtown are (at least nominally) dependent upon their efforts.
Travel between parallel universes is now possible. Maybe for just the residents of one Earth, anyway. The catch is, you cannot travel to a universe in which you exist—and it doesn’t go well for the person entering a world they exist in. This makes the ideal candidate someone on the fringes of society—those who are most likely to live a dangerous life or a life with inadequate resources, so they might die early from natural causes. The more realities that you’re dead in, the more you can travel on behalf of the corporate entity that runs the multiverse technology.
Enter Cara, a resident of Ashtown, who is dead on 372 of the worlds that humans can travel to. She’s largely keeping her head down, just trying to make it through the next few years without losing her job—which will result in her being removed from Wiley City—if she can last long enough, she’ll become a citizen and she can then relax a little. She cuts loose a little in the worlds she visits, but lives a pretty careful life on “Earth Zero.”
She receives word that she’s been assigned to a new world—yet one more version of her has died. When she gets there, things start to go wrong and she really can’t complete her mission. She can, however, by her mere presence, act as a catalyst for some big changes in the leadership of that world’s Ashtown and Wiley City. This will end up having some ramifications on Earth Zero—and maybe elsewhere, too.
This is one of those books that’s filled with all sorts of cool sci-fi technology—especially the traveling between universes, but it’s not limited to that. And Johnson gives us no Asimov-esque explanations for it. Zip. Zilch. Nada. I’ve already given you almost all of the details you’re going to get about the science behind the travel between universes.
And yet, it works. I’d hoped for a little more detail, but I wasn’t bothered by its lack. In fact, I cared so much about Cara and what she was doing—and the people she was surrounded by in the various Earths she went to, I didn’t stop to think about the tech. And when I did…it didn’t matter, really.
It’s there, it does what it’s intended to do. That’s all you need to know.
We get more of this, really, than the science behind the traveling and other tools they have in Wiley City.
The Ruralites have a hybrid religion with features of Christianity (that’s obvious) and Buddhism (I needed someone to help me see that) and some other things accumulated over the centuries. It’s pretty strict and regimented—but there’s grace and mercy, too.
There’s a burial scene—including a good part of the rituals used. It’s very detailed and tells you as much about the religion as it does the people taking part in it. It is so well done, that you almost want to see more people killed so Johnson will describe it again.*
* Sure, you can just re-read that part. But if she writes it again, she might include new details.
There’s also a superstition—if it’s not a full-blown mini-religion—that has developed among those who travel between worlds. It’s not endorsed by, or encouraged by, the company—but it’s pervasive and has a hold on those travelers. They will tell you there’s a presence, a person of some sort, governing the travel. Someone they can feel and sense between the worlds.
Our culture currently likes to pit science vs. religion/spirituality/whatever. There is no such division for Cara and most (if not all) of the people she knows. They exist side-by-side, informing actions and morality each in their own way.
This is such a good idea for Johnson to introduce and her execution of it—and explanation of both sets of beliefs are just great. We don’t get a creed or even a full idea about the religious tenants of the Ruralites—but we see enough to believe that such a creed exists.
In short, this is really just a stunning book. The back of the book promises “surprise twists” and yeah, there are some, but the book is about more than a twist or five, as skillfully as Johnson executes them. As someone at the book club said, you think the main story is about to wrap up but there’s a whole bunch of more pages to left. None of the storylines feel rushed nor do they feel stretched out. There’s one mini-arc you might want more time in, but that’s just because it’s so pleasant (and given the rest of the book, pleasant is nice).
Cara is a wonderfully complex character. When we meet her, she seems fully realized—like one of those characters that’s going to remain largely the same person at the end of the novel as she was at the beginning. But that’s not it at all—she goes through a great period of personal growth, of changing the way she sees the world and people in it. Her motivations behind her choices on Earth Zero get pushed to the limit, and she is going to be faced with some major changes in that reality (as well as others).
I don’t want to overlook the other characters…at least some versions of them. There are some truly despicable characters (one’s despicable on every world we see him on, one is despicable—vile actually—on most worlds—which makes it hard on the other to accept him (for Cara and the reader)). There’s an evil mastermind who is pretty chilling. There’s some criminal types who show more honor than anyone else in the book. There are some characters that are likable, admirable, and even loveable (depending on the world). It’s a rich, rich world full of wonderful people (that you meet several versions of).
I need to talk about the prose, and yet I don’t know how to adequately express how much I was blown away by it. You could almost open up to any random page and find something worthy of quoting, of meditating on, or marinating in. Johnson has this ability to take a benign, everyday, or plain sentence and turn on a dime and make it bleak, gutting, or even hopeful (that’s the less-popular option.) Cara does have some grit to her, she is a wiseacre. The book isn’t a doom and gloom, I frequently smiled. But her world is a harsh one, particularly outside the walls of Wiley City, and Johnson’s language reflects that.
Apparently, there’s a sequel. It didn’t feel like the first in a series—and can absolutely be read as a stand-alone. This is one of the best written books I’ve read this year—and the story is really compelling. With twists you won’t be able to guess most things that happen over the course of the novel. It’s a very SF novel, but it’s also the kind of SF that people who aren’t super-into SF can get into (like one person at the book club). I’m at the point where I’m just running in circles—so I’ll shut up, you go get the book. Deal?
Originally posted at irresponsiblereader.com.
From the title and cover I actually thought this was some sort of YA-ish romance book (oops, probably getting confused with “the space between us”) but it's actually a decent soft sci-fi novel.
Basically they've invented travelling between parallel worlds, but the catch is you can only travel there if your counterpart in the other world is dead. Since rich people tend to be alive in most of their worlds, this means the job of travelling falls on the poor underclass.
Our main character, Cara is one such traveller. The travelling is actually for quite mundane reasons - to gather data on parallel worlds for statistical analysis and to try and make money off of it. The book isn't too heavy on sci-fi, as it more ends up being about the people that Cara meets between the different worlds, and all the ways they are different (or the same). So don't expect the author to really explain the travelling thing.
The first quarter felt really slow as the author established the character's backstory and all the supporting characters and I was half-considering giving up on it. It did pick up the pace midway for an relatively satisfying conclusion. The villain and the way the ending played out definitely had room for improvement, but just don't read too closely into it lol.
Originally posted at www.emgoto.com.